Creating a Background

My idea for this quilt was to more or less mimic the background of Palm Fronds.

Click any image for a larger view

Palm Fronds, an art quilt by Ellen Lindner. AdventureQuilter.com
Palm Fronds

I cut strips of white-with-black fabrics and began laying them in a horizontal arrangement.

Creating a background. Ellen Lindner, AdventureQuilter.com/blog

As you can see, I also began to play with the idea of adding contrasting strips between some of the leaves. White strips added the definition needed, but they weren’t too exciting.

Back to the background.

Creating a background. Ellen Lindner, AdventureQuilter.com/blog

I was happy with the background, but thought that it, too, might need some more definition between sections. Should I define the background sections with more skinny strips? To be determined.

Meanwhile, I tried black strips for contrast. I liked this much better.

Creating a background. Ellen Lindner, AdventureQuilter.com/blog

At one point, I used the computer to loosely audition a black strip between every leaf. And also grey stripes in the background sections.

Hmm, I think the black strips are taking over. But, the grey has potential. More experimenting required.

Ellen Lindner

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Starting a New “Grassy” Quilt

When I drew the sketch for Palm Fronds, I drew several others in a similar format and size. This is the sketch for Tall Grasses, (working title.)

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Starting a new "Grassy" Quilt.  Ellen Lindner, AdventureQuilter.com/blog

I envisioned green for the grasses and fuchsia for the tips. I had several fabrics from my first dyeing session and I dyed several more long, skinny green pieces to round out the selection. First, I drew my design onto muslin, and then I began to audition fabrics.

Starting a new "Grassy" Quilt. Ellen Lindner, AdventureQuilter.com/blog

I liked these fabrics but I could see that I would have to be careful with them. The colors and values are very similar, so I knew I’d have to arrange them in such a way as to play up contrasts.

Here are the first few pieces in place.

Starting a new "Grassy" Quilt. Ellen Lindner, AdventureQuilter.com/blog

And most of the green pieces. Hmm, as suspected they sort of merge together. I’ll have to work on that.

Starting a new "Grassy" Quilt. Ellen Lindner, AdventureQuilter.com/blog

But first, I went ahead with something I was confident about: fuchsia tips. First, audition time.

Starting a new "Grassy" Quilt. Ellen Lindner, AdventureQuilter.com/blog

And here they all are in place.

Starting a new "Grassy" Quilt. Ellen Lindner, AdventureQuilter.com/blog

I’m happy with the colors and the composition, but I think I’ll need to either switch out some green fabrics or add fabric strips for contrast. But, I’ll probably do the background first.

Ellen Lindner

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Farm Quilts

It turns out I’ve made quite a few quilts featuring farms and rural scenes.  I guess that’s not surprising since I grew up on a dairy farm. And, because my parents still live on that farm, I get to visit it frequently. I always love seeing the rolling fields, the way the sun hits the barn roofs, and the dappled shade of deciduous trees.

Click any title to see more about that quilt. 
Click any image for a much larger view.

Here’s a stylized view of the farm.
Oak Green Farm

Oak Green Farm, an art quilt by Ellen Lindner. AdventureQuilter.com
/Oak Green Farm

The same barns can be seen in the background of this piece, which shows my two brothers target shooting on a Thanksgiving afternoon.

Shootin’ the Breeze

Shootin' the Breeze, an art quilt by Ellen Lindner. AdventureQuilter.com

Since many family gatherings have been held on this farm it’s no surprise that some great family moments have also been captured in fabric. This one shows my son and two of his cousins skipping down the farm road shown in the first piece. Don’t they look happy?

Carefree

Carefree, a fabric collage by Ellen Lindner. AdventureQuilter.com

What’s funny is when I showed this quilt to my farming dad and brother they didn’t comment on the people, but instead began to discuss which crops were planted in which fields.

This little silk quilt shows the farm view once again, but this time with the buildings and nearby trees removed. Can you pick out the tasseling corn?

Summer Fields

Summer Fields, an art quilt by Ellen Lindner. AdventureQuilter.com

A companion quilt shows corn stalk stubs sticking up through snow.  I’m always a little mesmerized by the way these parallel rows converge as you drive by.

Winter Hills

Winter Hills, an art quilt by Ellen Lindner. AdventureQuilter.com

Narrow little country roads have no center lines and no shoulders.  Which means the trees grow right up next to the road.  All of which inspired a haiku quilt.

Quiet Dappled Light

Quiet Dappled Light, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

When my uncle commissioned me to make a quilt for my mom, his sister, of course it had to be of a rural scene.  She always commented on a favorite barn in the area, so it became the subject for her quilt.

Barn #8536

Barn #8536, an art quilt by Ellen Lindner. AdventureQuilter.com

Who knew I had all these farm quilts floating around in my head?

Have you had any “accidental” series like this?

Ellen Lindner
P.S. Here’s another one: a simple maple branch, but the tree was on my parents’ farm.
P.P.S. Related links about the creation of the first quilt, above. (From my old blog.)
Designing a Farm Quilt
Starting the Farm Quilt
Farm: Creating Fields
Adding Barns and Making MORE Changes
Farm Quilt: Home Stretch

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“Scribbling” on My Quilt

After becoming familiar with the work of Jane Davies, I’ve been enamored with what she calls scribbling.  Exactly as it sounds, she LITERALLY scribbles directly onto her painting. Although it seems random, it almost always enhances her work. I had tried it with some paper exercises and have been looking for an opportunity to use it with fabric. This quilt gave me that chance.

Here it is before scribbling.  It definitely needs something, right? And since I wanted to play up the idea of conflict or misunderstanding, a wild squiggly line seemed to fit.

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

First, I loosely auditioned the concept with photo editing software. 

It clearly needed some refining, but I liked the general effect.

"Scribbling" on My Quilt.  Ellen Lindner, AdventureQuilter.com/blog

Next, I put tracing paper on my quilted quilt and sketched a design in pencil. 

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

After some modifications I was happy with it and went over my pencil lines with a black Sharpie. As you can see, I intended to make the line thicker in the largest open area.

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

But, I wasn’t careful enough and I got Sharpie on my orange fabric! Well, I immediately knew one spot where the squiggle would travel. 🙂

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

After adding fusible web to a solid black fabric I slowly began to cut and place the scribble.

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

I hoped to use my scraps to create unexpected twists and turns in the line.  However, I found that, more often than not, I ended up cutting things specifically to shape.

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

And here’s the quilt with the scribble completely pinned in place.

"Scribbling" on My Quilt. Ellen Lindner, AdventureQuilter.com/blog

Doesn’t it add a lot of energy?  I love it!

I should have it finished soon.

Ellen Lindner

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Designing with a Message in Mind

Most of my designs start with something visual. I’m inspired by a combination of colors, a particular photo, or the pattern of some fabric. I’m not particularly good at (or comfortable with) designing for a particular theme or idea.  Yet that is exactly where I found myself a short time ago.

I wanted to create a piece for a regional exhibit called “Perspectives.” My idea was to do something that played up the idea of conflicting points of view. This came to me as I was creating my latest quilt and working with this fabric.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

Don’t you think it could represent crossed lines of communication?  That was my idea, so I started sketching.

Designing with a Message in Mind.  Ellen Lindner, AdventureQuilter.com/blog

Hmm.  It turns out that crossed lines aren’t that great a composition.

What about lines that cross wildly?

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Yes, that’s much more interesting. And those squiggly lines reminded me of some of the exercises I had done while reading Jane Davies’ book. Some included large bulky shapes overlaid with interesting scribbled lines.

I sketched several ideas.

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

And decided on this one.

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Yes, that had promise. And since it was basically just 3 large elements, I had it composed in no time (without the scribble.)

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Next, I quilted it.  I knew that would make adding the black squiggle much easier.

I was off and running and enjoying the Adrenalin ride!

Ellen Lindner
P.S. The orange fabric I used is the one I “ruined” with too much bright orange. I toned it down with an overdye and I love it here. Most other fabrics are also my hand dyes.

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Floral Improv in Bradenton

I recently taught “Floral Improv” in Bradenton, FL.  With only five students in the class, everyone got lots of attention and made good progress.

Mary was able to complete all of her quilting in class.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Check out her fabulous results, in-progress below.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

See how much the quilting adds to it, below?

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Carol used her own hand dyed fabrics for the flowers and they were so lovely together.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Darlene was all smiles after fusing her piece.  She’ll finish up with some more stitching later.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

KK was inspired by some baby zinnias and even brought them to class as her models.  Because they have more petals than the daisies we were making she had a LOT more cutting to do! But, she worked hard and had all her flowers in place by the end of class. They look great, don’t they?

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Ellen was even more adventurous. She brought photos of Japanese Ti Plants as her inspiration.

Here, the building cat came to “help”her, while Mary took photos in the background. It didn’t take us long to decide that we didn’t actually need feline assistance.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

And here’s Ellen’s work part-way through class. Very dramatic, right? The colors really pop against the black.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

As always, it was a fun class.  Everyone enjoyed it, including me!

I’d love to come teach it for your group.

Ellen Lindner

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“Rhythm of the City” Complete

Rhythm of the City, an art quilt by Ellen Lindner. AdventureQuilter.com

My latest quilt, Rhythm of the City, is now complete.  It’s made almost entirely with fabrics I dyed myself.  I’m very happy with both the fabrics and the composition.

I added additional pattern and interest with couched heavy black thread. I think it adds a lot.

Rhythm of the City - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

More information about this quilt

Audition this quilt in your home

I’m looking forward to working with these fabrics again, and I have something totally different in mind.

Ellen Lindner
P.S. My Facebook followers were a big help with naming this quilt. Thanks for the suggestions, everyone!

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Test 2 with Eye Candy

Still testing one of my blog features.  Here’s a little eye candy in appreciation for putting up with this.

This is Carefree, on of my favorite pieces.  It features my son and two of his cousins skipping down my parents’ farm road.

Click for a larger image

Carefree, a fabric collage by Ellen Lindner. AdventureQuilter.com

Ellen Lindner

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Completing the Composition

After playing around with my dyed fabrics and potential compositions I felt more confident in moving forward. I decided the fabric pieces needed to be something other than parallel.  Maybe tilted like this.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

My first (Round B) arrangement.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog
I liked the tilting, but once again, I had the same problem: this piece was too busy.  I had to reluctantly admit that my favorite (central) fabric was causing the problem.  I confirmed this diagnosis by pinning some solid fabrics over the busiest patterns. Sure enough, this was a definite improvement.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog
Soon, I had the bottom portion cut and pinned in place.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

I added white fabrics (again, dyed by me.) I was very happy with it at this point, except I noticed that the pattern was mostly on the right.  I wondered if some pattern needed to be added to the left.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

Eventually, I decided to add more black gridded areas.  And I did so by couching black thread. I think it was effective.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

On to quilting.  Stay tuned for a photo of the finished quilt.

Ellen Lindner

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