Tag Archives | Abstract

Solo Exhibit Coming to Orange, VA

I grew up on a dairy farm, about 15 miles from the little town of Orange, VA. It didn’t even have a stop light at the time! Now, although the population is still around 5000, Orange has several stop lights, a couple of fast food joints, and even an art center!

I’m delighted to have a solo show coming up at The Arts Center in Orange, opening May 1st. A reception will be on the evening of the 2nd.

Of course, any solo show is exciting, but I think it will be especially fun to have one in the town where I grew up. I still have quite a few family members and friends in the area, so I’ll definitely get to do some socializing.

I’ll have 22 pieces in the show, in a variety of sizes, styles, and prices. Here are a couple of the abstract pieces.

 

These two pieces are sorta sisters, both 36h x 24w.

I’ll be showing some other pieces in coming posts, and you can more sneak peeks here.

If you’re in the area, I’d love to have you stop by the opening reception or the show!

Ellen Lindner

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What to do with Scraps?

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

All quilters and textile artists face the question of what to do with their scraps. I mean, they MIGHT come in handy one day, so it would be good to keep them, right? But, that requires not only space, but some sort of organizational system so the scraps can be seen and used. And what size should be saved? Only yardage or tiny bits?

(I’ve visited some quilt guilds which collect tiny scraps and use them as stuffing for dog beds which they donate to a local shelter. A pretty good idea, I think.)

When I was using commercial fabrics I didn’t feel the need to save very small pieces of fabric. But now that I’m dying my own fabric those little scraps have become much more precious to me. Alas, I end up saving a lot of small bits. But then, what should I do with them?

Recently, I’ve started stitching these little pieces together, with no thought about color or matching. I just find two pieces that are approximately the same length and join them together. After a while I’ll have units that will fit each other and I can proceed with a little trimming and pressing as a go. Still without a plan.

These little units were pieced with scraps from Happy Family, so they automatically had shared colors.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

I put them next to one another just to see what it looked like. Interesting, I think.

In the midst of the scrap sewing I decided to participate in a fund raising activity for SAQA (Studio Art Quilt Associates.) Hey, some of these little units could be used for that!

This call for art was rather unusual in that it called for art of one size, but with plans to display the pieces matted to a different size. That kinda threw me, since I felt like I had to make the composition look good at both sizes. Here it is full size, a whopping 6 x 8. (Note that we were not supposed to finish the edges.)

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

And here’s what it will look like when matted. (4.5 x 6, if I remember correctly.)

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

Not bad, I think. I hope it will generate some bidding.

More recently, I decided to make a “prayer”/art flag. At only 5 x 8, I knew my scrap units would once again do the trick. And they did.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

My scrap units are now looking rather picked over. But, I now know they’re worth having around so I’ll be making more of then. Every now and then.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

And it just occurred to me that these could be pieced by hand, too. So, I could use them as a hand project, too. (Now I’m cooking.)

Ellen Lindner

 

 

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Cover Story: An Upcoming Exhibit

I’m very excited to be in a 3-person exhibit opening next week!

Cover Story: 3 Perspective on Contemprary Quilting. Ellen Lindner, AdventureQuilter.com/blog

The show is called Cover Story: 3 Perspectives on Contemporary Quilting. The other two artists are Gabriele DiTota and Sue Robinson.

This exhibit will be on display at the Museum of Florida Art and Culture, on the campus of South Florida State College, in Avon Park, FL. It will run February 21st through March 29th, 2024.

And the opening reception will be Wednesday, the 12st from 12:30 to 2:30. We’ll all be there and we’d love to see you!

The image above is the cover shot for a 13 minute video interview with the three of us. Link to video 
It’s nice to have a detail shot of my quilt, Happy Family, used here, but that piece is not actually in the show. Kinda funny.

This piece WILL be in the show. Detail shots and more.

Adrenaline Rush, an art quilt by Ellen Lindner. AdventureQuilter.com

Adrenaline Rush

In the coming days I’ll be showing you other pieces that I have in the exhibit, as well as some by the other two artists.

Did I mention I’m excited?

Ellen Lindner

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When it Comes to Hanging Artwork Size Matters

I have a new favorite app: ArtStage (available for iphone only.) The app allows me to digitally hang my artwork in various spaces. What fun!

When it Comes to Hanging Artwork Size Matters. Ellen Lindner, AdventureQuilter.com/blog

Don’t you love this little setting, above? What makes it perfect for my purposes is that it’s a good size for the size of Happy Family, the quilt. Can you see how it comes close to filling the space, but without being crowded? That’s exactly what you want.

Or, this one works, too. (And all our houses look this great, right?)

When it Comes to Hanging Artwork Size Matters. Ellen Lindner, AdventureQuilter.com/blog

And here’s a third scenario.

When it Comes to Hanging Artwork Size Matters. Ellen Lindner, AdventureQuilter.com/blog

I love the opportunity to preview my artwork in these various spaces. (With the app you can even upload images of your own space, but that version is not free.)

Need some new art for your space?

Ellen Lindner
P.S. Happy Family is available for purchase, at $1100. Use the link at the bottom of the page to email me if you’re interested.

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“Happy Family” Complete

Here’s my latest quilt, Happy Family

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

I’m REALLY happy with it and I hope you like it, too.

As you can see, I added three loose circles, to add interest. Since there are three members of my immediate family, and because the colors are so upbeat, I decided to name it Happy Family.

I got carried away when taking detail shots. Again, because I just love what happens when these busy prints interact with one another.

."Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog
As usual, I printed 99% of these fabrics myself (with dye.)

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

This quilt is 32″h x 35″ w.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

It’s available for purchase, at a price of $1100. If you’re interested in buying it contact me via email with the link at the bottom of the page.

Ellen Lindner
P.S. I really like the loose circles. I think I’ll use them in a future quilt.
P.P.S. I can’t wait to get started on the next quilt!

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Abstract Design

I continued working on my latest quilt, using lots of trial and error. This is where I left off in the last blog post. I decided against the strong stripes in the lower left.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

This closer shot shows how I first, fold the fabrics to audition placement and size. I cut into them when I get confidant with my plan, but I don’t do the piecing until near the end.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Compare this next photo to the one at the top of the page. I decided I needed some more blue. And I also wanted to enlarge the yellow area near the center. (And to do so with an irregular shape.)

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Here, the background is completely pieced, although I’m auditioning a few little spots of color which I intend to fuse on.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Time to assess what I’ve got. Is it interesting enough? Does it have enough energy? Does it need something else?

What about some skinny and loose black circles? I auditioned the idea on my computer.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Well, I liked the circles, but not the black. What about yellow?

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Yes, I think that will do!

I should have this finished soon and I’m looking forward to showing you the finished project.

Ellen Lindner

 

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Maybe a Grid This Time?

If you’re familiar with my design process you know that I often end up with a challenging “Tetris”-type assembly at the construction stage. To get around this, I decided I’d work in a grid this time. My plan was to cut my selected fabrics into squares of the same size and then to move them into an easy-to-assemble composition.

This was my very early start. You’ll notice the black and white polka-dots in the center. They all came from the same starting fabric, but have been cut – into squares – and rearranged. I thought that was rather promising. I liked the way they interacted in a new pattern.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

But, I quickly deviated from plan. See that gap, above? I shifted that piece down because it was JUST TOO ENTICING to line up the dark/light diagonal section with the similar one to the left. Do you see that I mean?

I tried to piece things together into squares of my selected size, but then I encountered some great blue fabrics. I DID slice into the stripe one near the right, but why would I mess up the pattern of the blue grid one just to adhere to the square sizing rule? That’s when I pretty much abandoned the grid idea. I left the blue fabric intact.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

I was happy with the center and was slowly auditioning new fabrics around it.

Above and below, I was sort of enamored with the way the big stripey black/orange piece interacted with the piece above it. Mostly because of the diagonal line between the dark stripy-ness and the white edge next to it. I could see that additional sections of dark stripes would add a lot of energy and interest.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

But, I could see that the dark stripes were drawing attention away from those little black dots. Could I put up with that? I decided no, and tried different fabrics. This one certainly had potential.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Not bad. Lots more consideration needed!

Can you say “trial and error?” I must be the poster queen, but I do so enjoy it!

Ellen Lindner
P.S. Those dark stripes have a lot of energy and you’ll definitely see them again!

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I Think I Learned Something

After making each art piece I  like to study it to see if I can figure out what works and/or what does not.

I was particularly happy with this recent quilt, Exuberance, so I studied it a bit. My question: “what makes it successful?”

Exhuberance, an art quilt by Ellen Lindner. AdventureQuilter.com

Exuberance

I think it has a strong composition, good use of colors, and effective use of value variations. What about the white circles in two corners? How critical are they? They certainly add interest, but is there something more?

To help me figure it out I also looked at this quilt, Raking Season. It has rust and black circles made with same stencil as the blue and white above. While I think this quilt is very successful, it doesn’t have the sparkle of the first one. I think maybe it has to do with the color of the circles. The light ones add sparkle.

Raking Season, an art quilt by Ellen Lindner. AdventureQuilter.comRaking Season

Hmm, something to think about. Maybe all my quilts need some light spots to add that sparkle.

To test my theory, I made sure to select some light fabrics for the quilt I’m currently work on. These were my “definite” fabrics when I first started moving them around. As you can see I’ve got some white and black areas in several places. I know they’ll attract attention, so I’ve got my eye on them as I add more fabrics and move things around.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Slowly creating and enjoying it.

Ellen Lindner

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Composing an Abstract Composition

In my last post, I showed how I started with a diagonal composition. That was probably a good starting point, but I could very quickly see that it was way to bulky and “regular.”

I knew it needed to have some variation and some energy added. So, I started trying new things. First, I got rid of the pink corner and I added a  high contrast print with circles. That helped a lot!

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I pieced together the center section, which had vertical pieces. I was pretty confident with that portion, so I left it in place while I auditioned changes in other areas.

IComposing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

You get the idea. But then, I decided I should turn that center section 90 degrees – just to mix things up.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

It didn’t immediately look better. As a matter of fact, maybe it looked worse. But, since it was DIFFERENT FROM MY EARLIER VISION, it appealed to me and I decided to work with it some more. (After all, I could always turn it back.)

I kept this new center orientation as I continued to work on the placement of the red.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I’m loving the energy of this piece and I’m having fun working on it.

It needs a title, so I’m writing my thoughts on a list as ideas come to me.

Ellen Lindner

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Twigs of Teal and Red-Orange: Getting Started

I dyed this fabric last year and it’s one of my favorites.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

I was really happy with the way I had a viable design without doing anything more to it, but HOW do you design with that? I had a false start last year and am now trying again.

These are the collection of “featured” fabrics I thought I might be able to use. I call them featured fabrics because they have high amounts of contrast in them, which will draw the viewer’s eye. When working with such fabrics, I try to put them in place early on and then fill in with less dramatic fabrics, as needed.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Next, I pulled out every fabric I thought might work. As you can see, I like these colors and found that I had quite a collection.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

But, maybe it needed something unexpected. What about accents of yellow?

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Hmm. Maybe.

I liked the large twig (center right) on the dull orange print. But, I didn’t like the background fabric. So, I stenciled on a couple more using paint.

TTeal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

These should be usable.

I had my fabric decisions (mostly) made, so it was time to start moving things around on the design wall. (The challenging, but fun, part!)

Ellen Lindner

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