I’ll be Teaching at Road@Home

Road@Home 2021. Ellen Lindner, AdventureQuilter.com/blog

Have you heard about Road@Home? It this year’s virtual version of the Road to California quilt show, and it will be held January 21-24, 2021.

I’ll be teaching three classes. On Wednesday, I’ll kick things off with “Love It and Leaf It.”Love It and Leaf It, class sample. Ellen Lindner, AdventureQuilter.comFind all the Love It and Leaf It details here

Thursday’s students will cut loose (literally) with “Floral Improv.”

Class sample for Ellen Lindner's "Floral Improv." AdventureQuilter.com

Night Garden, by
Ellen Lindner. Sample for live class

Find all the details for Floral Improv here

I’ll wrap up the week with “Double Reverse Applique” on Friday.

Learn from Ellen Lindner with an e-book. AdventureQuilter.com

Find all the details for Double Reverse Appliqué here

Road@Home will be offering Zoom classes to help students who are unfamiliar with virtual learning. And I’ll be offering some additional help to my own students.

Of course this stay-at-home quilt show will also include vendors and exhibits!

I’m looking forward to it!

Ellen Lindner

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“Love It And Leaf It” in San Diego

The San Diego women in my “Love It and Leaf It” class had a great time and did wonderful work! I didn’t save my photos properly, but several of them were kind enough to send me photos after class.

 

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Diane Deckerhouser

The expression on Diane’s face, above, is a good example of the delight each student felt as she finished her composition.

Shelly’s perfect “running stitch” adds a nice bit of contrast to her quilt.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Shelly Gragg

In this class, I not only show the students how to face their small quilts, but also how to frame them with “the Ellen technique.” Iris used a different technique, but the effect is the same. Doesn’t the mat and frame elevate it?

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Iris Williams

Corky’s blue background worked very well with her fabrics.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Corky

Working from home (like everyone else,) Karen was seduced by her lovely stash fabrics and altered the colors quite dramatically. I think it’s very successful.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Karen Brow

I don’t know who made this one, but didn’t it turn out great? They all did!

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Unknown San Diego maker

This is an easy and fast class: only 3 hours. In January, I’ll be teaching it at Road@Home, the virtual version of the Road to California show, which had to be canceled this year. I’d love to see you in class. See the details here.

Ellen Lindner

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“Melting Pot” – Quite the Challenge

In a recent post I suggested that, when making improvisational quilts, it’s a good idea to get the proportion of colors set before any construction begins. Yet, I ignored my own advice on my latest quilt, Melting Pot.

It all began when I fell in love with a painting by Jane Davies. Great colors, right? It’s called Common Thread 1.

Common Thread 1, a painting by Jane Davies. JaneDaviesArtGallery.com

Although the colors are quite disparate, I decided I would use them as a springboard for a new improvisational piece. (However, when I printed out this reference photo, the colors came out much more subdued, which affected the fabrics I used.)

As with any improv quilt, I started by selecting the fabrics I would use and sewing them together in pairs. This is what it looked like at that stage.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

Pretty ugly, right? Clearly, I’d have to add interest by slicing and dicing to create a variety of shapes and sizes. And I strongly suspected that I would decrease some of the colors as I went. I jumped in.

Even the first little bit of manipulation made it look better.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

So I did more.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

At this point I didn’t care about making square-ish units. I was just trying to create interest. It was definitely getting better as smaller shapes were created.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

I decided to scale back on the yellow, orange, and tans, and to pump up the teals, reds, and blacks.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

The little skinny strips add a lot of energy, don’t they?

At this point, it was getting pretty large and I was having second thoughts about the size. Then, I remembered another call for art requiring a quilt that’s 1′ wide by 4′ high. I realized  I had enough units to make 2 quilts! Yippee! In the photo above, I’ve separated them. The 6 units on the left would go into my original quilt and the 3 (stacked) on the right would become a 1′ x 4′ piece.

And here’s the finished quilt, Melting Pot. Whew, that was challenging!

And a detail shot:

I’ll show you the companion quilt soon.

Ellen Lindner

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Selecting Fabrics for Improv Piecing

The style of improv (no pattern) piecing I do evolves greatly during the construction of the quilt. Which is one of the things I love about it. I do a lot of slicing, repiecing, slitting, and slanting, all without a construction plan. With such a loose technique the color and value selections become critical. These must be done at the beginning. If done properly you’ll be able to wildly “slice and dice,” as I call it, knowing that you’ll be happy with the results.

Take a look at this improv quilt, In the Moment.

In the Moment, an art quilt by Ellen Lindner. AdventureQuilter.com

In the Moment

You can clearly see that blue-green is the dominant color and orange is the accent. I used a variety of each color, with a good bit of variation.  The blue-greens are sometimes just blue or just green. Some are dark and others are medium, plus they have different patterns. The same is true for the variation found within the orange fabrics. A note about pattern: many improv quilts are made with solid fabrics only. There’s actually a good reason for that: the piecing will create a lot of pattern by itself and that will show up best with solid fabrics. However, I like to use near solids and a little bit of patterning here and there.

In addition to your main colors you’ll want some neutral fabrics, some lights and some darks. Can  you see those in my example?

After selecting a nice stack of each colorway, it’s time to think about color proportions. In this quilt I wanted the blue-green to be about 3/4 of the quilt, with the orange accents being about 1/4. Therefore, I cut my fabric sizes accordingly: the blue-greens were each cut about 3 times as big as the orange ones. To start, I sewed together one primary fabric and one accent and put them all up on the design wall. This was the time for me to adjust the ratio, if desired.

Here’s another example, Fruit Salad. This time I was inpired by a photo of a white and pink lily. There was greenery around it and grey in the background.

Fruit Salad, an art quilt by Ellen Lindner, AdventureQuilter.com

Fruit Salad

Again, I thought of my colors and their desired proportions. I pulled a lot of pinks and whites, and also a little red and peach. I added yellow-greens, including a dark one, and I rounded things out with several soft greys. It turns out that I cut those first few reds pretty large and they quickly took over. I spent a lot of time whittling  them down as things progressed. All that red took me away from the soft colors of the lillies so I shifted gears to the idea of watermelon and other summer fruit.

The bottom line:
– THINK about the proportions of colors you want in  your quilt. Plan the fabrics and their starting sizes accordingly.
– Don’t be afraid to switch gears mid-stream.

Enjoy the adventure!
Ellen Lindner

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Staggered Improv Piecing

Whenever I show one of my improv quilts, people ask if I’m going to teach the technique. I don’t have any plans to teach it right now, so I thought I’d show a little about it here on my blog.

There are LOTS of different ways to make improvisational quilts. You’ll find many tutorials on YouTube. Some methods are rather formulaic with predictable results, and others are very loose and unpredictable. As you might guess, I prefer the latter.

One method I employ early in my process is what I call staggered piecing. I learned it from Pat Pauly on an episode of Quilting Arts. It starts with two or more fabrics joined together.


Staggered Improv Piecing. Ellen Lindner, AdventureQuilter.com/blog

You slice them into two pieces across the primary seam line and the two pieces are joined back together, but intentionally misaligned. This can be repeated, which is what I typically do. So, I’ll get something like this.

Staggered Improv Piecing. Ellen Lindner, AdventureQuilter.com/blog

You can stagger the pieces a little or a lot. And the slicing can be done with straight lines or with gentle curves,  as I did.

Here’s another example.

Staggered Improv Piecing. Ellen Lindner, AdventureQuilter.com/blog

Staggered Improv Piecing. Ellen Lindner, AdventureQuilter.com/blog

As you can see, the edges of these units become skewed, and that’s okay. Don’t trim them off, because it’s still very early in the process.

One more example:

Staggered Improv Piecing. Ellen Lindner, AdventureQuilter.com/blog

The staggering adds a lot of energy,  doesn’t it? For me, that’s kind of the main reason for using improv piecing. I use it when I want an energetic piece that evolves as I go.

Would you like me to share more tips about improv techniques?

Ellen Lindner
P.S. See another improv quilt, and another.

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Double Reverse Appliqué “in” Ann Arbor

I did a second fun Zoom class with the Ann Arbor gals. This time it was Double Reverse Appliqué.

Double Reverse Applique class sample. Ellen Lindner, AdventureQuilter.com

They made great progress. Just look.
Jennifer chose muted colors and they worked beautifully. (BTW, the focus on Zoom is great. It’s reduced here because the image has been copied and manipulated so many times.)

A student shows off her work in Ellen Lindner's Double Reverse Applique class (via Zoom.) AdventureQuilter.com

Colleen finished in just a few hours. Can you tell she’s pleased with her results?A student shows off her work in Ellen Lindner's Double Reverse Applique class (via Zoom.) AdventureQuilter.com

Susan used a fabric which featured a subway map of New York City. So, you can guess the name of her piece: “The Big Apple.” I love it!

A student shows off her work in Ellen Lindner's Double Reverse Applique class (via Zoom.) AdventureQuilter.com
Claudia took both classes and had great results both times.

A student shows off her work in Ellen Lindner's Double Reverse Applique class (via Zoom.) AdventureQuilter.com

June had taken the class before and had already made an apple. So, she jumped ahead and made a pear.

A student shows off her work in Ellen Lindner's Double Reverse Applique class (via Zoom.) AdventureQuilter.com

Later, she sent me a photo of the finished project. Great, right? Don’t you love the way the value changes make the pear (or apple) look 3D?

Student results from Ellen Lindner's class, Double Reverse Appliqué. AdventureQuilter.com

June was pretty taken with this technique and designed another pear of her own. She had fun mixing up the colors and I think the results are fantastic.

Student results from Ellen Lindner's class, Double Reverse Appliqué. AdventureQuilter.com

Susan also sent me photos of her finished projects. Here’s her “Big Apple.”

Student results from Ellen Lindner's class, Double Reverse Appliqué. AdventureQuilter.com

And her pear. Nice!

Student results from Ellen Lindner's class, Double Reverse Appliqué. AdventureQuilter.com

All of these ladies did a great job! We had no trouble communicating via Zoom and it was a lot of fun.

If you want to try this technique, you can learn via my eBook, or my on-demand class. (Or, of course, tell your guild program chair to “bring” me to your guild.) There are so many great ways to learn these days!

I hope you’ve had some fun learning opportunities during this pandemic time.

Ellen Lindner

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Floral Improv “in” Ann Arbor

It sure is great to be able to interact with students and teach, via Zoom, to people across the country. I recently taught “Floral Improv” to a group of students in the Ann Arbor, MI area. They all did an excellent job and these late-in-the-day screen shots are proof.

Floral Improv "in" Ann Arbor

Woah, Grace got a LOT of flowers and foliage cut and placed, didn’t she? She’ll add black stitching to the flowers to add interest.

Working alongside her was her young friend, Emma. She’s only been sewing a few months, but she had no problems with a new technique.

Floral Improv "in" Ann Arbor

Claudia’s colors were actually much more vibrant that this, but this gives you an idea. (Claudia, I cropped you out because your eyes were closed.)

Floral Improv "in" Ann Arbor

Laura settled on her flower colors pretty quickly, but was still auditioning foliage fabrics late in the day. (The down side of having access to ALL your fabric when taking a class at home?)

Floral Improv "in" Ann Arbor

Mary wanted her flowers to be the stars so she opted for very low contrast foliage. Can you see that she’s added black stitching to some of her poppies, already?

Floral Improv "in" Ann Arbor

Lynne’s vibrant background fabric added another level of energy to her composition.

Floral Improv "in" Ann Arbor

Showing me their work can be tricky, but Mary Beth had it figured out. She took a photograph with her phone and held it up to the web camera. Where there’s a will there’s a way!

Floral Improv "in" Ann Arbor

Amy’s composition included a bird and a butterfly on her background fabric. They went well with her acid greens.

Floral Improv "in" Ann Arbor

Jean is already outlining her palest flowers to add contrast. Can you see where she’s done it already? It really makes a difference.

Floral Improv "in" Ann Arbor

Don’t you love how Wanda brought in a few flowers arcing down from the top right?

Floral Improv "in" Ann Arbor

Nico got especially creative. She clustered her flowers and made a vase for them. A very nice option!

Floral Improv "in" Ann Arbor

I had a fabulous day with these ladies and I think they’d say the same. It was SO wonderful to interact in this way after so many months of near isolation!

I strongly encourage your guild to get on the “Zoom wagon,” with me, or with some other teacher. It’s just way too much fun. If a workshop seems scary, start with just a lecture.

Information about my presentations.

Ellen Lindner
P.S. In this class students learn how to make two different types of flowers with no patterns. Then, they learn about composition and arrange their flowers. Leaves and stems are added last, and quilting begins. Students have already learned how to stitch their poppies with black thread in order to make them look more dimensional. Before you know it, it’s completely done.

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Fresh Fish

What to do when the call for art requests ocean animals smaller than 12″? This is my result: two fish for SAQA’s “Fresh Fish” project.

Fresh Fish. Ellen Lindner, AdventureqQuilter.com/blog

These are made from scraps, most of them hand dyed.

I had fun adding a little hand stitching.

Fresh Fish. Ellen Lindner, AdventureqQuilter.com/blog

It turns out that this shape is VERY hard to turn right side out. The narrow spot between the body of the fish and the tail is a problem. But, I’m happy with the result.

Fresh Fish. Ellen Lindner, AdventureqQuilter.com/blog

I’ll be mailing these off soon.

SAQA (Studio Art Quilt Associates) wants to receive 250 and anyone can donate, so join in if you’d like!

Ellen Lindner

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Improv Complete: “Fruit Salad”

I’m really loving my latest quilt, Fruit Salad. 

When I was a kid, at least once per summer my parents would get a watermelon, chill it, and then make a big to-do about eating it outside as part of an evening picnic. We ate it outside because my 3 siblings and I made a MESS with that watermelon! We had juice dripping down our chins and, of course, we had to have contests to see who could spit the seeds the farthest.

As this quilt developed that’s what it made me think of.  Thus, the name. Fruit Salad, an art quilt by Ellen Lindner, AdventureQuilter.com

A detail shot:

Fruit Salad - detail, an art quilt by Ellen Lindner, AdventureQuilter.com

This quilt was originally inspired by a photo of lillies. As it evolved, the stronger colors became dominant, and I was disappointed. But, I reminded myself that the inspiration photo was just that – inspiration. If it got me motivated to try something it had served its purpose. With that in mind, I looked at the quilt with new eyes and fell in love with it. I hope you like it too.

Purchase details and more info.

Ellen Lindner
P.S. A design note: can you see how important the neutral white and grey are? Can you imagine the quilt without them?

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