Author Archive | Ellen Lindner

“Happy Family” Complete

Here’s my latest quilt, Happy Family

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

I’m REALLY happy with it and I hope you like it, too.

As you can see, I added three loose circles, to add interest. Since there are three members of my immediate family, and because the colors are so upbeat, I decided to name it Happy Family.

I got carried away when taking detail shots. Again, because I just love what happens when these busy prints interact with one another.

."Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog
As usual, I printed 99% of these fabrics myself (with dye.)

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

This quilt is 32″h x 35″ w.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

It’s available for purchase, at a price of $1100. If you’re interested in buying it contact me via email with the link at the bottom of the page.

Ellen Lindner
P.S. I really like the loose circles. I think I’ll use them in a future quilt.
P.P.S. I can’t wait to get started on the next quilt!

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Abstract Design

I continued working on my latest quilt, using lots of trial and error. This is where I left off in the last blog post. I decided against the strong stripes in the lower left.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

This closer shot shows how I first, fold the fabrics to audition placement and size. I cut into them when I get confidant with my plan, but I don’t do the piecing until near the end.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Compare this next photo to the one at the top of the page. I decided I needed some more blue. And I also wanted to enlarge the yellow area near the center. (And to do so with an irregular shape.)

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Here, the background is completely pieced, although I’m auditioning a few little spots of color which I intend to fuse on.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Time to assess what I’ve got. Is it interesting enough? Does it have enough energy? Does it need something else?

What about some skinny and loose black circles? I auditioned the idea on my computer.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Well, I liked the circles, but not the black. What about yellow?

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Yes, I think that will do!

I should have this finished soon and I’m looking forward to showing you the finished project.

Ellen Lindner

 

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The Measuring Spoon Epilogue

After my husband gave me TEN sets of measuring spoons for Christmas we all had a good laugh. And I figured I’d be giving them away as party favors.

But, he had other plans.

Measuring spoons hanging in place. Ellen Lindner, AdventureQuilter.com/blog

Is this brilliant or what? I LOVE having these spoons already sorted and easy to spot. And no more tangled spoons in the crowded drawer. It pays to have an engineer for a husband!

Ellen Lindner

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Hanging from One Nail

I’ve been entering my textile pieces in more mixed media shows lately. I love that fiber arts are now often included in the category of fine art!

The hanging mechanism is a little tricky, though. My pieces have wide hanging sleeves on the back, to accommodate the requirements of traditional quilt shows. However, these mixed media venues are used to hanging pieces on a single nail or some other hanging apparatus. To deal with this, I’ve been inserting the hanging slat into the sleeve and stapling a hanging wire across the back of the sleeve/slat. This worked pretty well, but the quilts never seemed to hang quite flat.

Like this. The slat tilts in the roomy sleeve. As a result, the lower part of the slat rests on the wall, but the top portion protrudes forward.

Hanging on a Single Nail. Ellen Lindner, AdventureQuilter.com/blog

Thankfully, a friend’s engineer husband noticed the issue and came up with a solution. He realized that a sleeve that fit the slat snugly, got rid of the problem. See the difference, below?

Hanging on a Single Nail. Ellen Lindner, AdventureQuilter.com/blog

Of course, the issue is that I still want a wide sleeve for traditional shows. So, I decided to  hand sew a temporary bottom for the sleeve, sizing it to fit the slat. I stitched through the backing and batting, but not into the front. This worked beautifully and when I need the full sleeve width, I can easily remove those stitches.

Ellen Lindner
P.S. I need this trick because I have quilts heading to several gallery/museum shows coming up. Yippee!

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Maybe a Grid This Time?

If you’re familiar with my design process you know that I often end up with a challenging “Tetris”-type assembly at the construction stage. To get around this, I decided I’d work in a grid this time. My plan was to cut my selected fabrics into squares of the same size and then to move them into an easy-to-assemble composition.

This was my very early start. You’ll notice the black and white polka-dots in the center. They all came from the same starting fabric, but have been cut – into squares – and rearranged. I thought that was rather promising. I liked the way they interacted in a new pattern.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

But, I quickly deviated from plan. See that gap, above? I shifted that piece down because it was JUST TOO ENTICING to line up the dark/light diagonal section with the similar one to the left. Do you see that I mean?

I tried to piece things together into squares of my selected size, but then I encountered some great blue fabrics. I DID slice into the stripe one near the right, but why would I mess up the pattern of the blue grid one just to adhere to the square sizing rule? That’s when I pretty much abandoned the grid idea. I left the blue fabric intact.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

I was happy with the center and was slowly auditioning new fabrics around it.

Above and below, I was sort of enamored with the way the big stripey black/orange piece interacted with the piece above it. Mostly because of the diagonal line between the dark stripy-ness and the white edge next to it. I could see that additional sections of dark stripes would add a lot of energy and interest.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

But, I could see that the dark stripes were drawing attention away from those little black dots. Could I put up with that? I decided no, and tried different fabrics. This one certainly had potential.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Not bad. Lots more consideration needed!

Can you say “trial and error?” I must be the poster queen, but I do so enjoy it!

Ellen Lindner
P.S. Those dark stripes have a lot of energy and you’ll definitely see them again!

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Need More Measuring Spoons? (Possible Duplicate Post)

I’ve been cooking a lot more lately, and have been frustrated by my limited quantity of measuring spoons. Although we have several sets, it seemed that the one I needed was always dirty. So, I suggested to my husband that he give me a set as a stocking stuffer.

As I unwrapped gifts on Christmas morning, I opened one that was rather heavy for its small size. Inside I found this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

That’s right: he had given me FOUR sets of measuring spoons! That cracked everyone up.

There was another gift that I kept reaching for but my husband kept telling me to save it for last. Finally, I got to open it and what did I find?

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

You guessed it, another FOUR sets! We all had another good laugh.

Eventually, we starting unwrapping gifts from our stockings and I opened this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

And a little deeper down, this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

That’s right, I had TEN new sets of measuring spoons! Hubby definitely gets the award for most creative this year!

Later, I got to thinking about all the blessings those measuring spoons represent. Home, food, family, time, and health. I’m so thankful for all of these.

I hope you will also have many blessings in the coming year. A full measure.
And that you will recognize the blessings as just that. An over flowing measure.

Maybe you’ll find that you even need more measuring spoons.

Wishing you a wonderful new year over flowing with health and happiness.

Ellen Lindner

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A New Technique for “Effervescent”

Maybe you’ll remember a couple of months ago, when I was experimenting with mono printing. When I tried it (with thickened dye) on slick vinyl, the dye beaded up badly. At first, I thought it was worthless, but then I realized that the resulting lacy effect was both beautiful and useful. So much so, that I stitched a small sample into a whole cloth quilt. I’m calling it Effervescent.

Effervescent, an art quilt by Ellen Lindner. AdventureQuilter.com

As you can see, I’ve used black stitching to outline the shapes. I love the effect.

Effervescent - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

The piece is available for purchase. Find the dimensions and price on my website.

Ellen Lindner

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I Think I Learned Something

After making each art piece I  like to study it to see if I can figure out what works and/or what does not.

I was particularly happy with this recent quilt, Exuberance, so I studied it a bit. My question: “what makes it successful?”

Exhuberance, an art quilt by Ellen Lindner. AdventureQuilter.com

Exuberance

I think it has a strong composition, good use of colors, and effective use of value variations. What about the white circles in two corners? How critical are they? They certainly add interest, but is there something more?

To help me figure it out I also looked at this quilt, Raking Season. It has rust and black circles made with same stencil as the blue and white above. While I think this quilt is very successful, it doesn’t have the sparkle of the first one. I think maybe it has to do with the color of the circles. The light ones add sparkle.

Raking Season, an art quilt by Ellen Lindner. AdventureQuilter.comRaking Season

Hmm, something to think about. Maybe all my quilts need some light spots to add that sparkle.

To test my theory, I made sure to select some light fabrics for the quilt I’m currently work on. These were my “definite” fabrics when I first started moving them around. As you can see I’ve got some white and black areas in several places. I know they’ll attract attention, so I’ve got my eye on them as I add more fabrics and move things around.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Slowly creating and enjoying it.

Ellen Lindner

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Collaging with Magazine Pages

Do you ever hit a creative stumbling block? Or just don’t have the mental stamina to take on something major? How about a quick little collage with magazine pages.

I especially like doing this with calendar images. Since the images already relate to one another, it makes for easier going.

Here’s one I did with winter birds.

Collaging with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

And with Western/Native American motifs.

Collaging with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

These are NOT meant to be works of art. Or even inspiration for something else. They’re purely a playful exercise in arranging colors, shapes, and values. Just a moment of creativity. I love making them.

Of course, magazine pages are also great if you’re trying to make an abstracted version of something realistic. In that case, I tear the pages, knowing that everything will be somewhat imperfect: just what I need for abstracting.

Loosen Up with Torn Paper Collage. Ellen Lindner, AdventureQuilter.com

I’ve written several blog posts about this technique. See the links below.

Ellen Lindner
Links: Loosen Up with Torn Paper Collage
Torn Paper
Overcoming my Left Brained Tendencies
Three Cherries Complete

 

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Dyeing with Forethought

I’ve been dyeing again. These are the fabrics I created in a week-long session.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I tried to repeat motifs and colors so that I might be able to use some of these fabrics together. Like these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

Or, a different combination.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I don’t use much white, but thought it would be useful for creating contrast and interest. So, I did these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

These are all mono prints, done on slick vinyl. The vinyl makes the dye bead up, giving lacy results.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I think the blue and green one, above, could become a whole cloth quilt. Maybe with the addition of some black stitching?

Dyeing fabrics is always fun!

Ellen Lindner

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