Archive | August, 2018

My Dyeing Frenzy Has “Dyed” Down

One thing I’ve learned while blogging about my dyeing adventures is how to correctly spell the word. 🙂 Thanks to all you readers who pointed out the need for a letter E in the word dyeing.  I think I’ve got it now. And I hope you’ll excuse my misspelled pun in the title.

34 fabrics, (nearly 8 yards,) and two weeks later, I’ve put a healthy dent in my goal to learn about painting with dye. And I’ve got some fabrics that I’m quite happy with.  Some I over worked and some might benefit from more attention. But, mostly I’ve got very usable fabrics.  Here’s the collection.

My Dyeing Frenzy has "Dyed" Down. Ellen Lindner, AdventureQuilter.com/blog

It looks like I’ll need to add some yellow next time.  And probably some more neutrals.

Here’s a close up view of some of the fabrics pre-ironing.  The pretty pink one is a clean up rag.  (CUR in my notes.)

My Dyeing Frenzy has "Dyed" Down. Ellen Lindner, AdventureQuilter.com/blog

There are SO many different things you can do with fabric and dye.  Some of very quick, like washing on thin dye, or dunking fabric into a dye vat.  Others require a lot of time, with multiple layers, dry times in between, or tricky hand painting.  I know I’ve only scratched the surface of the possibilities.

Here’s a case in point.  I wanted to have a fuchsia motif with a blue background.  But, since those two colors are near-complements I didn’t think I should overlap them.  So, I stenciled on the fuchsia leaves and then painstakingly painted the blue on. Here it is in progress, with a little white intentionally left around each motif.

My Dyeing Frenzy has "Dyed" Down. Ellen Lindner, AdventureQuilter.com/blog

And here’s the finished result.

My Dyeing Frenzy has "Dyed" Down. Ellen Lindner, AdventureQuilter.com/blog

I love it, but I’ll need to find a faster way to produce such results.  I’m sure there’s a resist product I could add on top of the fuchsia so then I’d be able to just wash on the blue.  I’ll bet I could stencil the resist on, too.  That would be a lot better. I’ll have to research it.

As much as I enjoyed the dye painting I was really ready to put away all the plastic and switch my studio back to a SEWING one.  I just bought a new sewing machine, so I’ll finish stitching my current quilt.  (I AM anxious to start a project with those dyed fabrics, though!)

Thanks for taking this ride with me.

Ellen Lindner

14

Dyeing “Problems”

I’ve created quite a few butt-ugly fabrics during my dying experiments.  (No offense to butts!)  However, I know that I can save most of them, so they’re only “problems,” until I can get around to rescuing them.  In the meantime, they’re teaching me what NOT to do.

Like screen printing with liquid dye instead of thickened dye.  Oops!  What was I thinking?  As you might imagine, the dye ran everywhere and was solid. Like the black top of this piece, which was supposed to have lots of hash marks.  When I shifted to teal I remembered to use the thickened dye.  Quite a difference, don’t you think?

Dying "Problems," Ellen Lindner, AdventureQuilter.com/blog

How will I alter the solid black.? I’m thinking a bleach pen, but I’ll need to do some more research.

However, when I pulled up this screen and saw the ugly fabric I also saw an opportunity.  I laid another plain piece of white fabric on top of the saturated fabric (with a masking tape resist still in place,) and I got this.

Dying "Problems," Ellen Lindner, AdventureQuilter.com/blog

That’s definitely usable and the part you can’t see is black and white stripes.

I’ll tell you what, I spent a lot of time getting this next fabric to be ugly.  That was “before,” but I don’t have a photo. Imagine garish red-orange and purple wide stripes with bright yellow narrow stripes.  Yep, that’s what I did.  Intentionally!  Woah, I could have given myself a seizure with the resulting fabric!

Dying "Problems," Ellen Lindner, AdventureQuilter.com/blog

So, I decided to paint a thin dye wash over all of it in dark brown.  I did so, but it totally obscured the stripes. So, then I painted on clear water, sweeping off color with my brush, and creating a big pond on my work table. Finally, I squeezed it all out.  And I got the fabric above, which I can definitely use.  Whew!

Did I mention I’m learning a lot???

Ellen Lindner

8

Stamping with Thickened Dye

Well, once I got going with the dying I really got busy.  These are my results at the end of week 1.

Ellen Lindner, AdventureQuilter.com/blog

It all took longer than I imagined because of doing multiple things to the same piece of fabric.  Initially, I was washing the fabric after each step, resoaking it with soda ash, and letting it air dry before the next step.  That sure took a lot of time! And I did it for nearly the whole first week.  Eventually, I realized I could often do step 2 as soon as step 1 was dry (or sometimes even before.)

One of the first things I did was very simple: stamping. Like these circles, made with a masking tape roll, a jar lid, and a toilet paper tube.  I decided to repeat several of my patterns in black and white, thinking that these pairings can be used together.

Ellen Lindner, AdventureQuilter.com/blog

Here’s some more, on the left.  This time the toilet paper tube was pinched.  I like this pattern a lot.

This fabric is folded in half and you can see the back side shadowing through.  That gives me an idea for something more! The piece on the right is a clean up rag, of which I now have many.  I’m calling them CURs in my notes. (Gotta love those abbreviations.)

And here’s the same pattern done with fuchsia on a colorful background.  I also repeated my earlier credit card markings in black and white, on the left.  The big crosses/Xs on the right are screen printed.  Something that has given me mixed results.

And that bottom rust colored piece?  It’s a whole ‘nother story, which I’ll share with you soon.

Having fun and still learning lots!

Ellen Lindner

10

You Like Me! You Really Like Me!

Imagine my surprise when a friend told me that she had voted for me “in the quilt blog contest.” What?  I had never heard of such a thing.  But, lo and behold, she showed me this.

You Really Like Me! Ellen Lindner, AdventureQuilter.com/blog

Apparently my blog is a finalist in the “Best Art Quilt Blog” category.  Well, that’s certainly nice!  (Even though I wasn’t notified and my name is misspelled.) Still, my blog was nominated and enough people liked it to make it a finalist.  Great!

You can find full details here. (And, of course, if you want to vote for me while you’re there, I won’t complain.)  I wonder if there’s a prize.

“It’s an honor to be nominated.” Truly! (Even though I’m kinda chuckling over this.)

Ellen Lindner

 

12

Fabric Dyeing Results

I spent all of last week learning about dye painting and other dying techniques.  Once I used fabric that was properly treated, my color wheel turned out as I expected.

Fabric Dying Results. Ellen Lindner, AdventureQuilter.com/blog

One of the things I was anxious to try was drawing a black line with a syringe.  Here, I’ve done it on berry colored (fuchsia + black) fabrics. Kinda cool, right?

I was also experimenting with different ways to apply paint to fabric.  The one on the left was done with a putty knife and the right one was done with a sponge brush.  As you can see, I’m aiming for imperfection.

Fabric Dying Results. Ellen Lindner, AdventureQuilter.com/blog

I experimented with the syringe line some more to see how much it would spread on dry fabric, vs. fabric with thickened dye, and fabric with thin dye. As you can see, my dye in the syringe was too thin at the top. But, once I thickened it up (about double) I was happy with all the bottom versions.  I love this effect and will definitely be doing some more of it.

Fabric Dying Results. Ellen Lindner, AdventureQuilter.com/blog

These two orange pieces started out as peach colored duds from Batch #1.  I added a bunch of dye and then made marks with a credit card.  I like the design a lot.

Fabric Dying Results. Ellen Lindner, AdventureQuilter.com/blog

These next two pieces are actually sisters. I started with the left one, trying to do some stenciling.  The bottom left blobby area was done with a piece of thickly crocheted “lace.”  I tried to stencil through it with a sea sponge, but the fabric nature of the lace wiggled around too much and I just got a mess. The top right blog was a piece of shelf liner, through which I also tried to stencil.  Two big fails.

Fabric Dying Results. Ellen Lindner, AdventureQuilter.com/blog

But, then I noticed all the paint sitting on top of my two “stencils” and wondered if I could get a monoprint from them.  So, I laid on a plain piece of white and got the resulting print.  MUCH better! I painted the background after the print was dry.

As you can see, I was learning from both my successes and my failures.  And I was just getting started.

Ellen Lindner

 

 

8

Preparing to Dye. Fabric, that is.

After painting fabric and seeing how much it stiffened the fabric, I knew I wanted to learn about painting with dyes instead.  In anticipation I got a good tutorial book and asked for dyes for my just-around-the-corner birthday.

Living in Florida, I KNEW I wanted to dye inside, something that very few people do.  I began to dye proof my studio. I didn’t want to put away everything that was pinned to my design walls, so I covered them with plastic.

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

Next, came the floor and table.

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

Maybe this seems like a lot of work, but I found that it really wasn’t too bad.  As a matter of fact, putting away everything else was a bigger job.

I started with some simple experiments, getting to know my dye colors and techniques.  I had a bunch of fabric (from YEARS ago) labeled “Treated with soda ash.”  Just what I needed, so I did my first few experiments with that fabric.  I couldn’t wait to wash it out and see what I got!

But, all my dark vibrant colors turned into wimpy pastels!  Yuck!

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

Just look at my pathetic color wheel.  Even the black in the center was major washed out!

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

Here’s another example: my clean up rag before washing.

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

And after. I guess it’s not actually ugly, but it’s sure not what I expected, or wanted!

Preparing to Dye: Fabric, that is. Ellen Lindner, AdventureQuilter.com/blog

Clearly, the long-ago treatment to the fabric was the problem. I soaked the remaining fabric with soda ash, rigged up a clothesline, and hung it out to dry.

As an aside, do you have any idea how long it takes fabric to dry in humid Florida?  It won’t even dry overnight! Well, that’s because the evening humidity is super high.  In contrast, if I put it in direct sunlight it dries in about 15 minutes.  Which means a little planning is required.

After all that, I was ready for Batch 2. I mixed a good bit of dye and thickener, so stay tuned for quite a few more examples.

Ellen Lindner
P.S. I’ve been using Ann Johnston’s book “Color by Design” as my reference.  It’s super detailed and I recommend it.
P.P.S. My sewing machine died shortly before my dyes arrived, so the timing was good for a non-sewing distraction.

8

A Splash of Orange

You readers are really great!  When I posted my quilt at this stage several of you had good suggestions about how I might improve it.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

The most common suggestion was to add some orange back in.  Something I had considered but rejected.  Another tip was to break up the white and to extend the “splashing” out toward the edges more. Since I had mentally given this quilt a “7,” I knew it needed something and I decided to give these ideas a try.

First, I added some white “splashes” closer to the edges and put some of the orange stripes back.  I also tapered the ends of many of the motifs.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

Clearly, the orange needed to be more dramatic.  So, I tried a few little splashes, (which look red in this photo.)  Yes!  I could see that this would add the drama the quilt needed.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

I added more.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

Yeah, that was working pretty well.  My brain said, “Let’s add more!”  And I obliged.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

But, wait a second.  This was beginning to look like I had added the kitchen sink!  Some editing was needed. I removed the white splashes and auditioned changes to the orange stripes.  (Below, those fabrics are folded, rather than cut, for audition purposes.)

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

And this is where I ended up. As you can see I completely removed the orange stripes.

A Splash of Orange. Ellen Lindner, AdventureQuilter.com/blog

Have you heard the saying that goes, “If your composition is not working, remove your favorite thing?”  I think that sort of applied here.  At this point, I thought it was a solid 8.5 and I was quite happy with it.  On to quilting.

(Did you remember that this piece is composed of painted fabric, some of which is stiff?  That may be an issue for the quilting.)

Ellen Lindner

20

And Then I Threw Paint on It

I got this far on my current quilt, before I knew it needed something more.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

Clearly, the white needed some texture.  So, I decided to fling some paint onto it!

I practiced first on a piece of muslin, then I just went for it.

And Then I Threw Paint on It. Ellen Lindner, AdventureQuilter.com/blog

Amazingly, I did this without any fear!  I was READY to break things up and to add some interest.

Doesn’t it look better?

And Then I Threw Paint on It. Ellen Lindner, AdventureQuilter.com/blog

After that I considered it finished and began quilting it.  My initial idea was to stitch around each little drop of black paint.  And I actually stuck with it until I got to the very edges.

And Then I Threw Paint on It. Ellen Lindner, AdventureQuilter.com/blog

But, wait.  Is it really finished it?  After my post on August 4th, I got some very good comments and suggestions from you readers. I decided to reconsider a few things and to audition some changes.  I’ll show you those in the next post.

Ellen Lindner

4

A Wacky Composition

Well, after painting those (challenging) fabrics I had to figure out what to do with them.

Challenging Fabric Painting. Ellen Lindner, AdventureQuilter.com/blog

Since I wasn’t crazy about some of them, I knew I’d need to cut isolated portions and motifs for use. I had NO IDEA what my composition might look like, but I started cutting out sections and MINDLESSLY sticking them up on my design wall.

Apparently my brain likes order because I soon found myself adding each piece so that it filled the space left by previous pieces. Soon, a design was emerging.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

I did make one very conscious decision at this point: I decided to place the pieces with the white background near center, since I knew these high contrast pieces would attract attention.

And so it went. I had found a dotted piece of blue and green and added it to the mix.  It worked well and expanded the color palette.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

I threw in a little of the orange, too, of course.  It was looking wild and I was trying hard not to over think it!

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

I had some gaps and auditioned commercial fabrics to fill in.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

Before long I had the base muslin fabric covered.  Now, it was time to examine what I had with a very critical eye.  Was this wacky combination heading in a usable direction?  Should I start all over with something calmer?  If I continued,  I knew some editing/deleting would be in order.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

I removed (temporarily???) the orange, replaced the too bright blue lower left, and moved things a little. I felt like I was getting close.

A Wacky Composition. Ellen Lindner, AdventureQuilter.com/blog

Future questions:
– The white areas seem so blank.  Should I add something small scale in that area?
– Does it need something lower right?
– I’d like to add the orange back, but how can I best do that?
– Does it need something darker?  Black, even?

About this time I decided on a tentative name, “Splash.”  That would certainly affect some  future decisions.

Thanks for joining me on this wild ride!

Ellen Lindner

16

Choosing a Palette

Challenging Fabric Painting. Ellen Lindner, AdventureQuilter.com/blog

Once I had my fabrics painted, it was time to select the colors I would use with them. Orange was a given since it was in one of the fabrics.

So what about blue-green with orange?

Choosing a Palette. Ellen Lindner, AdventureQuilter.com/blog

Although this is one of my favorite color combinations I immediately thought “no.”  I guess because I’ve used it so much. 

But, what if I expanded the palette to include yellow-orange and red-orange? And expanded the blue-green to include pure blue and pure green? That was better.  (Except for that one overly bright orange fabric top right.)

Choosing a Palette. Ellen Lindner, AdventureQuilter.com/blog

It needs some value contrast, right?  Let’s see what the addition of black looks like.

Choosing a Palette. Ellen Lindner, AdventureQuilter.com/blog

Yes, that works better. But, do I really need ALL these colors?  Would it be better to simplify?

Choosing a Palette. Ellen Lindner, AdventureQuilter.com/blog

I eventually settled on the palette above, with both orange and black as accents.  Of course, this is just the starting point. There’s no telling where I might go from here.

Do you audition your colors before designing or do you wing it as you go? Do you use the same colors a lot?

Ellen Lindner

12

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