Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

Working with Dwindling Fabrics

I was running low on a favorite hand dyed fabric when I decided to make a quilt with it. It’s the navy and yellow grid shown below, indicated by the largest arrow.

Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

I pulled every other hand dyed fabric that would go with it and this is the selection, shown above. Smaller arrows indicated two more fabrics that were down to fairly small pieces. I was loving the energy of these bright fabrics and excited to get started.

I pinned everything up on the design wall and began to edit. Now you get a better idea about the sizes of the pieces. Some of the fabrics had too much pattern and would draw attention away from my feature fabric.

Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

Some fabrics removed, I continued to study the combination. Still some competing fabrics.

Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

After deleting the “show stoppers” I thought this combination would be workable.

Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

I’d still need to edit and carefully consider as I proceeded. What about that near-solid navy? Will it be too strong? And the brighter blue grid on the left: too bright?

This was my starting point. These fabrics went on my work table, and all the others were moved out of sight. I didn’t have a design plan. My only plan was to feature that navy/yellow gridded fabric. All my decisions would be in support of it. I knew this would be challenging, but also invigorating.

In my next post, I’ll show you how I began to compose the design. It was fun!

Ellen Lindner
P.S. Do you ever work without a plan?

Similar Posts

  • Oops! Dyeing Duds

    You can’t get it right all the time.  And knowing that relieves a certain amount of any perfectionist tendencies.  I fully embrace the unexpected “mistakes.”  Like this one. This was created with a special type of interfacing stencil.  It’s shown wet here, which means it’s darker than it will be after washing. BUT.  If you…

  • Dirty Prints

    My recent dye session was devoted almost exclusively to improving ugly prints. That generally meant over dying with a solid color, or stenciling on a new one. Take this little piece, for instance. It was originally an ugly yellow-green that I didn’t think I’d use. But, I knew that if I mostly obscured that color,…

  • Trying New Things

    Do you like to try new things?  I do.  Especially as they relate to art and quilting.  Whether it’s a tool, a technique, or a color palette, I consider experimenting with such things to be adventures.  (As a matter of fact, that’s why I call my website Adventure Quilter.) I recently discovered a new white pen….

  • Apples a la Asheville

    How ’bout them apples? These are just a few apple projects from my recent “Double Reverse Applique” class in Asheville, NC. The women were adventurous and flexible. It definitely showed as they created a variety of wonderful pieces. Here’s Nancy with her apple, also shown above. Marian put her red in the background. Liz used…

2 Comments

  1. This post is very helpful and encouraging. I’ve been stuck for awhile, and I believe it’s going to help me get unstuck! Thanks!

Leave a Reply

Your email address will not be published. Required fields are marked *