A Busy Opening Reception

I recently attended the opening reception of the 34th Annual All-Florida Juried Show in Stuart, FL. It was CROWDED, but the energy was high!

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

I have two pieces in the show. Here I am with Heat Wave.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

And that’s Happy Family WAY up high. (My equally short friend and I had quite a chuckle as she took this photo.)

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

There were two other fiber pieces in the show. This large one was made by Gabriele DiTota and it’s called Synthesis.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

On the right was the sister painting to the one shown on the left. I thought it was a really nice arrangement. (I forgot to note the name of the painter.)

This piece, by Christian Feneck, won first place. It’s acrylic paint on glass and wood, with cutouts.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

This was my favorite piece: A Moment in the Sun, by Sally Cooper.

A Busy Opening Reception. Ellen Lindner, AdventureQuilter.com/blog

It’s a really nice exhibit, with lots of pieces. It runs through February 26th, at the Court House Cultural Center, so take a look if you get the chance.

Ellen Lindner
P.S. If you’re in the area on February 8th or 9th, you can visit Arts Fest, which occurs in the immediate vicinity. (The center is not normally open on the weekend, but it will be for this event.)

2

Improv Stitching Again

You know how some quilts go together almost effortlessly and others make you really work for it? Before Christmas I had a quilt that fell into the struggle category. As a matter of fact, I put it away for a while.

Needing and “emotional cleanser” type of quilt, I decided to make an improvisationally pieced quilt. This is when no pattern in used. Fabrics are pieced together, shapes are altered, and then it all gets puzzled together at the end.

[Note: the auto correct is determined to call this IMPROVE quilting, rather than improv. Please translate where needed.]

These were my starting fabrics after pieces were cut and then joined together in pairs.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

Next, I altered each pair in some fashion. Some were sliced and one piece was rotated before being sewn back on. Others were sliced and then rejoined with the alignment altered. And many had skinny lines inserted.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I continued making changes in this fashion and then began to think about how I might arrange the units. I knew I wanted a focal point and that the white fabrics would provide the highest contrast with the other colors. I tried gathering them into a shape, but I didn’t really like it.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

What about blue as a focal point/shape? That seemed to have more merit so I experimented with it quite a bit.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I thought the blue might work. I continued to add skinny lines and make other changes.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

I thought this was getting pretty close, (although some of this is just pinned.) I thought about that white fabric again. Knowing that it would call the viewer’s attention, I felt like I needed to sprinkle it around.

Improv Piecing Again. Ellen Lindner, AdventureQuilter.com/blog

And maybe I’d need to sprinkle some blue around more, too.

Stay tuned to see where this goes.

Ellen Lindner
P.S. See other “improve” quilts and posts here, here, and here.

 

 

2

“StitchPUNK” is Amazing

I recently had the great good fortune of seeing StitchPUNK, which is a SAQA global exhibit. To say that these artists are creative is a  huge understatement! The exhibit statement (best read with a Rod Sterling/Twilight Zone accent) says “Imagine, if you will, an existence where you pull one string and reality unravels. Travel to a world of unique creations to explore alternate timelines, sentient beasts, bodies merged with technology, and more.”

The artworks produced for this exhibit were unique, many involving vintage embellishments. Many used unusual materials and required some significant structural engineering. Some had a great sense of humor, some were weird, and all things in between.

This piece by Kate Crossley is on the front of the catalog, and rightly so. It’s called “Minerva.StitchPunk Warrior.” It’s an homage to her mother and grandmother whom she describes as “warrior stitch women,” who were always ready to rescue something with needle and thread.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Let’s take a look at some of the awesome details. The hat featured storage for scissors, pins, bobbins, thread, a darning mushroom, and much more. I wonder if that cyborg eye makes it easier to see tiny stitches?

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

This armor is so fantastic.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

 And look at the collection of seam rippers, stored conveniently so they’re ready to be put to work.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

The back includes holsters for a fold-out fan and a paper umbrella. And, of course, more spools of thread on the left sleeve.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

She even has a compass and -what? – a canteen? hanging from the back of her corset.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Likewise, the right sleeve also holds more spools of thread and pins.

StitchPunk was amazing! Ellen Lindner, AdventureQuilter.com/blog

Amazing, right? I can’t imagine the creativity, engineering, and collecting that went into creating this piece. Major kudos to Kate Crossley!

Ellen Lindner
P.S. StitchPunk will be traveling for another few years. See the current schedule and all the pieces.

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Using Coordinating Fabrics

In my last dyeing session I printed these two fabrics. I loved them and couldn’t wait to use them together!

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

But, what to do with them? In my usual fashion I pulled out every fabric that I thought MIGHT work with them.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I tried adding some peach, as a transition color.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Then, I removed some of the busiest prints and added black and dark purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Now what? Should I use both bright and dull yellows?

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Or maybe just dull yellow? (Which would mean I couldn’t use the yellow circles at all.)

Either way, I knew I needed a plan. Maybe something wide and short with a horizontal arrangement of purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

No, it really was too chunky.
I finally proceeded with the selection below, still wondering what to do.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I thought I should lay out the focal point/line first. I cut up the yellow, trying not to dice up too many circles. I was pretty happy with this, but I knew I couldn’t properly audition it on a light design wall. I needed to see the purple/fuchsia around the perimeter for contrast.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I stared in with the fuchsia and liked the added contrast. But what about those yellow pieces? I began to think that they were too big and chunky.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

What if I made them smaller and/or inserted fuchsia in some places? To audition the idea I did a little experimenting in the computer.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Hmm. I learned two things: 1 – Yes, the yellow looked better in smaller pieces, 2 – That’s too much fuchsia!

So, I reluctantly knew what had to be done: I needed to partially take it apart, cut some pieces smaller, and then figure out how to get everything back together again. And that’s when it turned into a giant Tetris puzzle!

Sometimes I hate it when I get a good idea! (Or was it really good? Watch for future posts so you can be the judge.)

Ellen Lindner

 

6

Splicing Fabric

As I was winding down on my recent dye session, I tried a very random exercise. I loosely pleated a piece of fabric and scraped on a variety of different colors, as well as some clear paste. It was a gooey mess when I finished!

But, when I washed it out I found out that the underneath folds had not received any color. I got a roughly striped fabric. Hmm. The colored parts were great, but I didn’t want a stripe.

  Splicing Fabric

I decided to carefully cut away most of the white and then piece the colored parts together. Of course, I had to plan for seam allowances. I also saved the white parts, planning to piece them back together, too.

Here’s what I got. Kinda gorgeous, right? The hint of stripeyness is now appealing to me. I may need to tone down that large white blob, though.

Splicing Fabric. Ellen Lindner, AdventureQuilter.com/blog

Uh oh! I accidentally pieced this with wrong sides together. The side with the seams actually shows the brighter version of the fabric.

Splicing Fabric. Ellen Lindner, AdventureQuilter.com/blog

There’s not a big difference, though. I think I can use either side, actually.

Now, what do do with it. Any ideas?

Ellen Lindner

2

Different Dying Techniques

Ghost printing yields pale, delicate results. Like this.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

All you do is run clear printing paste through a dirty stencil. The paste picks up the color remaining in the crevices and dilutes it to a lovely pastel.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

Isn’t it pretty?

Deconstructed screen printing (DSP) is quite different. Thickened print past, usually colored, is drawn onto a clean screen. (Or maybe stenciled on, or maybe applied evenly and then altered by lifting some of the paste  with various textured items.) Mine was drawn on: simple black lines. This was done at the tail end of my previous dying session and allowed to dry.

Once dry the paste will act as a resist. You can pull a color of paste through and the areas with the dried paste will act as a resist and will print as white. You can see this in the photo below, looking at the left side. My first pulls were with olive colored paste.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

As you continue to pull, the pulled paste will break down (“deconstruct”) the dried paste design and it will begin to color the edge of the white lines, giving them halos, see above.

And then it will break down some more and print its original color. You can see that below in the dull gold areas. The lines primarily printed as black.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

These will be fun fabrics to use!

Ellen Lindner

2

Dying with Commercial Fabrics

I sure do have fun dying and printing fabric!

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

As you can see, I make no attempt at keeping my clothing clean. (Usually around this point my stomach begins to look quite colorful, as well.)

It all starts by soaking my fabrics in a soda ash solution. Once they’re line dried they’re ready to react with the dye.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

In addition to the plain white fabric you’d expect, I also soak some previously printed/dyed fabrics that need some over dying. Sometimes they just need a little something more, but at other times they need the “completely cover this ugliness with a dark color” treatment. No worries. It all becomes useful in the end.

I did something new with this dye session: I overdyed some commercial ombre fabrics. They turned out beautifully. I’ll definitely do this again, although the commercial fabric frayed much more than I’m used to, so I probably won’t ever use it in a raw-edged application. The top fabric below is one such fabric. I like it a lot. But, I also like some intentionally messy ombre, so that’s what I aimed for with the bottom fabric. I like it just as much.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

In the photo below, the purple fabric on the right is a commercial ombre. The yellow one on the left I did completely. It has a few errors, but will still be very useful. I LOVE the way these two look together! I’m thinking they’ll end up in the same quilt.

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

I dyed this one myself. MAYBE it can be included too. (Although it may be too much of a good thing.)

Dying Again. Ellen Lindner's fun dying fabric. AdventureQuilter.com/blog

I have many more results to show you in upcoming posts.

Which one of these is your favorite?

Ellen Lindner

 

 

2

“Heat Wave” Complete

My latest piece, Heat Wave, is now complete.

Heat Wave, an art quilt by Ellen Lindner, AdventureQuilter.com

Heat Wave

I’m quite happy with it! The design was dictated, in part, by the triangular orange scraps I had on hand. I like the sharp points.

Heat Wave - detail, an art quilt by Ellen Lindner, AdventureQuilter.com

At 35 x 35, this piece is available for $1200. See more photos.

I used ALL of my orange and navy hand dyed fabrics in this piece. I’m looking forward to an upcoming dye session when I can make more.

Ellen Lindner

0

Florence: Santa Maria Novella

In Florence, we enjoyed visiting the church of Santa Maria Novella. It didn’t have the opulence of some churches we saw in Italy, but it also had NO CROWDS! A big plus, which gave us the opportunity to explore at our leisure.

Even a “simple” church like this had beautiful arches and high ceilings.

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

And a beautiful altar.

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

But, I think we enjoyed the outside courtyard even more.

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

Check out these ceilings! I think they’re gorgeous.

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

But, the thing that amazed me the most was an antique tapestry. This was from the 1400s! Stitched with gold thread, it was in very good condition.

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

Florence: Santa Maria Novella. Ellen Lindner, AdventureQuilter.com/blog

Whoa! Can you believe it? This is padded embroidery, where a base layer of stitches is put in and then others are added over top. This blew my mind.

I forget what it was used for. Some sort of vestments, if I remember correctly. It was the only textile item on display. Shockingly, it had very little in the way of a protective environment. It was behind glass in an area with low light, but the nearby windows were open and unscreened. How has this held up so well?

It was very interesting exploring this church on our own.

Ellen Lindner.

 

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Creative Whimsy Spotlight

As part of my spotlight on Creative Whimsy, I was asked to show several completed quilts.

Crotons served as an example of my earlier quilting style. This piece is one of my all time favorites!

Then, I showed some of my more recent abstract pieces, along with these words about my transition to this style.

My first attempts were definitely not great art, but I think they were necessary in order to develop my skills. I don’t regret the time they took or the fabric they required. The PROCESS was valuable! 

This is my mindset in a nutshell. It makes me a little bit fearless because I know the process is valuable, not just the product.

Ripples and Runs is a more recent abstract piece, featuring my own hand dyed fabric.

Ripples and Runs, an art quilt by Ellen Lindner. AdventureQuilter.com

Ripples and Runs

Ditto for Exuberance

Exhuberance, an art quilt by Ellen Lindner, shown in an intererior. AdventureQuilter.com

A big thank you to Creative Whimsy for featuring me and my art! Their website has many more spotlights of very interesting artists. I hope you’ll investigate.

Ellen Lindner

 

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