“Indian River Fruit” Complete

I’m really happy with my latest quilt, Indian River Fruit.

Indian River - an art quilt by Ellen Lindner. AdventureQuilter.com

With the exception of one piece, I hand dyed all of these fabrics. As I’ve mentioned before, I’ve found it somewhat challenging to use these high-contrast fabrics together. This time, though, I think I hit the sweet spot. I love the contrast between the large circles, the near solid sections, and the grids.

I quilted it to show off the various fabric designs:

Indian River Fruit - quilting detail. Ellen Lindner, AdventureQuilter.com

I’m looking forward to working with my hand-dyed fabrics some more!

Find more details about this piece.

Ellen Lindner

 

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Join Me at a Virtual Reception

On Friday, April 30th, I’ll be participating in a virtual art reception and talking about the piece above, Melting Pot.

The occasion is the opening of “Floridian Flavors” at the Leepa-Rattner Museum of Art, in Tarpon Springs, FL. Pieces in the exhibit are all fiber, made by the Florida artists of Studio Art Quilt Associates, (SAQA.) Artists were asked to respond to the culture, cuisine, and characters of Florida. The result is a diverse collection of work, with playful pieces inspired by tourists to more serious ones about global warming. At the virtual reception, four other artists will also be talking about their work, including some in-progress photos.

Join the Zoom reception at 6 PM EDT on April 30th. Click here to do so.

And, if you’re in the Tarpon Springs area, be sure to visit the exhibit in person. It runs May 4th through August 15th.

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Fabric-Led Design

My latest quilt has been coming together nicely, even though the fabrics are a little bit diverse. The colors, patterns, and values of the fabrics have dictated what looks good where and the fabric sizes have determined what will actually fit where.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

Things evolved on the design wall as I folded and auditioned fabrics in different locations. I didn’t cut them until I was pretty sure about what I was doing!

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

As you can see, I was trying to move the colors and patterns throughout. I was getting close, but I thought the two yellow fabrics on the right, below, needed a darker spot between them. This is one of the fabrics I auditioned as a solution.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

You can see that I decided to use it, but in a much more narrow piece.

And the big surprise: I decided I liked the quieter parts of the quilt the best, so I removed the busy patterned piece that was on the far left.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

This is the final version, before quilting.

BTW, the construction time on this quilt was very short, due to the large pieces of fabric. But, it’s taking me quite a while to quilt it!

Ellen Lindner

 

 

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Variety of Scale

Lately, I’ve been really concentrating on using a “variety of scale” in the patterns and compositions I’ve been using. First,  in a collage course  I took  with  Jane  Davies.  After  making  and  cropping  small  collages  she  directed  us  to  add  details  with  markers.  (I never  asked  for  her  feedback  on  these,  so  they’re  MY  interpretation  of  what  might  work.)

With each one I asked, “Where is there a big spot that needs some interest?” I thought this first one looked pretty good without any additions, but I thought a tiny line would add interest. And it did!

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Next question, “Should the additions emphasize what’s already there, or should I add an entirely new shape or color?” You can see that I’ve used both.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

I often let my new elements extend over two different pieces. This worked visually, since the small scale of the new items didn’t obliterate the larger pieces.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Sometimes I followed Jane’s example of changing marker colors as the background color changed.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Some compositions needed very little added. But, it does make a difference, don’t you think?

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

I’ve also been thinking about variety of scale as I’ve been trying to use several favorite fabrics together in the same piece. Most of them were large in scale, so I found myself matching them up with near solids and quieter neutrals. Early progress is shown below.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

I was liking these together. They were a challenging, but fun, mix.

Ellen Lindner

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Using Large Scale Fabrics

I’ve finally done it: I’ve cut into some of my favorite fabrics.

This is where it all started. I wondered if I could successfully use some/all of these hand-dyed fabrics together.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

The one with the large orange circles is my favorites. Because of it’s scale I knew it would have to be used very purposefully. I looked for other fabrics with the same colors and threw them up on the design wall. I could see that the top fabrics provided nice “clean” lines and could probably add the needed contrast. I was less sure about the busy ones a the bottom.

(These fabrics are mostly 44″ long, larger than I’m used to working with. As you can see, they pretty well took over my 5′ x 4′ design wall.)

At any rate, I was confident enough to make the first few cuts, and to begin arranging things on the design wall.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

Ooh, I was immediately loving it! The central fabric with the navy (by Pat Pauly) added needed value contrast. I knew I’d need more of that, but I didn’t have any other dyed navy. No worries: I own A LOT of commercial fabric!

Gee, I’ve been having fun with this. Stumped on what the name might be, though. Any ideas?

Ellen Lindner

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Cropping and Negative Space

After making small collages our online instructor, Jane Davies, asked us to visually crop them and to pay attention to negative space. Well, I’m sort of “known” for cropping things, so I was right in my comfort zone!

Before:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

After:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

As expected, everything looked better when cropped. There were several reasons for this:
– Due to the sizes of the backgrounds and the added shapes, there was just too much blank background in some of these.
– When an element runs off the edge of a composition, it engages the viewer more. The viewer subconsciously realizes that the shape continues and this holds their interest.
– *The background (negative) space becomes more interesting. Look at the example above. Initially the background was one large sort of doughnut-shaped piece of white. After cropping, it became 4 different, and more interesting shapes.

Here are some more examples:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

They’re all better after cropping, right?

As a painter, Jane advised us NOT to physically crop our work, but to get comfortable with filling the size of the canvas, instead. As a fabric artist, I think I can safely ignore that advice. (Let’s hope so, because I’ve been cropping for years!)

Have you ever considered cropping your work? I find it to be a very useful design tool.

Ellen Lindner
P.S. See my most dramatic crop.
P.P.S. If you liked that article, you may be interested in others.

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Playing with Colored Pieces of Paper

You can’t work with a bunch of pieces of colored paper without seeing some design possibilities!

As part of my online class with Jane Davies, I was arranging, and rearranging, and rearranging again a wide array of colors and shapes.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Our first assignment was to make a largish collage with multiple pieces. Mine missed the mark (although I had fun doing it.)

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Along the way, I was seduced by all the colors and I just HAD to play with them outside the scope of the class exercises. I played with monochromatic greys. Look how nicely they set off soft colors. Could I use enough restraint to create with these colors in fabric? I’m not sure.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Then, I saw a photo of a red beet and a gold beet. So, I had to play with those colors a little. A little sharp, perhaps, but still something I may want to explore in the future.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Eventually, we got to make collages with just three pieces and I was swimming back in more comfortable waters. Quite a few of these were successful, but I know Jane will have us alter them in the next step. I’m very interested to see what we’ll do with them.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

When was the last time you took a class that didn’t involve fabric? I think it’s a really good way to explore new ideas and I feel confident some of these will find their way into my fabric  collages.

Ellen Lindner

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Painting Sophisticated Colors

I’m currently enrolled in a mini-collage class with Jane Davies. For week one, she had us paint A LOT of swatches. Surprisingly, I didn’t need to buy any paint. I guess I’ve done more of this over the years than I realized.

Painting Sophisticated Colors. Ellen Lindner, AdventureQuilter.com/blog
I’m pretty good at mixing colors, but I still gets streaks sometimes.

Jane asked us to paint only what she calls sophisticated colors. These are colors with both some black and white in them. In other words, they’re somewhat subdued. More like the colors you might paint your home than the bright colors children like. Of course, I like the bright colors, so their omission has already piqued my interest. After quite a few swatches, I checked my collection for light, medium, and dark. I thought I was on track.

Painting Sophisticated Colors. Ellen Lindner, AdventureQuilter.com/blog

After about 80 swatches over all this is what I had. Not bad, I thought.

Painting Sophisticated Colors. Ellen Lindner, AdventureQuilter.com/blog

But, Jane, asked for more lights and neutrals, so I painted up another 20 or so.

She also encouraged us to paint Chromatic Grays. I’d never heard this term a couple of months ago, but now it seems that I can’t get away from it. As the name implies, these are grays that have a significant undertone of a particular color. These are the colors I initially identified as being chromatic grays.

Painting Sophisticated Colors. Ellen Lindner, AdventureQuilter.com/blog

Now I can see that at least two of these are too colorful. I guess I’m learning.

Again, the idea of using these duller colors is piquing my interest. Since I plan  to eventually do some of the class exercises in fabric, I pulled out a few drawers to see if I even owned any chromatic grays.

Painting Sophisticated Colors. Ellen Lindner, AdventureQuilter.com/blog

Hmm. I think probably not. Maybe this will be a future fabric dyeing project for me.

How about you? Do you ever dabble in other media? I think it’s a good creative exercise and I’m excited about it.

Ellen Lindner

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Christmas Cactus Abstracted

Inspired by a Christmas cactus. Ellen Lindner, AdventureQuilter.com
After studying my photo of a Christmas cactus, I decided to try abstracting it with one repeated shape. Maybe something like these “spike” shapes. Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com
Yes, I thought they worked well.

My original idea was to fill the entire space with this shape, just changing the color for background grass, brick, etc. But, when I tried that for grass I didn’t like it at all. Especially since just a few shapes were so effective.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

So, I decided to depict the actual plant only.

Here it’s shown as a square. I thought it would probably be better if I cropped off some of the left area.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

From there things fell together easily. Here it is, well under way.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

I was loving how it was coming together and I didn’t want to over work it. Audition. Edit. Repeat.

I think I’ll have this one finished quickly. Stay tuned.

Ellen Lindner
P.S. I’m not sure how to quilt the background. I’ll have to give that a good bit of thought.

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