“Ring Toss” Was an Exercise in Perseverance

I recently finished this quilt, Ring Toss.

Ring Toss, an art quilt by Ellen Lindner. AdventureQuilter.com

After STARTING OVER TWICE I feel like a deserve a medal!

You can see the first rendition in my earlier post.

It brought me here. I didn’t like it and started to pick out seams and consider how to rearrange things.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I knew I had to cut many shapes smaller.

Cutting up and rearranging a quilt. Ellen Lindner, AdventureQuilter.com/blog

I created a strong diagonal line between the yellow and purple and was happy with it. I worked at developing it.

Creating diagonal focal line. Ellen Lindner, Adventurequilter.com/blog

Working on line and top left corner. Ellen Lindner, AdventureQuilter.com/blog

I was getting happy with it and then this happened!

What happened? Big changes to an art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

This is the photo from the next day. What the what? My diagonal line is completely gone! I have NO IDEA how this happened. Did I work on it in my sleep or something??? (I have been know to do things in my sleep.) I was stumped.

And I didn’t like it. But, I thought there had to be a decent quilt in there if I could crop it into a nice composition. In the computer I rotated it in all directions and did a bunch of cropping.  When I went back to the actual fabric I cut it down by about half, and ended up with the finished quilt, shown below.

Ring Toss, an art quilt by Ellen Lindner. AdventureQuilter.com

Jeepers! Do I win a prize or something? Or, at least a purple heart?

Actually, I now like it pretty well. Here’s a detail shot.

Ring Toss - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I dyed about half of the fabrics in this piece, including the ones with the black ovals.

I hope my next quilt comes together more easily!

Ellen Lindner
P.S. Have you ever completely started a quilt over?

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Creative Courage Panel Presentation

I recently got to participate in a very cool event. I belong to an organization called SAQA (Studio Art Quilt Associates.) The Florida region had an all day event called Art, Meet, and Greet. It was a blast!

We got to see a regional exhibit, earn door prizes, participate in a regional meeting, have Show and Tell, visit with one another, and hear a 3-person presentation called “Creative Courage.”

Creative Courage panelists. AdventureQuilter.com/blog

The three speakers are shown here: me, Bobbi Baugh, and Kestrel Michaud.

Creative Courage panelists. AdventureQuilter.com/blog

The three of us were asked to share times when we took a risk with either our artwork or our business decisions. And to show both successes and failures. The result was fascinating, entertaining, and informative. We three speakers did not consult with one another on our presentations so they ended up being quite different, which was great.

I went first and talked about my philosophy of embracing experimentation. My example of trying new things while learning to cook brought lots of chuckles. But, I tied it to my quilting philosophy by sharing one of my favorite quotes, “If you never fail, you’re not experimenting enough.” I truly believe that!

Easily Distracted, an art quilt by Ellen Lindner, AdventureQuilter.com

Easily Distracted

Kestrel shared her concept of safety rails: always having a financial back up when taking financial risks. She told us about the passive income she’s able to achieve with her online Patreon platform. She also showed us many of her art rules as well as new techniques she’s develop0ed.

Her piece, Arrival, shown here, has recently won Best of Show at Road 2 California and the Mid-Atlantic Quilt Festival.

The Arrival by Kestrel Michaud. Creative Courage presentation, FL SAQA 2025.

You gotta love Bobbi! She challenged us to “get over ourselves” (my words,) and to quit making excuses for not showing our work or not being happy with it. She said to just MAKE MORE WORK. Bobbi also showed us several of her quilts about the life of a young girl. She is really excellent at conveying a story.

Bobbi Baugh's art quilt "Growing Unseen." Creative Courage presentation, SAQA FL 2025.

Growing Unseen

And now, the good news: you can see this entire presentation, thanks to Kestrel Michaud, who has posted it on her website. Find it here and let me know what you think. Do you need a dose of courage?

Ellen Lindner

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Spotlight Auction Piece 2025

This is a tiny little auction piece, only 8 x 6.

SAQA Spotlight auction piece 2025. Ellen Lindner, Ellen Lindner, AdventureQuilter.com/blog

I think it’s pretty successful. I made it for SAQA, which will be having a benefit auction with many such small quilts.

I didn’t think I’d have time to make an auction quilt this year, but the deadline was extended AND I had a quilt I wasn’t crazy about. Hmm. Things began to percolate in my brain.

See my previous post for the quilt I just made that wasn’t exciting me. (No worries, though, as you’ll see from the post.)

I knew that quilt could make a good start for an auction piece. So, I did this.

SAQA Spotlight auction piece in-progress. Ellen Lindner, Ellen Lindner, AdventureQuilter.com/blog

Yep, I cut out an 8 x 6 piece! It had an interesting composition, but I thought it needed some dots. I added them with paint and markers.

SAQA Spotlight auction piece in-progress. Ellen Lindner, Ellen Lindner, AdventureQuilter.com/blog

And what about some embroidered circles? I auditioned the idea in my computer.

SAQA Spotlight auction piece in-progress. Ellen Lindner, Ellen Lindner, AdventureQuilter.com/blog

Yes, I liked the idea! So, then I couched them on by hand.

SAQA Spotlight auction piece 2025. Ellen Lindner, Ellen Lindner, AdventureQuilter.com/blog

I’m quite happy with it!

Maybe I should make some more tiny quilts with this larger quilt as my starting point. I have a series called Notes for a Friend. At only 7 x 5, I could get quite a few from this quilt.

Having fun and moving forward!

Ellen Lindner

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“Mixed Berries” Complete: a Valuable Process

I had fun using improv piecing (no pattern) to make this piece, Mixed Berries.

Mixed Berries, an art quilt. Ellen Lindner, AdventureQuilter.com/blog

It’s not the best quilt I’ve ever made, but I’m okay with that.

I LOVE to experiment! As a matter of fact, I consider it vital to my artistic growth. So, when something comes out less than exciting I don’t fret. I know I learned from the process and I increased my creativity, as well. I didn’t waste my time or my fabric!

Do you have any quilts that fall into the “learning” category? If so, good for you!!!

I like this quote, “If you never fail you’re not experimenting enough.” EXACTLY! (Sorry, but I don’t know who said that.)

Ellen Lindner

 

 

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A Busy Opening Reception

I recently attended the opening reception of the 34th Annual All-Florida Juried Show in Stuart, FL. It was CROWDED, but the energy was high!

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

I have two pieces in the show. Here I am with Heat Wave.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

And that’s Happy Family WAY up high. (My equally short friend and I had quite a chuckle as she took this photo.)

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

There were two other fiber pieces in the show. This large one was made by Gabriele DiTota and it’s called Synthesis.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

On the right was the sister painting to the one shown on the left. I thought it was a really nice arrangement. (I forgot to note the name of the painter.)

This piece, by Christian Feneck, won first place. It’s acrylic paint on glass and wood, with cutouts.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

This was my favorite piece: A Moment in the Sun, by Sally Cooper.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

It’s a really nice exhibit, with lots of pieces. It runs through February 26th, at the Court House Cultural Center, so take a look if you get the chance.

Ellen Lindner
P.S. If you’re in the area on February 8th or 9th, you can visit Arts Fest, which occurs in the immediate vicinity. (The center is not normally open on the weekend, but it will be for this event.)

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Improv Stitching Again

You know how some quilts go together almost effortlessly and others make you really work for it? Before Christmas I had a quilt that fell into the struggle category. As a matter of fact, I put it away for a while.

Needing and “emotional cleanser” type of quilt, I decided to make an improvisationally pieced quilt. This is when no pattern in used. Fabrics are pieced together, shapes are altered, and then it all gets puzzled together at the end.

[Note: the auto correct is determined to call this IMPROVE quilting, rather than improv. Please translate where needed.]

These were my starting fabrics after pieces were cut and then joined together in pairs.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

Next, I altered each pair in some fashion. Some were sliced and one piece was rotated before being sewn back on. Others were sliced and then rejoined with the alignment altered. And many had skinny lines inserted.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I continued making changes in this fashion and then began to think about how I might arrange the units. I knew I wanted a focal point and that the white fabrics would provide the highest contrast with the other colors. I tried gathering them into a shape, but I didn’t really like it.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

What about blue as a focal point/shape? That seemed to have more merit so I experimented with it quite a bit.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I thought the blue might work. I continued to add skinny lines and make other changes.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I thought this was getting pretty close, (although some of this is just pinned.) I thought about that white fabric again. Knowing that it would call the viewer’s attention, I felt like I needed to sprinkle it around.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

And maybe I’d need to sprinkle some blue around more, too.

Stay tuned to see where this goes.

Ellen Lindner
P.S. See other “improve” quilts and posts here, here, and here.

 

 

2

“StitchPUNK” is Amazing

I recently had the great good fortune of seeing StitchPUNK, which is a SAQA global exhibit. To say that these artists are creative is a  huge understatement! The exhibit statement (best read with a Rod Sterling/Twilight Zone accent) says “Imagine, if you will, an existence where you pull one string and reality unravels. Travel to a world of unique creations to explore alternate timelines, sentient beasts, bodies merged with technology, and more.”

The artworks produced for this exhibit were unique, many involving vintage embellishments. Many used unusual materials and required some significant structural engineering. Some had a great sense of humor, some were weird, and all things in between.

This piece by Kate Crossley is on the front of the catalog, and rightly so. It’s called “Minerva.StitchPunk Warrior.” It’s an homage to her mother and grandmother whom she describes as “warrior stitch women,” who were always ready to rescue something with needle and thread.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Let’s take a look at some of the awesome details. The hat featured storage for scissors, pins, bobbins, thread, a darning mushroom, and much more. I wonder if that cyborg eye makes it easier to see tiny stitches?

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

This armor is so fantastic.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

 And look at the collection of seam rippers, stored conveniently so they’re ready to be put to work.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

The back includes holsters for a fold-out fan and a paper umbrella. And, of course, more spools of thread on the left sleeve.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

She even has a compass and -what? – a canteen? hanging from the back of her corset.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Likewise, the right sleeve also holds more spools of thread and pins.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Amazing, right? I can’t imagine the creativity, engineering, and collecting that went into creating this piece. Major kudos to Kate Crossley!

Ellen Lindner
P.S. StitchPunk will be traveling for another few years. See the current schedule and all the pieces.

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Using Coordinating Fabrics

In my last dyeing session I printed these two fabrics. I loved them and couldn’t wait to use them together!

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

But, what to do with them? In my usual fashion I pulled out every fabric that I thought MIGHT work with them.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I tried adding some peach, as a transition color.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Then, I removed some of the busiest prints and added black and dark purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Now what? Should I use both bright and dull yellows?

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Or maybe just dull yellow? (Which would mean I couldn’t use the yellow circles at all.)

Either way, I knew I needed a plan. Maybe something wide and short with a horizontal arrangement of purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

No, it really was too chunky.
I finally proceeded with the selection below, still wondering what to do.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I thought I should lay out the focal point/line first. I cut up the yellow, trying not to dice up too many circles. I was pretty happy with this, but I knew I couldn’t properly audition it on a light design wall. I needed to see the purple/fuchsia around the perimeter for contrast.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I stared in with the fuchsia and liked the added contrast. But what about those yellow pieces? I began to think that they were too big and chunky.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

What if I made them smaller and/or inserted fuchsia in some places? To audition the idea I did a little experimenting in the computer.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Hmm. I learned two things: 1 – Yes, the yellow looked better in smaller pieces, 2 – That’s too much fuchsia!

So, I reluctantly knew what had to be done: I needed to partially take it apart, cut some pieces smaller, and then figure out how to get everything back together again. And that’s when it turned into a giant Tetris puzzle!

Sometimes I hate it when I get a good idea! (Or was it really good? Watch for future posts so you can be the judge.)

Ellen Lindner

 

6

Splicing Fabric

As I was winding down on my recent dye session, I tried a very random exercise. I loosely pleated a piece of fabric and scraped on a variety of different colors, as well as some clear paste. It was a gooey mess when I finished!

But, when I washed it out I found out that the underneath folds had not received any color. I got a roughly striped fabric. Hmm. The colored parts were great, but I didn’t want a stripe.

  Splicing Fabric

I decided to carefully cut away most of the white and then piece the colored parts together. Of course, I had to plan for seam allowances. I also saved the white parts, planning to piece them back together, too.

Here’s what I got. Kinda gorgeous, right? The hint of stripeyness is now appealing to me. I may need to tone down that large white blob, though.

Splicing Fabric. Ellen Lindner, AdventureQuilter.com/blog

Uh oh! I accidentally pieced this with wrong sides together. The side with the seams actually shows the brighter version of the fabric.

Splicing Fabric. Ellen Lindner, AdventureQuilter.com/blog

There’s not a big difference, though. I think I can use either side, actually.

Now, what do do with it. Any ideas?

Ellen Lindner

2

Different Dying Techniques

Ghost printing yields pale, delicate results. Like this.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

All you do is run clear printing paste through a dirty stencil. The paste picks up the color remaining in the crevices and dilutes it to a lovely pastel.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

Isn’t it pretty?

Deconstructed screen printing (DSP) is quite different. Thickened print past, usually colored, is drawn onto a clean screen. (Or maybe stenciled on, or maybe applied evenly and then altered by lifting some of the paste  with various textured items.) Mine was drawn on: simple black lines. This was done at the tail end of my previous dying session and allowed to dry.

Once dry the paste will act as a resist. You can pull a color of paste through and the areas with the dried paste will act as a resist and will print as white. You can see this in the photo below, looking at the left side. My first pulls were with olive colored paste.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

As you continue to pull, the pulled paste will break down (“deconstruct”) the dried paste design and it will begin to color the edge of the white lines, giving them halos, see above.

And then it will break down some more and print its original color. You can see that below in the dull gold areas. The lines primarily printed as black.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

These will be fun fabrics to use!

Ellen Lindner

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