Author Archive | Ellen Lindner

An Abstract Self-Portrait?

I like challenges. As a result, I’m currently working on an abstract self-portrait. It all came about when my art group, Dirty Dozen Fiber Artists, came up with (another) self-portrait challenge. This one was to be inspired by another artist.

After some online searching and thought I decided on one of my favorite contemporary artists, Jane Davies.  She’s a painter and collage artist who does extraordinary abstract work.

Pattern Study 1 by Jane Davies. AdventuareQuilter.com/blog

Stripes and Dips 1 by Jane Davies. AdventuareQuilter.com/blog

Pattern Study 3 by Jane Davies. AdventuareQuilter.com/blog

Great, aren’t they? But, how do I make an abstract person? I remembered seeing one of her pieces (which I couldn’t find again,) that had a figure-like shape and I thought I could emulate that.

After creating an orange and red background, I auditioned the shape and placement of the figure with parchment paper.

An Abstract Self-Portrait? Ellen Lindner, AdventureQuilter.com/blog

And then, the fabrics.

An Abstract Self-Portrait? Ellen Lindner, AdventureQuilter.com/blog

I think it works pretty well. What do you think?

I’ll be adding a squiggly black line to this – again in the style of Jane Davies. I’m really enjoying working on this!

Ellen Lindner
P.S. Jane Davies has some excellent free tutorials and a great book about painting abstracts.

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Don’t Wait on Your Guild: Take an Online Class at Road@Home

Want to make a great quilt like this class sample? (Floral Improv)

Class sample for Ellen Lindner's "Floral Improv." AdventureQuilter.com

Or this one? (Double Reverse Applique)

Double Reverse Applique class sample. Ellen Lindner, AdventureQuilter.com

Or this one, made in a shorter class? (Love It and Leaf It)

Love It and Leaf It, class sample. Ellen Lindner, AdventureQuilter.com

I’ll be teaching each of these classes online, as part of Road@Home, the online version of Road to California. It runs January 20-23, 2021. I’ve been teaching these classes virtually quite a bit since August and they work out really well. My students have enjoyed them and we’ve had NO technical glitches.

I think late January will be the perfect time for a change of pace! Click on each class title above to find full information.

Ellen Lindner

 

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Why is There a Bow on the Doorway?

This is what I see as I exit my studio.

Why is there a bow on the doorway? Ellen Lindner, AdventureQuilter.com/blog

A bow. Right at eye level. It’s to remind me to turn off my mini-iron, which has no auto shut-off.

Why is there a bow on the doorway? Ellen Lindner, AdventureQuilter.com/blog

It’s a very useful tool, though, since it can get into tight spots. Recently I’ve been using it to erase lines I’ve drawn with a Frixion pen. The marks come off with heat, and the mini-iron has been able to easily access the tight turns and dips I had drawn. It erases those lines beautifully.

Why is there a bow on the doorway? Ellen Lindner, AdventureQuilter.com/blog

Do you have one of these irons? If so, how do you remember to turn it off?

BTW, I store the bow, with attached painters tape, with the iron.

Ellen Lindner

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No More Ribbons

Do you have a bunch of show ribbons on display? I did, but they all had to come down when I recently painted my studio. I probably had about 25 displayed and another 25 in a box waiting to be added to the wall.

One cornerShow ribbons. Ellen Lindner, AdventureQuilter.com/blog

My husband asked if I intended to put them back up. Of course I did! He reminded me that many of them were quite old and gently asked why they were still important to me. Well, gee. The only answer I could think of was “To feed my ego,” and that seemed rather lame. He commented that my studio had always had too much stuff on the walls for his liking. Hmm, that got me thinking. I DO like a more minimalist look in the rest of my home. Why should the studio be any different? Would I like it better with fewer things on the wall?

Eventually, I decided that yes, I would. And this is what happened.

No More Ribbons. Ellen Lindner, AdventureQuilter.com

What camp are you in? Do you like LOTS of things on your studio walls or do you like them more streamlined?

I’m still adjusting to the latter and am adding things back slowly. That editing is hard!

Ellen Lindner

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“Diversity”

When making Melting Pot, I was also considering whether I might have time to make a smaller quilt for another challenge. As Melting Pot grew, I decided to make it smaller and to use the remaining parts for this smaller quilt. Diversity is the result.

"Diversity", an art quilt by Ellen Lindner. AdventureQuilter.com/blog

It was made for an exhibit called “1 x 4: Imagination.” As you can see, 1 x 4 refers to the dimensions: 1 foot wide and 4 feet tall.  I modified the shape of the top and bottom, an effect I really like.

Like its sister quilt, Diversity was pieced improvisationally (with no pattern.)

I’ve spent a lot of time in the last few months shifting my teaching to online. That was a BIG time commitment and I didn’t have much time for creativity. Now, things have settled down and I’m easing back into quilt designing. Surprisingly, I had a little artistic block when I came back to it. I think that’s because I was so focused on black and white tasks for so many months, and my creative muscles were out of practice. Has that every happened to you? Now, I feel those old creative juices beginning to flow and it’s so much fun!

Ellen Lindner

 

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I’ll be Teaching at Road@Home

Road@Home 2021. Ellen Lindner, AdventureQuilter.com/blog

Have you heard about Road@Home? It this year’s virtual version of the Road to California quilt show, and it will be held January 21-24, 2021.

I’ll be teaching three classes. On Wednesday, I’ll kick things off with “Love It and Leaf It.”Love It and Leaf It, class sample. Ellen Lindner, AdventureQuilter.comFind all the Love It and Leaf It details here

Thursday’s students will cut loose (literally) with “Floral Improv.”

Class sample for Ellen Lindner's "Floral Improv." AdventureQuilter.com

Night Garden, by
Ellen Lindner. Sample for live class

Find all the details for Floral Improv here

I’ll wrap up the week with “Double Reverse Applique” on Friday.

Learn from Ellen Lindner with an e-book. AdventureQuilter.com

Find all the details for Double Reverse Appliqué here

Road@Home will be offering Zoom classes to help students who are unfamiliar with virtual learning. And I’ll be offering some additional help to my own students.

Of course this stay-at-home quilt show will also include vendors and exhibits!

I’m looking forward to it!

Ellen Lindner

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“Love It And Leaf It” in San Diego

The San Diego women in my “Love It and Leaf It” class had a great time and did wonderful work! I didn’t save my photos properly, but several of them were kind enough to send me photos after class.

 

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Diane Deckerhouser

The expression on Diane’s face, above, is a good example of the delight each student felt as she finished her composition.

Shelly’s perfect “running stitch” adds a nice bit of contrast to her quilt.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Shelly Gragg

In this class, I not only show the students how to face their small quilts, but also how to frame them with “the Ellen technique.” Iris used a different technique, but the effect is the same. Doesn’t the mat and frame elevate it?

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Iris Williams

Corky’s blue background worked very well with her fabrics.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Corky

Working from home (like everyone else,) Karen was seduced by her lovely stash fabrics and altered the colors quite dramatically. I think it’s very successful.

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Karen Brow

I don’t know who made this one, but didn’t it turn out great? They all did!

Student work from Ellen Lindner's "Love It and Leaf It" class. AdventureQuilter.com

Unknown San Diego maker

This is an easy and fast class: only 3 hours. In January, I’ll be teaching it at Road@Home, the virtual version of the Road to California show, which had to be canceled this year. I’d love to see you in class. See the details here.

Ellen Lindner

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“Melting Pot” – Quite the Challenge

In a recent post I suggested that, when making improvisational quilts, it’s a good idea to get the proportion of colors set before any construction begins. Yet, I ignored my own advice on my latest quilt, Melting Pot.

It all began when I fell in love with a painting by Jane Davies. Great colors, right? It’s called Common Thread 1.

Common Thread 1, a painting by Jane Davies. JaneDaviesArtGallery.com

Although the colors are quite disparate, I decided I would use them as a springboard for a new improvisational piece. (However, when I printed out this reference photo, the colors came out much more subdued, which affected the fabrics I used.)

As with any improv quilt, I started by selecting the fabrics I would use and sewing them together in pairs. This is what it looked like at that stage.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

Pretty ugly, right? Clearly, I’d have to add interest by slicing and dicing to create a variety of shapes and sizes. And I strongly suspected that I would decrease some of the colors as I went. I jumped in.

Even the first little bit of manipulation made it look better.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

So I did more.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

At this point I didn’t care about making square-ish units. I was just trying to create interest. It was definitely getting better as smaller shapes were created.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

I decided to scale back on the yellow, orange, and tans, and to pump up the teals, reds, and blacks.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

The little skinny strips add a lot of energy, don’t they?

At this point, it was getting pretty large and I was having second thoughts about the size. Then, I remembered another call for art requiring a quilt that’s 1′ wide by 4′ high. I realized  I had enough units to make 2 quilts! Yippee! In the photo above, I’ve separated them. The 6 units on the left would go into my original quilt and the 3 (stacked) on the right would become a 1′ x 4′ piece.

And here’s the finished quilt, Melting Pot. Whew, that was challenging!

And a detail shot:

I’ll show you the companion quilt soon.

Ellen Lindner

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Selecting Fabrics for Improv Piecing

The style of improv (no pattern) piecing I do evolves greatly during the construction of the quilt. Which is one of the things I love about it. I do a lot of slicing, repiecing, slitting, and slanting, all without a construction plan. With such a loose technique the color and value selections become critical. These must be done at the beginning. If done properly you’ll be able to wildly “slice and dice,” as I call it, knowing that you’ll be happy with the results.

Take a look at this improv quilt, In the Moment.

In the Moment, an art quilt by Ellen Lindner. AdventureQuilter.com

In the Moment

You can clearly see that blue-green is the dominant color and orange is the accent. I used a variety of each color, with a good bit of variation.  The blue-greens are sometimes just blue or just green. Some are dark and others are medium, plus they have different patterns. The same is true for the variation found within the orange fabrics. A note about pattern: many improv quilts are made with solid fabrics only. There’s actually a good reason for that: the piecing will create a lot of pattern by itself and that will show up best with solid fabrics. However, I like to use near solids and a little bit of patterning here and there.

In addition to your main colors you’ll want some neutral fabrics, some lights and some darks. Can  you see those in my example?

After selecting a nice stack of each colorway, it’s time to think about color proportions. In this quilt I wanted the blue-green to be about 3/4 of the quilt, with the orange accents being about 1/4. Therefore, I cut my fabric sizes accordingly: the blue-greens were each cut about 3 times as big as the orange ones. To start, I sewed together one primary fabric and one accent and put them all up on the design wall. This was the time for me to adjust the ratio, if desired.

Here’s another example, Fruit Salad. This time I was inpired by a photo of a white and pink lily. There was greenery around it and grey in the background.

Fruit Salad, an art quilt by Ellen Lindner, AdventureQuilter.com

Fruit Salad

Again, I thought of my colors and their desired proportions. I pulled a lot of pinks and whites, and also a little red and peach. I added yellow-greens, including a dark one, and I rounded things out with several soft greys. It turns out that I cut those first few reds pretty large and they quickly took over. I spent a lot of time whittling  them down as things progressed. All that red took me away from the soft colors of the lillies so I shifted gears to the idea of watermelon and other summer fruit.

The bottom line:
– THINK about the proportions of colors you want in  your quilt. Plan the fabrics and their starting sizes accordingly.
– Don’t be afraid to switch gears mid-stream.

Enjoy the adventure!
Ellen Lindner

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