Blog – Page 33 of 63 – Adventure Quilter

Floral Improv in Tallahassee

By Ellen Lindner on April 9, 2019 in Uncategorized

The students in my recent “Floral Improv” class, in Tallahassee, FL, produced wonderful results!

After learning to make simple daisies and poppies, we talked about design and composition and they spent some time working on their arrangements.

Floral Improv in Tallahassee. Ellen Lindner, AdventureQuilter.com/blog

Elizabeth at work

Flowers were placed first, then stems, then leaves.

Diana with her stitching in-progress

Next came the stitching. This is especially important with the poppies because details are added with black thread.

Elizabeth stitching away

Cheryl nearly finished hers!

Kerry with her completed piece. (She used dark green thread on her poppies.)

Pam with many flowers stitched. Notice her background quilting. Students bring their quilt sandwiches to class already stitched and this is the pattern I suggest.

Erin with most of her stitching complete. She’s a brand new art quilter and was thrilled with her results!

Leslie’s patterned fabrics gave an interesting pop-art look to her composition.

For leaves and stems, I encourage the students to select fabrics close to the background, so contrast will be minimized and the blossoms will be the stars of the show.

Elizabeth with partial stitching complete

As the class coordinator, Ruth worked hard both in class AND before and after!

And just look at her results. Can you see how much definition the poppy stitching adds?

From Erin with her first (or second?) art quilt, to Kerry and Diana’s black leaves, and Leslie’s print flowers, this group was not afraid to experiment. I loved it!

Ellen Lindner
P.S. Learn a little bit about design: Composition here, and Focal point here.

Apples, Apples Everywhere!

By Ellen Lindner on April 2, 2019 in Uncategorized

My class, Double Reverse Applique, is the most popular one I teach. And with good reason: the technique is easy and the results are always exciting. I’ve taught it recently in both Boca Raton and Tallahassee, FL.

Clicking on most images will show a larger view

The goal: dramatic apples (and maybe even some pears.)

My samples are shown above.

The Process

The technique involves two types of reversal. First of all, all the stitching is done from the back.

Which involves heavy use of a light box in order to place the fabrics properly on the front.

Excess fabric is trimmed away from the front, like typical Reverse Applique. Slowly, an apple takes shape.

The Boca class was very full so I didn’t have much time for picture snapping. But, I did get this one of Johanna with her apple.

And looky there: “life imitating art.” This was part of a student’s lunch.

The Results

The Tallahassee class was much smaller so I got to take more pictures. Here’s the entire group of 9. Don’t they look great? I love how they always look different from one another.

This class had a first for me: two women working together on the same apple. Mary and Elizabeth did a great job of working together and I gave each of them a “cooperation prize:” a postcard. That’s them in the back of the room, while Lucy labors away in the foreground.

Elizabeth and Mary plan to also make the pear together so they’ll each get to keep one piece of fruit.

Several students had time to make a pear, too. Here’s Kerry with hers.

And Lyn.

And Pam.

All of these students did great work and we had a lot of fun together!

Ellen Lindner
P.S. Learn more about this class or purchase an immediate download of the eBook about this technique.

AQS Daytona: Special Techniques

By Ellen Lindner on March 29, 2019 in Uncategorized

At any good quilt show you’ll find amazing workmanship and creativity. The Daytona Beach show was no exception. This amazing trapunto quilt was made by Jan Hutchison.

Click any image for a larger view

(It looks slightly green under the lights, but was really a taupe color.)

Check out these fabulous details!

Isn’t it amazing?

This next “quilt” was sort of mesmerizing. The very light layers moved around as people walked by or the air conditioning came on, making it hard to look away.

I’ll bet you can’t guess what it inspired it: a glass of a pale yellow wine. I think it must be a very light and subtle wine.

This piece was part of a small exhibit about foods, created by a South American husband and wife. (I hate that I didn’t record their names!)

Each piece was very creative and very different from one another. What surprised me was that they depicted things like texture, smell, and taste, but nothing about appearance. Talk about subtle!

My friend, Laura Ruiz, has quite a few unique tricks up her own sleeves. For several years she’s been painting onto silk before stitching it. But, recently, she learned to paint on paper, as well. She painted this cardinal and then loved it so much she had printed, much larger, through an online company.

Next, she pieced the “9 patches” around the edges and joined them to the central motif. To help visually merge the two together she lightly painted triangles into the background of the bird. Brilliant! And then look at that quilting. She’s a master! This quilt has won quite a few prestigious awards.

Finally, here’s a look at Andrea Brokenshire’s work. She also paints onto whole cloth and then adds lots of thread painting.

A beautiful piece, and a very nice show.

Ellen Lindner

AQS Daytona: Photo Quilts

By Ellen Lindner on March 24, 2019 in Uncategorized

Lately, we’ve been seeing lots of quilts that are photos printed onto fabric and then stitched. Although often stunning from across the room, I’m not always enamored with these quilts. That’s because I want to see something more than the photo. I want to see some added texture, drawing with the quilting line, or thread painting that really ADDS something to the image. I want to see “the hand of the artist.” That is, some way in which the artist has expanded or reinterpreted the photo. Otherwise, why not just print it on paper and frame it? This is a quilt. I want to see something that elevates the image.

Not surprisingly, there were several of these photo quilts at the AQS show in Daytona this year. I’m showing you several I think were especially well done.

This magnificent quilt by Sue de Vanny, is a prime example.

Click any image for a larger view

I don’t believe this one was printed on the fabric. Instead, she used a variety of fabrics to create the basic design, and she then used additional stitching to really bring it to life. My photo is a little out of focus, but I think you can make out the abundant zigzag stitching she has done to soften the edges of the fabrics and to add detail. Beautiful!

Constanze Botel started with a wonderful high contrast photo printed onto fabric.

She added lots of personality and details with the quilting. The word “photographer” is stitched into the background. You can just make out the g to the left of his ear.

This bird quilt was made by Nancy Sterett Martin. The feathers begged for stitching to help make them stand out.

Nancy took it one step further, however, by adding lots of textured fabric, as well. I think it’s very successful.

I think I read that this next quilt did not have a printed photo as a starting point. Instead, each subtle bit of shading and detail was achieved with fabric and thread. It was made by Barbara Binotto.

Now, check out some of her fabulous textured details: 3D Branches!

And water with textured bits used to great effect.

I hope we’ll see more quilts like these in future shows. To me, they’re MUCH more interesting than just thread painting.

Ellen Lindner
P.S. I fully understand that heavy thread painting is an art and I greatly respect the workmanship.

Correcting and Dyeing and Correcting Some More

By Ellen Lindner on March 20, 2019 in Uncategorized

Ellen Anne Eddy says, “If something’s worth doing, it’s worth doing badly.” In other words, don’t expect yourself to master something right away. If it’s worth doing it’s worth your practice time and whatever mediocre results you get along the way. Well, I think maybe I was the poster child for this philosophy in my last dyeing session. It seemed like nearly everything I did was correcting something I’d done earlier.

Like this ugly green fabric.

Click any image for a larger view

I over painted it with fabric paint, using a commercial stencil and I got this. Much better!

Now, the paint shows more than the original ugly fabric and that became the norm as I worked through some other fabrics.

You may remember this GARISH one from an earlier dye session. That UGLY chartreuse needed to be covered! I made a stencil which would print most of the screen, leaving only a few dots of the underneath fabric showing. I tried mixing a deep berry/burgundy color, (which looked black when still wet,) and screened it on.

And it worked! After washing it out this is what I got. Just what I wanted. Woohoo! I love the imperfections.

Now I was on a roll. I began to look for ugly fabrics, like this clean up rag (CUR), and to figure out how I could mostly cover them. For this “stencil” I tried something new. I cut circles from freezer paper and lightly ironed them onto the back of my screen. I wasn’t sure if they’d stay, but they did (until I later washed the screen.) In the example below I screened on what I hoped would be a dark teal. (Since dyes are transparent, there’s often a good bit of guess work involved in such scenarios.)

And this is what I got when I washed it out. Yes!

I tried repeating my good results with the same technique, this time mixing what I hoped was navy blue and adding it to this bright, and very ugly CUR.

As you can see, the yellow below affected the color and it ended up being a greenish brown. No worries. This will be very usable and is actually one of my favorite fabrics.

These are the results of my 2 week dyeing session: 42 pieces ranging in size from “hand towel” to 30 x 42. I’m, very happy with them.

I’m learning that this dyeing business requires some luck, a good bit of color theory, and an attitude of exploration. My kind of thing, for sure!

Ellen Lindner

Floral Improv in Charlotte

By Ellen Lindner on March 19, 2019 in Uncategorized

Gee, I’ve been teaching so much that I haven’t had time to update my blog with all the great student results.

These are the results from a February “Floral Improv” class in Charlotte, NC. With only 7 students, we had plenty of room to spread out and within the first few minutes colorful flowers were developing.

Click any image for a larger view

They look great on dark backgrounds, don’t they? And here are the resulting quilts at the end of the day, made by Eve and Judy, respectively.

Those colors POP!

Of course, softer colors work equally well. As demonstrated beautifully by Robin and Liz, below.

And why not have use blue flowers? Sara and Marguerite did so very effectively.

Rounding out the selection is this great quilt made by another Judy.

The quilting is very important on these quilts. Especially on the poppies, which need some additional definition. See how much the black stitching helps? I recommend a double pass with a rather sketchy line.

Another successful class, with marvelous results!

Ellen Lindner

Traveling with Quilts

By Ellen Lindner on March 6, 2019 in Uncategorized

One third personal, one third class stuff, and one third quilts: that’s about the ratio of my luggage contents when I travel to teach. Since I want the quilts to arrive with a minimum of wrinkles, so I’ve developed a way to let each one pad the crease of another.

I start with the one medium-large quilt I’m taking. I put it in the cavity of my partially packed suitcase, but leave it fully open.

Next, I add the quilts that are a little smaller. These are too big to lie flat in the suitcase, but narrow enough to fit within the width of my luggage. I lay these in the cavity with one end flat, but the remainder of the quilt opened up and hanging over the edges. See the numbered sequence below.

Next, come the very small quilts that are small enough to fit flat into the suitcase. I put in a few of these, but hold two out.

Now it’s time to start folding up the quilts which have already been laid in place, working in approximately reverse order. In the photo below, the purple quilt has been folded up, with the smallest quilts acting as padding for that crease.

Eventually, all of these quilts are folded up. See the folded red quilt, below. Remember that it was the second one to go in. So, it’s time to address the largest quilt which was placed in first. Of course, it needs to have its folds padded too, and this is where the remaining two small quilts come in. In the photo below, the quilt with the oranges was placed with this in mind.

Now the largest quilt can be folded right to left.

And top to center, with the oranges quilt sandwiched in between the folds.

Finally, the last small quilt is added to cushion the final fold and I’m ready to go.

My students and the audience members at my lectures really love to see quilts up close and personal, so these are always a big hit.

I’d love to come show them off at your guild!

Ellen Lindner

Ice Dyeing

By Ellen Lindner on February 28, 2019 in Uncategorized

Have you tried ice dyeing? Oh my! It produces BEAUTIFUL brilliant colors and complex patterns.

At a recent group dyeing day, Dij taught us how to do it. First, she showed us various ways to bunch, scrunch, and secure the fabric. Like tie dye, the folds in the fabric affect the way the dye penetrates and they help create the patterns.

Before reaching for the dyes, Dij talked to us about color selection. She has made charts showing how each dye separates into other colors, and she keeps this in mind. (Check out the black swatch, bottom right.)

After manipulating our fabric, we placed it on elevated grids in plastic boxes and dumped a bunch of ice on top. Then, before grabbing the dyes we put on our dust masks. VERY IMPORTANT

Next we sprinkled 3 colors of dry dye powder onto each fabric.

It didn’t look too great at this point.

We toted our containers home and waited for the ice to melt. (This is why the fabric was elevated: so it wouldn’t sit in the resulting puddle of mixed colors.) Then, it was time to thoroughly rinse and dry, and voila!

Can you believe how gorgeous these 2 fabrics are?!? The one on the left was loosely scrunched. The one of the right was folded into soft accordion folds and secured with rubber bands. I love these!

To say that all this dyeing was fun would be a huge under statement. It was joyful and exhilarating!

Ellen Lindner

Dirty Dozen Dyeing Day

By Ellen Lindner on February 26, 2019 in Uncategorized

My local art quilt group, the Dirty Dozen Fiber Artists, had a dyeing day recently, at Ruth Anne’s “barn.”

We started with Gabriele explaining wet cyanotype to us.

It’s similar to sun printing, but with chemically treated fabric that turns dark blue. That is, until you add water to the process. After that the results are much less predictable, but always interesting.

The treated fabric is sprayed with water and greenery or other resist items are placed on it. Glass is secured tightly on top to hold it all in place, and it’s put in the sun.

After a few hours it’s ready to come inside for curing, rinsing and drying. This involves leaving it in a dark environment for a while and a few other techniques. Finally, it’s ready.

And the backs are pretty, too. I think I’ll use them as yardage and actually cut them up as needed.

Sandy taught us about low immersion dyeing. She’s very subdued. NOT!

A common technique with low immersion dyeing is to manipulate the fabric in some fashion and to put it into a small space with the dye, so it stays in that shape. This prevents the dye from spreading evenly and interesting mottled colors can be achieved.

These are some of my resulting fabrics. Very useful, right?

We also did ice dyeing that day and I’ll show you that in my next post.

I’m SO lucky to have this intrepid group of fiber artists to hang out with!

Ellen Lindner

Derek Gores at Foosaner Art Museum

By Ellen Lindner on February 21, 2019 in Uncategorized

There’s a fascinating exhibit at my local art museum right now. It features the work of Derek Gores, who makes collages from magazine pages.

Like this.

Isn’t it wonderful? As you can see, he interprets things in a somewhat abstracted way, which I think is VERY compelling. Check out this detail shot.

Don’t you love it? Here’s another one, about 12 x 12.

And the detail shots. The eye:

And the mouth.

Are you blown away yet? How about this?

In his collage, Gores let the woman’s dress disappear into the background. The museum curator took it one step further, finding matching wallpaper to add to this one wall. Brilliant!

By the way, several of Gore’s pieces have a high fashion sensibility. In them, he often adds a cat, which is a whimsical nod to the cat walk. I love that!

Probably the most memorable piece in the installation is, in itself, an installation. It’s a 3D collage filling an entire room with hanging pieces of paper. You can walk all the way around it, but the image is only discernible when viewed from front and center.

Can you tell what it is?

Here’s the reference photo.

This is just a taste of this amazing exhibit. I’ve seen it three times and I’ll be going again this week, because I keep taking people to see it. If you’re in the Melbourne, FL area, you’ll WANT to see this exhibit! It’s at the Foosaner Art Museum, which is free, through March 23rd. If you can’t make it to the museum, I encourage you to check the collages on his website.

Now, I want to grab some paper and a glue stick!

Ellen Lindner

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Adventure Quilter

Floral Improv in Tallahassee

Apples, Apples Everywhere!

AQS Daytona: Special Techniques

AQS Daytona: Photo Quilts

Correcting and Dyeing and Correcting Some More

Floral Improv in Charlotte

Traveling with Quilts

Ice Dyeing

Dirty Dozen Dyeing Day

Derek Gores at Foosaner Art Museum

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