How I Store My Stuff

From fat quarters to large quilts we all have the need to store our quilting possessions in an organized way. I’ve created a video that shows how I do this. Join me in the closet and we’ll explore together.

Here are a few still images that may give you a better view.

Store your quilts up high. Ellen Lindner, AdventureQuilter.com/blog

Quilts stored up high in my closet. They’re wrapped around a closet rod.

 

Quilt and fabric storage solutions. Ellen Lindner, AdventureQuilter.com/blog

Fabrics rolled so they’ll stand up and be visible.

 

Quilt and fabric storage solutions. Ellen Lindner, AdventureQuilter.com/blog

Storage for about 1000 fat quarters. Each piece is folded and standing up in the appropriate drawer.

What storage tips do you have? I’d love to hear them. You can leave me a message in the comments section, below.

Ellen Lindner

14

A Second Croton Leaf

After making my first 3D Croton leaf, I was excited to make some more. This is A Croton Story: Chapter 2.

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

Can you tell that the two leaf halves are curled? I love that!

I modified my assembly technique this time, improving both the construction speed and the appearance. I love that too!

This time, I dyed some fabric with a leaf in mind and I think it works very well. (I did this with the “dirty printing” technique.)

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

The stem is stiff and also 3D.

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

See more about this quilt.

In my last dying session I dyed quite a few fabrics with additional crotons in mind. I can’t wait to make a whole selection!

Ellen Lindner

 

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AQS Daytona Beach 2020

It’s always a joy to visit a regional quilt show and the one in Daytona Beach, in February, was no exception.

I kinda changed the way I took pictures this time. Instead of focusing on the big winners I, instead, searched for fine details, great compositions and things that were new to me. I hope you’ll enjoy seeing them.

LeAnn Hileman’s mastery of details was very apparent in her quilt Missouri Barn.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Check out her vines on this fence post.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

And her cheese cloth weeds along the fence.
AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Mariane R. Williamson has a strong sense of composition, as you can see in her piece, Tornado.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

But, she also includes wonderful details with paint, raw edge fabrics, and HEAVY free motion quilting.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

This quilt, on the other hand, has merged delicate details into shapes that skillfully represent the people and their instruments. It’s called The Gault Family Band, and it’s made by Jan Hutchison.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Check out the detail shots. Look how little it takes to depict a mouth or a nose.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I love the color and composition in this piece! It’s called Stone Lakes, by Jan Soules.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I was happy to also have a piece in the show, my Coastal Overlook. With it, I tried to portray the motion and energy of the Pacific Ocean as it crashed and swirled below me.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I definitely enjoyed the show and look forward to the next one.

Ellen Lindner

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Welcome to My Home

You’re invited into my home to see the quilts I have on display. That’s a good way to pass the time, right? Come on in.

After viewing it, please visit the video page on my website to see my other offerings.

I’m planning on making other short videos. Anything you’d especially like to see? I’m thinking my studio, my storage set up, and maybe my dying set up. What piques your interest? Anything else I should consider?

Ellen Lindner
P.S. Pass it on!

7

First Croton Leaf Complete

Here it is, A Croton Story, Chapter One.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.comAs you can see, the 3D aspect of it really adds a lot. Here’s a detail shot.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Final dimensions 24h x 11w x 1d.
Here are some studio shots.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

The stem was stiffened with thick interfacing and heavy stitching. Then, I wet fabric strips with gel medium (collage glue) and wrapped them around it. The result was nice and stiff, just like a stem should be.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

I’m super happy with this piece! It required A LOT of experimenting and inventiveness.

Now, I’ve got the techniques down and I’m making a series of these in brighter colors. The fabrics are dyed and I’m making progress. I can’t wait to see them all together.

Ellen Lindner
P.S. These pieces will be available for purchase, at $175 each.

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Technical Challenge: a 3D Quilted Leaf

After admiring the arch and curl of a Croton leaf, I decided I wanted to make a quilt with those same lines. And because I thought it should roll up for shipping (or lay flat) but still be malleable for display, I knew I’d want to put wire into it. Which is what plunged me into a time of great experimentation and learning.

First, I studied and photographed Croton leaves from my back porch plant. (I picked the past-their-prime leaves.)

Click any image for a larger view
Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

See what pretty shapes they have? This is what I wanted to emulate.

Next, I scanned them an turned them into black and white sketches. I traced the outline of the first one I wanted to use.

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

Then, I created the top composition with two hand dyed fabrics. Next came quilting, but without a backing just yet.

Since I wanted the leaf to arch from stem to tip, I wanted to add a fairly heavy, but still pliable, wire down the center. I was worried about the end of that wire puncturing the fabric, so I knew I’d need to soften or shape it somehow. The solution came in the form of an accidental Christmas present. I had asked for glue sticks, like Elmer’s makes. But, my husband misunderstood and bought me glue sticks for a hot glue gun. (He gets points for even knowing that a hot glue gun exists. Even though mine no longer works.) The glue sticks turned out to be exactly what I needed, though. I melted down several in a little handmade aluminum foil “pot.” I dipped the ends of the wire into it and it created a nice round blob on each end. Voila!

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

I hand stitched the wire along the center vein line. To keep the wire from shifting from stem to tip, I created little fabric stops on each end. I glued and folded fabric over the end and then stitched it to the quilting. (BTW, I’m making this sound so straight forward. But, EVERY one of these techniques was tested and modified in a sample before using it on this larger leaf.)

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

In the photo above, you can see some of the tools I used, including leather gloves and wire cutters. Next, I would cut the wire mesh and hand stitch it on.

And it all worked! Here you can see that I could bend the leaf along the center vein, or curl the sides like book pages. I was getting excited!

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

Not shown, I used a different weight of wire and satin stitched it around the perimeter of the leaf. That was rather tricky since the leaf was now stiff. But, I was getting close!

Stay tuned to see how this turned out. Hint: I’m delighted with it!

What experiments have you tried during this time of isolation?

Ellen Lindner

 

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Transparency is the Thing

My primary objective during a recent dying session was to improve many ugly or high contrast fabrics. This photo shows about half of the fabrics I intended to improve.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

Some of them look fine, but have a lot of contrast in them. Now that I’ve been working with these hand dyed fabrics for a while, I’m finding that working with these can be challenging. Others are nearly solid and need to have some pattern added. Finally, some are hideous and merely need to be mostly obscured.

Because dyes are transparent, you always have to consider how colors will combine when one is applied over another. I gave this a lot of thought. The fabric below was pale blue and white. Pretty, but not something I thought I’d use. So, I over dyed it with a dull yellow. As you can see, that turned the blue to green, just as I expected.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

And here’s the whole collection, after a week’s worth of effort. I think I did about 40 pieces.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

Actually, there are another 6 or so that turned out really ugly. (Chartreuse, when I was aiming for a simple yellow-green.) They’ll be in the “needs improvement” category for my next dye session.

Now, I’m on to using these fabrics and it sure is fun!

Ellen Lindner

10

Dirty Prints

My recent dye session was devoted almost exclusively to improving ugly prints. That generally meant over dying with a solid color, or stenciling on a new one.

Take this little piece, for instance. It was originally an ugly yellow-green that I didn’t think I’d use. But, I knew that if I mostly obscured that color, leaving only tiny bits of it showing, it would add a nice sparkle to the resulting print.

Since dyes are transparent, I gave a lot of thought to how the underlying color would work with the new one. I thought a dull red (the complement of green) would give a dark, neutral result. And, as you can see, that’s exactly what I got.

Overdyes and dirty prints. Ellen Lindner, AdventureQuilter.com/blog

My stencil was larger than the little piece I was printing, so some of the design got printed onto the plastic. No worries. I just laid some white fabric down onto it, and lifted a print. And then I added a couple more.

Overdyes and dirty prints. Ellen Lindner, AdventureQuilter.com/blog

Next, I used that dirty stencil for what I call “dirty printing.” All you do is pull clear paste through the used stencil. It picks up the dye that was in the nooks and crannies, creating a more delicate version of the same lines. I layered them on top of each other, in various orientations. I love the look!

This is just one of the many techniques I learned in a five day class with Pat Pauly. She’s a wealth of knowledge!

Ellen Lindner
P.S. A broader term for this sort of treatment is “ghost print.” A ghost print is when you take a second print without adding any additional dye/paint/ink.

 

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Wildlife Down Under

I’ve always wanted to see a koala and I got several chances to do so in Australia.

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

They are so adorable! They sleep about 20 hours each day, so of course, all the ones we saw were doing just that. However, we got to get super close to them at the Sydney Zoo. We weren’t allowed to touch them, but we could observe them up close. Doesn’t this guy above look super relaxed?

His buddy was snuggled in a couple of branches below. This was a good chance to study their feet, which are different front and back. The front ones have two opposable thumbs! (His back feet are showing in this photo.)

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

In Tasmania we saw a wombat, which is similar to the koala species. Also very cuddly looking. And awake!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

And then we spent some time with about 140 kangaroos. They live at a wildlife sanctuary where they are taken care of. As a result they are VERY tame, so we could walk among them, feed them, and scratch them. They were so spoiled as to be rather disinterested in us – and our food.

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

Many of the kangaroos had adolescent joeys (babies) that were hanging out in mom’s pouch. Only the joey’s back legs and tail were showing. VERY weird looking!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

And then, we got to see a Tasmanian Devil in action. They’re very interesting looking little characters: about the size of a raccoon, with red ears!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

I was shocked when one of the workers asked “Do you want to see him attack?” Well, of course we did. So, the worker gathered a small crowd. Then, he walked over to where the devil was sleeping in a log and poked him with a literal 10 foot pole. That little guy came tearing out of there, with teeth barred! The worker backed up in a big hurry and the devil got tired of the chase after 15 feet or so. Yes, it got our attention! (Reminded me of a very aggressive black dog we had one time. She sorta led with her teeth.)

It was great to see this unusual – to us – wildlife!

Ellen Lindner

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What a Trip!

I recently went on the vacation of a lifetime, to Hawaii, Australia, and New Zealand! My favorite thing was the scenery in Hawaii and New Zealand. Here’s just a sample.

The beach in Kona, Hawaii (on the big island.)

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The turquoise water, white waves, and black lava rocks created a wonderful contrast!

Much of New Zealand had steep hills and mountains caused by earthquakes. It was very dramatic.

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The tan hills reflect the dry conditions, although irrigation keeps the agricultural industry vibrant. As a matter of fact, New Zealand is so conducive to growing things that the same trees that are grown for lumber in California reach maturity in half the time in NZ.

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The photo above was taken on a working sheep station (ranch.) Which shows you just how abundant such stunning views are. Gorgeous!

There was inspiration everywhere!

Ellen Lindner

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