Tag Archives | Dyed Fabrics

Prepping for a Show

I’ve been busy cutting slats, packing and shipping quilts, making lists, and marking things off. Such are the activities needed when preparing for a solo show.

I’ve got my promo/ad all ready to go.

Now I’m working on a press release for the local papers. (When was the last time I wrote one of those???)

After some thought I switched out some quilts. I removed three from the selection and added these two.

Exhuberance, an art quilt by Ellen Lindner. AdventureQuilter.com

Exuberance

Ripples and Runs, an art quilt by Ellen Lindner. AdventureQuilter.com

Ripples and Runs

Now I’m much happier with the overall look. (But, of course, I had to find two more slats.)

I’m getting excited! If you’re in the vicinity of Orange, VA I  hope you’ll check out the show: May 1 – June 29.

Ellen Lindner

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“Happy Family” Complete

Here’s my latest quilt, Happy Family

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

I’m REALLY happy with it and I hope you like it, too.

As you can see, I added three loose circles, to add interest. Since there are three members of my immediate family, and because the colors are so upbeat, I decided to name it Happy Family.

I got carried away when taking detail shots. Again, because I just love what happens when these busy prints interact with one another.

."Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog
As usual, I printed 99% of these fabrics myself (with dye.)

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

This quilt is 32″h x 35″ w.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

It’s available for purchase, at a price of $1100. If you’re interested in buying it contact me via email with the link at the bottom of the page.

Ellen Lindner
P.S. I really like the loose circles. I think I’ll use them in a future quilt.
P.P.S. I can’t wait to get started on the next quilt!

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Abstract Design

I continued working on my latest quilt, using lots of trial and error. This is where I left off in the last blog post. I decided against the strong stripes in the lower left.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

This closer shot shows how I first, fold the fabrics to audition placement and size. I cut into them when I get confidant with my plan, but I don’t do the piecing until near the end.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Compare this next photo to the one at the top of the page. I decided I needed some more blue. And I also wanted to enlarge the yellow area near the center. (And to do so with an irregular shape.)

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Here, the background is completely pieced, although I’m auditioning a few little spots of color which I intend to fuse on.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Time to assess what I’ve got. Is it interesting enough? Does it have enough energy? Does it need something else?

What about some skinny and loose black circles? I auditioned the idea on my computer.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Well, I liked the circles, but not the black. What about yellow?

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Yes, I think that will do!

I should have this finished soon and I’m looking forward to showing you the finished project.

Ellen Lindner

 

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I Think I Learned Something

After making each art piece I  like to study it to see if I can figure out what works and/or what does not.

I was particularly happy with this recent quilt, Exuberance, so I studied it a bit. My question: “what makes it successful?”

Exhuberance, an art quilt by Ellen Lindner. AdventureQuilter.com

Exuberance

I think it has a strong composition, good use of colors, and effective use of value variations. What about the white circles in two corners? How critical are they? They certainly add interest, but is there something more?

To help me figure it out I also looked at this quilt, Raking Season. It has rust and black circles made with same stencil as the blue and white above. While I think this quilt is very successful, it doesn’t have the sparkle of the first one. I think maybe it has to do with the color of the circles. The light ones add sparkle.

Raking Season, an art quilt by Ellen Lindner. AdventureQuilter.comRaking Season

Hmm, something to think about. Maybe all my quilts need some light spots to add that sparkle.

To test my theory, I made sure to select some light fabrics for the quilt I’m currently work on. These were my “definite” fabrics when I first started moving them around. As you can see I’ve got some white and black areas in several places. I know they’ll attract attention, so I’ve got my eye on them as I add more fabrics and move things around.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Slowly creating and enjoying it.

Ellen Lindner

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Dyeing with Forethought

I’ve been dyeing again. These are the fabrics I created in a week-long session.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I tried to repeat motifs and colors so that I might be able to use some of these fabrics together. Like these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

Or, a different combination.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I don’t use much white, but thought it would be useful for creating contrast and interest. So, I did these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

These are all mono prints, done on slick vinyl. The vinyl makes the dye bead up, giving lacy results.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I think the blue and green one, above, could become a whole cloth quilt. Maybe with the addition of some black stitching?

Dyeing fabrics is always fun!

Ellen Lindner

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Composing an Abstract Composition

In my last post, I showed how I started with a diagonal composition. That was probably a good starting point, but I could very quickly see that it was way to bulky and “regular.”

I knew it needed to have some variation and some energy added. So, I started trying new things. First, I got rid of the pink corner and I added a  high contrast print with circles. That helped a lot!

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I pieced together the center section, which had vertical pieces. I was pretty confident with that portion, so I left it in place while I auditioned changes in other areas.

IComposing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

You get the idea. But then, I decided I should turn that center section 90 degrees – just to mix things up.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

It didn’t immediately look better. As a matter of fact, maybe it looked worse. But, since it was DIFFERENT FROM MY EARLIER VISION, it appealed to me and I decided to work with it some more. (After all, I could always turn it back.)

I kept this new center orientation as I continued to work on the placement of the red.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I’m loving the energy of this piece and I’m having fun working on it.

It needs a title, so I’m writing my thoughts on a list as ideas come to me.

Ellen Lindner

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Twigs of Teal and Red-Orange: Getting Started

I dyed this fabric last year and it’s one of my favorites.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

I was really happy with the way I had a viable design without doing anything more to it, but HOW do you design with that? I had a false start last year and am now trying again.

These are the collection of “featured” fabrics I thought I might be able to use. I call them featured fabrics because they have high amounts of contrast in them, which will draw the viewer’s eye. When working with such fabrics, I try to put them in place early on and then fill in with less dramatic fabrics, as needed.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Next, I pulled out every fabric I thought might work. As you can see, I like these colors and found that I had quite a collection.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

But, maybe it needed something unexpected. What about accents of yellow?

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Hmm. Maybe.

I liked the large twig (center right) on the dull orange print. But, I didn’t like the background fabric. So, I stenciled on a couple more using paint.

TTeal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

These should be usable.

I had my fabric decisions (mostly) made, so it was time to start moving things around on the design wall. (The challenging, but fun, part!)

Ellen Lindner

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Finishing Up the Red and Yellow Quilt

After finishing up the left 2/3 of my red and yellow “bean” quilt, it was time to tackle the right yellow portion. It came together pretty well. (Still in -progress below.)

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

During these final stages I also considered added some skinny lines, for energy. (See them pinned on at the top in the photo above?) I eventually decided against them, however, because I thought they’d attract too much attention. I wanted the other contrasts to be the attention getters. (And those bean shapes, of course.)

From early in the design phase I thought I’d probably want to applique on another couple yellow beans. (If you look back at the first post, you’ll see that I had one little piece of yellow fabric sitting on the red – near the top – as a place holder.) I auditioned that idea further near the end.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I also considered adding some red ones. That’s what the red blobs are for in the photo above. I decided I just needed one. I made it a partial bean, like the other red ones.

And then I cropped both sides. (But, I later added some of the red side back.)

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

Finally, I had it all put together and quilted.  As you can see above, I added some more bean outlines during the quilting process. I really like using a double black line for emphasis.

Then, it was time for photography.

Photographing "Spilling the Beans," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

You can see the full finished quilt here. I’d really appreciate your thoughts about it – especially what you think about these two colors together. Yay or nay?

Ellen Lindner

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Red and Yellow Abstract

Historically, I haven’t been a fan of red and yellow combinations, but for some reason, I now find myself drawn to them. I still think they’re a little jarring, but it seems that I now like that. As evidence, I recently dyed fabrics with these colors.

I created a variety, hoping I could use them together. As you an see, I repeated a bean shape in several colors. I was happy with how they worked together and was anxious to get started.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I realized some of the lightest fabrics wouldn’t fit well into the mix. But, I had some other fabrics I thought I could use. I pinned everything together on the design wall. And I loosely arranged them: a good starting point.

Knowing the contrast of red and yellow, as well as the contrast of different values, would attract attention, I placed them (above) in approximately “sweet spots.” These are considered ideal locations for focal points. They’re easy to identify: picture a tic-tac-toe game overlaying the overall shape. Where the lines cross are sweet spots.

I immediately thought the red fabric with yellow beans was a little too “regular.” (See above) That is, the beans were spaced too evenly. I thought the composition would be stronger if they were “messed up” a little bit. So, in the photo below, you can see that I sliced right through the red bean fabric, and scooted things out of alignment.  Better, I thought.

Next, came A LOT of auditioning as I folded, rearranged, cut (only once I was sure,) and pieced.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It was like a giant game of Tetris. Eventually, I had the left portion pieced and began to work on the yellow fabrics on the right.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It all went more slowly that I would have liked, but I was definitely having fun!

More next time.

Ellen Lindner

 

 

 

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Dying and Mono Printing

In my recent dye session. I played around with mono printing, which is great fun. This was my first piece. The colors were brushed horizontally, but I left the squirted “eyeball” in tact.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

There was a lot of dye left on the plastic, so I printed a “ghost.” As you can see, the brushed on dye was already used up, but the more gloppy eyeball printed fairly nicely.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

So, I learned something: if I squirt on generous amounts, I can get a second print. And it will be somewhat different from the first. I tried it again, with these two. Not very ghostly, but the colors have moved and merged. Very interesting.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

You can also mono print in a “finger paint” sort of way. These had dye brushed on pretty smoothly. Then, I drew or scraped through them. I’ll definitely be doing more of this!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

When I switched to shiny plastic as my surface the dye beaded up. Which actually gave me a wonderful texture. I’ll be doing more of this, too!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

I learned a lot. Some of these are  not too usable – yet. But, hey, I know how to over dye, so I’m not worried.

I’ve written a short tutorial about mono printing. The underlined text at left is a direct link, or you can find it in the Articles section of Learn with Ellen. If you give it a try, I’d love to see your results!

Ellen Lindner

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