“Twigs” Complete

For the first time I worked on two quilts at the same time, finishing them up very close together. Here’s the latest, Twigs.

Twigs, an art quilt by Ellen Lindner. AdventureQuilter.com

Twigs

I’m very happy with it. And here’s a detail shot.

Twigs - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

The dark twigs were done in the dyeing stage. The white ones were added after piecing, with acrylic paint. As you can see, I used the same stencil for both.

See more details, including purchase information.

Ellen Lindner
P.S. After neglecting it for quite some time, I’m finally hemming and altering clothes. At only 5′ tall, I do a lot of that!

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“Fragrant Canopy” Complete

I’m SO happy with my latest quilt, Fragrant Canopy.

Fragrant Canopy, an art quilt by Ellen Lindner. AdventureQuilter.com

It started as one piece of fabric which I dyed/printed. That fabric makes up the left two-thirds of the completed quilt.

I had great fun working on the details, especially adding some black hand stitching.

Fragrant Canopy - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Fragrant Canopy - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I love everything about this quilt! Not only the results, but also the process and the things I learned.

See larger images and purchase information.

Ellen Lindner

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Need More Measuring Spoons?

I’ve been cooking a lot more lately, and have been frustrated by my limited quantity of measuring spoons. Although we have several sets, it seemed that the one I needed was always dirty. So, I suggested to my husband that he give me a set as a stocking stuffer.

As I unwrapped gifts on Christmas morning, I opened one that was rather heavy for its small size. Inside I found this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

That’s right: he had given me FOUR sets of measuring spoons! That cracked everyone up.

There was another gift that I kept reaching for but my husband kept telling me to save it for last. Finally, I got to open it and what did I find?

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

You guessed it, another FOUR sets! We all had another good laugh.

Eventually, we starting unwrapping gifts from our stockings and I opened this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

And a little deeper down, this.

A full measure of blessings. Ellen Lindner blog, AdventureQuilter.com/blog

That’s right, I had TEN new sets of measuring spoons! Hubby definitely gets the award for most creative this year!

Later, I got to thinking about all the blessings those measuring spoons represent. Home, food, family, time, and health. I’m so thankful for all of these.

I hope you will also have many blessings in the coming year. A full measure.
And that you will recognize the blessings as just that. An over flowing measure.

Maybe you’ll find that you even need more measuring spoons.

Wishing you a wonderful new year over flowing with health and happiness.

Ellen Lindner

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Let the Sun Shine In Part Two

Here are some more great quilts from “Let the Sun Shine In.”

I love the strong contrasts Jayne Gaskins has used in her piece, Sunlight in the City.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Karen Tauber’s quilt, Bargello with Coneflower featured a similar subject and colors.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

This was another favorite, Sunset, by Jenny Perry.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Check out the stitching and texture.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Lovely!

This piece, by Susan Price, makes use of cyanotype. In this case, the technique produces the white and strong blue foliage motifs. She calls this quilt, By the Light of the Sun.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Karen Ponichil’s quilt of the sun, Soleil, matched the exhibit theme perfectly.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

There were other interesting quilts in the Virginia Quilt Museum and I’ll show you some of those in the next post.

Ellen Lindner

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“Let the Sun Shine In” Exhibit

I recently enjoyed a visit to Harrisonburg, VA, to see the “Let the Sun Shine In” exhibit. The artists in this exhibit are all members of Studio Art Quilt Associates, and I am one of them. Here I am with my piece, Florida Native #2. It was made with commercial fabrics and one that I created  with breakdown printing. The vein shadows were created with black tulle.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

That’s Mary Ritter’s Tea Time hanging behind my shoulder.

I estimate about 30 quilts were in the exhibit, and they were all displayed well.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Partial list of makers, L-R: unknown (1,)  Mary Ritter, Ellen Lindner, Jayne Gaskins, unknown. I’m sorry that I didn’t note all the makers of these quilts. If you see yours, please let me know and I’ll add the info.

This piece, by Paula Dean, had a great sense of light. It’s called Brighter Days…Just Around the Corner.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Paula used a wonderful array of techniques to create texture. This was very compelling and it drew you in for closer scrutiny.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

Jenny Perry used strong colors to make her striking piece, Lac Le Jeaune Sunrise.

Let the Sun Shine In, quilt exhibit. Ellen Lindner, Adventurequilter.com/blog

I’ll show you more images in the next post.

By the way, this exhibit runs just a few more days – through December 23rd, 2022.

Ellen Lindner
P.S. See my quilt in-progress.

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A Little Bit of Black

A little bit of black can often add just the right touch to a quilt. And in the case of this piece, I NEEDED to add more black to go with what was already there.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I liked the idea of playing up the sharp little lines on the left. But, how to best accomplish that? I tried stitching with a double pass, using 30 weight thread.

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

It showed up well on my sample so I drew out a pattern and started stitching on the quilt.

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

But, it didn’t show up that well on the quilt. Up close it was fine, but it pretty much disappeared from a distance. What else could I try? Maybe hand couching?

Here it is, with about half machine stitching and half overlaid with couching. It shows up much better, right?

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

Here’s a detail shot, again in-progress. What a difference!

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

I was loving this effect and couldn’t wait to finish it up!

Ellen Lindner
P.S. BTW, I used 6 strands of embroidery floss as the laid thread and regular black sewing thread as the working thread.
P.P.S. See other quilts with hand couching: Wishes on the Wind, post about couching, Back Yard Beauty.

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Composition by Trial and Error

As I continued auditioning fabrics for my latest quilt, I was thinking mostly about value contrast. (Light and dark.)

This is where I left off. I could see that it needed some darker values to add some punch.

 

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

What about some dark green on the right? Yes. I thought it would work.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Plus, I auditioned the idea of a skinny vertical strip of black. Can you see it above?

Rather than piecing the green fabrics in horizontal pieces, I decided to mirror the angle of the highest set of stripes in the feature fabric.  didn’t want a strong line where the top of the green ended and pink started. I looked for fabrics that would help me provide a transition.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Yes, that worked. Here, you’re seeing mostly cut and pieced fabrics. As you can see, I kept the skinny vertical black strip.

Then, I decided the dark green was a little too one-sided. I decided to add a green strip on the left.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I was very happy with it at this point.

As I worked on the left green strip I began to think about how I might add some more TINY bits of black. I thought I needed them to help tie together the other black (the skinny strip and in the pink fabric top right.)

How would you add a little black? And where? I’ll show you my answer in the next post.

Ellen Lindner

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Dyed Whole Cloth

I’ve been working on incorporating a variety of motifs and colors into one piece of dyed fabric and I finally got one I really love.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

I rotated it 90 degrees and put it up on the design wall. Now what?

I had a lot of fabrics with the right colors, so I pulled them all out and pinned them up on the design wall. Lots of options here!

(This is my typical process, followed by lots of editing.)

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Perhaps this green-on-green piece would be a nice counter point. Not bad.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Next, 2 questions:
1 – Could the first fabric hold its own? Would it need some more contrast? It looked pretty awesome by itself.
2 – Regardless of the answer to the first question, should I alter the original fabric? Maybe move the chevrons around?

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I decided that I should add some contrasting fabrics to the original one. Something dark and maybe green. Back to the green shapes. I liked inserting them between the chevrons.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

But, maybe the chevrons shouldn’t all start at the top. What about this? I was missing the darker green. And maybe the far right chevrons are too far to the right? Lots more trial and error needed.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

At this point I was folding fabrics and pinning them in place. No firm decisions or cutting yet. Soon, though! Check the next post for more progress.

Ellen Lindner

 

 

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Dyeing Successes

In my last post I showed you several fabrics that changed dramatically when washed and dried. Thankfully, that’s not the norm. I thought you’d like some assurance that things DO usually turn out as I want them. A few examples:

Fat black and brown lines on white (which stayed white, I’m happy to say.) I like this pattern and think I’ll do more similar pieces.

Dyeing Successes. Ellen Lindner, AdventureQuilter.com/blog

This piece had a rather anemic, mostly-white background, which I didn’t like. However, there were some small teal patterns in the background and I decided I wanted the bulk of the background to be a solid version of that. Hooray for color matching!

Dyeing Successes. Ellen Lindner, AdventureQuilter.com/blog

This nearly solid red-orange requires a lot of restraint! With all the colors and tools at my disposal, it’s REALLY tempting to add more pattern and color! But, I occasionally manage to create such fabrics. Thank goodness, because they’re very much needed.

Dyeing Successes. Ellen Lindner, AdventureQuilter.com/blog

What kind of dyeing successes (or challenges) have you encountered?

Ellen Lindner

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Maybe I Need a Crystal Ball

For me, the hardest thing about dyeing fabric is predicting the final color. I think maybe I need a crystal ball!

Case in point: I spent a lot of time getting this fabric just the way I wanted it. This is what it looked like wet. I was concerned that the delicate tone-on-tone area in the lower right might not show up, but was otherwise confident about the outcome.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

However, this is what I ended up, once washed and dried.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

As expected, I lost the detail of that one corner, but where did the MINT green come from? Not satisfied with this result, I retreated the fabric and tried again. Here’s the reworked version, wet. As you can see, I kicked up the background colors quite a bit.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

And this is the final version. Which I like a lot.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

I’ve gone to the trouble to make a TON of swatches, just so I could avoid this problem. However, I’m not measuring and weighing dyes, just trying to match proportions. It looks like I might need to be more exacting.

And here’s another one that gave me trouble. Wet:

Washed and dried:

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

Ugh! What ugly colors! So, I tried again. Reworked and wet:

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

That looked pretty colorful, but it ended up just the way I wanted.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

I guess my “take home” points are:
1 – Trust my swatches and try to “measure” more accurately.
2 – Don’t stress when it doesn’t come out to my liking, because…
3 – I’ve gotten pretty good at reworking the colors. (Yay for me! That’s a silver lining.)

Of course, not all the dyeing ends up off-color. I’ll show you some first-try successes in the next post.

Ellen Lindner

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