Ellen Lindner: Art & Creativity

My quilted collage, Hope Emerging, will be auctioned online
on February 9th,
to benefit the American Cancer Society.

Seen above, it’s a petite 10″ wide by 8″ high.  See a detail image below.
Click on images for a larger view.

The auction is part of the Tote Tuesday fund raising effort.  Each  Tuesday, several
tote bags and finished fiber art pieces are  auctioned.  The tote bags feature
items for fabric artists and lovers of fiber art. 

Previews of all the February 9th auction items are here.  The bidding begins at noon EST.  Find full auction details here.

Don’t miss out on this great opportunity to feed your need for art while simultaneously helping the American Cancer Society!

Ellen Lindner

Have you got your eye on one (or more) of the totes being auctioned in support of the American Cancer Society?  I do!

Called Tote Tuesday, each tote bag features items for fabric artists and lovers of fiber art.  The excitement starts on February 2nd here.

I’ve made a small quilted collage to benefit this event.  Called Hope Emerging, my piece will be auctioned Feb. 9th. 

Here’s it is, 10″ wide by 8″ high. 

Although offered unmounted, I envision it being matted on white and framed with a skinny black frame, like this:

Finished art such as this will be auctioned individually, rather than in a tote bag.

Don’t miss out on this great opportunity to feed your need for art while simultaneously helping the American Cancer Society!

Ellen Lindner
P.S. Read about the construction of this little piece, by clicking on American Cancer Society, at right.   (In the collection of blue words.)  It will bring up all the related posts.

I own the world’s most beautiful book, and I’m about to show it to you! 

But first, a little background.  I purchased this book in the gift shop of the Cathedral of Ste. Chapelle, in Paris.  Ste. Chapelle, is a BEAUTIFUL cathedral, known for its stained glass windows.  The cathedral was built by Louis IX in the 13th century.  (He was the only French monarch to be sainted:  Saint Louis.)  Ste. Chapelle was originally built to house the Christian relics belonging to the Cathedral of Notre Dame, just around the corner.

After viewing the soaring arched ceilings and colorful windows, I made my way to the gift shop.  And there it was:  a book with no color.  No black even.  Just beautiful white pages that were embossed with images from the cathedral. 

This is what I saw:
Click any image for a larger view

Wow!  I hope the photo does it justice, because this embossed page is magnificent! 

Because of the way the book was displayed I could only see one page, but I knew I had to have it.  I told the cashier, in my very pathetic French, “I want the book with the white pages.”  She asked “Something in French that I didn’t understand????” and I answered “Oui.”  Soon, I was walking out with the most beautiful book in the world.

I was amazed by the creativity of such a book.  “Who had the idea to make such an exquisite representation of this cathedral?” I wondered.  I was impressed with that vision and with the publishers who acted upon it.

Later, I got to pull out my new prize and study it.  I found that each page featured a different architechtural aspect of the catherral:  exterior, arches, window images, or lead work.

This page shows the circular window for which the cathedral is best known.  
The shapes used in it were a new style, which looked somewhat like flames. 
This is the origin of the term flamboyant.

Eventually, I figured out why the book was all white:

Yes, braille!  Finally, it made sense: a book for the blind.
But just look at how beautiful the transparent braile page was!

Even the braille itself was wonderful!

So, was I right?  Have you ever seen a more beautiful book?

Ellen Lindner

“Be inspired by your photo, not owned by it.”

Sticking to this as our class motto, the ladies in Design Your Own Nature Quilt produced exciting work.  This often required working slightly outside their comfort zones, but they were willing to do so, achieving  great results.

Donna used a photo of two Trillium.  She rearranged them within her composition, and is planning to later crop the right one.  This will enhance her design even more!  Donna will add further details with thread painting.  Click any image for a larger view.

Linda’s poppies are really going to dance!  She created interest by using a variety of fabrics for the flowers.  Soon, curving stems will complete the image, giving it even more motion.

Pam worked on a woodland pond.  She completed the background vegetation and water, and was just beginning to consider the stones around the pond.

Lou started with a great orchid photo.  She dramatically darkened the background to create more contrast for the flowers.  She also modified the surrounding vegetation quite a bit.  Lou’s handling of the two big leaves was brilliant:  she cut each half from different fabrics and created the vein effect by simply leaving a gap between the two pieces.

When creating vegetation, it’s easy for all the green fabrics to blur together.  Lou’s dark background helps with that.  She’ll define things even more with contrasting stitching.

Sharon’s photo of a rock arch was a dramatic starting point.  She translated it to fabric very well, achieving a wonderful sense of depth.  (Plus, she completely finished the layout  in class. )  Sharon will add some shading in the foreground with stitching or art media.

What an exciting and fun class!  I love teaching it, both in person and online.

Ellen Lindner
P.S.  I often create fabric collages inspired by nature.  Here are a few examples, including the inspiration photos.  (I always use my own photos, to avoid infringing on the copyright of another photographer.)

On my second day in Sarasota, I taught Design Your Own Nature Quilt to a great group of women.  This is my favorite class to teach because the students gain a lot of skill and confidence.  However, getting there can be slightly intimidating since the students put several new concepts to work.  Therefore, the class description includes this phrase:  “Artistic skill is not needed, but artistic courage is required.”

In the morning the group learned about design,  doing quite a few individual and group exercises.  By late morning, they began to sketch and plan their own quilts.  To keep things loose, the class motto was repeated frequently:  “Be inspired by your photo, not owned by it.”  The students bravely rose to the occasion and accomplished a lot in the remaining afternoon hours.

Cass started with a photo of a bouquet of flowers.  Next, she cropped it to a better composition, used a variety of purples for the background, and altered the flowers, making them whimsical and funky.   A great example of inspiration. 
Click any image for a larger view.

Helen severely cropped a woodland photo of mushrooms, resulting in a very dramatic composition.  She was a little uncertain about cutting shapes directly from her fabric, so she made some paper templates first.  Her luscious selection of tan and cream fabrics will really pop against her dark background.  And the curvy stems will be fantastic!

Marcia’s photo needed very little editing.  She had fun picking fabrics that would do
the bulk of the work for her.  Later she’ll add some surf with, perhaps, cheesecloth. 
An excellent use of materials.

Marty made some very smart decisions with her piece.  First, she moved the central rock shape off center.  Much more interesting!  Next, she used the BACK of her pre-printed sky fabric, for a subtle effect.  Then, she picked fabrics based primarily on value, as she began to develop the nooks and crannies of the rock face.

I get a renewed adrenalin surge just looking at these photos.  It’s VERY
exhilirating to be in a room with so much creative energy and courage! 

Most of these women had never designed their own quilts before. 
Can you get a sense of how thrilling that was for all of us? 

I’ll show you more examples in my next post.

Ellen Lindner
P.S.  You may also be interested in the gallery of student work from previous Design-Nature classes.  Most of them had never before designed their own quilt!

An Apple a Day is the title of the pattern we use in my Double Reverse Applique class.  I’ve given the technique this name because:
1- Fabric is cut away to reveal the fabric below it, and
2 – Since the stitching is done from the back, there’s a second kind of reversal.

This is Pam’s apple at the end of the 3 hour class.  Notice that the perimeter
of the apple is not properly defined, since this happens when
the background fabric is added.

Here’s what it looked like when she showed up for class on the
second day.  Isn’t it great?

Several other ladies attended the second class and brought finished projects with them.  Catherine shows off  her apple:

And Donna:
(Who I kept calling by the wrong name, so she earned two postcards from me!)

And Lou:

What a fabulous variety of colors!

One of the great things about the Double Reverse Applique technique is its accuracy.  This makes it great for portraits and such.  Shown below is the first project I attempted with this method:

I created the pattern from this photo of me at the age of two:

See what I mean about accuracy?  How cool is that? 

And it was easy too.  This early success is what made me decide to teach the technique.  You can see additional DRA examples here.

Ellen Lindner
P.S.  You may be interested in the online version of this class.  There’s also an 
e-book which includes the same material as the class, including the apple pattern.

Oh my, did we have fun on my recent teaching trip to Sarasota, Florida!  For starters, I taught my half-day Double Reverse Applique class.

The photo below shows my teaching display.  The pattern matches the red apple,
but as you can see, it’s awesome in any color variation.

Lou and Denise (L-R) stayed busy:  Click any photo to enlarge.

Roberta, Marcia, and Pam (L-R) worked diligently. 

Marcia cracked me up when I asked to photograph her work.  She was in the
middle of applying the next piece and gleefully showed me this:

That looks like an apple, right?

I somehow didn’t get photos of everyone’s apples, but they were all terrific. 
Check out Debbie’s vibrant colors!

Susan completely finished hers during the three hour class:

Aren’t they fantastic?

Ellen Lindner
P.S.  You may also be interested in the online version of this class.  There’s also an 
e-book which includes the same material as the class, including the apple pattern.

I was worried that the stems for my little collage might be too chunky for the petal/flower shapes.  I auditioned the combination and got this:

Just as I suspected.  It looks more like birthday candles than foliage.  (And the colorful flowers will need a much better arrangement, as well.)  So, back to the drawing board with skinnier stems.

I also added some triangles previously fused and cut for an earlier project.  At this point, I liked them.  Since I hadn’t ironed them on, I could still move them later, if needed.

Next, I added all the petal/flower shapes.

That was colorful, but I thought the flowers needed more definition.  That is, more
black showing between them.  So, I removed quite a few.  I also lowered the highest flower.

Hmm. Not sure about the missing high flower, but I know I can add it back, if needed.

I liked the white triangles as part of the foliage, but I began to think they were attracting more attention than the flowers.  So, I removed those, as well.

After more editing and tweaking, this is the final (?) composition.

Next:  stitching.

Ellen Lindner
P.S.  This little collage is being made to benefit the American Cancer Society.  It will be part of an online “auction,” with the “payment” being a donation to ACS.  More details here.

Is that not gorgeous?!?  I love it! 

This one was apparently not quite ripe, because it tasted pretty sour.  But, honestly, this fruit is so eye catching  I think I’ll buy one for my next party – just for adornment!

I often find inspiration in the produce department.  One day, I noticed the way the strong lighting showed through the translucent onion skins.  I asked the produce guy if I could have the loose skins and he agreed.  I brought home several and had fun arranging them, considering this nothing more than a creative exercise. 

I’ve also made several art pieces with produce as the subject.  For instance:

Apple Still Life

Where do you find inspiration?

Ellen Lindner