Planning a New Class Sample

I really enjoy teaching my class “Design Your Own Nature Quilt!”  In it, students learn about design and composition, then use their own photos to create a quilt.  The results are always great and the process is exhilarating. (Actually, the process can also be a little intimidating but the students are told to pack their artistic courage, so it works out well.)

The only downside to this class is that I keep selling the class samples.  Finding myself in that situation, once again, I’m about to make a new one.  I thought you’d like to see a little about my process, so I’ll be posting about it here on my blog.

This is my inspiration photo.

Planning a New Class Sample. Ellen Lindner, AdventureQuilter.com/blog

Don’t you love the bright colors and back lighting?  It’s great, but is this the best composition for a small quilt?  Since the flowers are vertical, would a vertical composition be better?  And, do I really want to create ALL those flowers in a small scale?  Maybe I’d prefer something like this.

Planning a New Class Sample. Ellen Lindner, AdventureQuilter.com/blog

Look closely.  This is more than just a crop.  Things have been moved around a little. When doing so, I thought about focal points, sweet spots, balance, weight, and contrast, all things students learn in this class.

And this is my loose sketch. (copyrighted)

Planning a New Class Sample. Ellen Lindner, AdventureQuilter.com/blog

I like it.  Soon, I’ll be composing the background with a variety of green and blue-green fabrics. Keep watching and send me your questions.

Also, I’ll be teaching this class online soon. See full details.

Ellen Lindner

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Composing with Indigo

Being blessed with a bunch of indigo fabrics, I was ready to make an art piece with them.  I knew I’d like to add an accent color, but which one?  After some auditioning, I decided on the pink/orange family.

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

But, how to best use these wonderful designs?  I didn’t really want to cut into them, and several were in squarish proportions.  I decided on a gridded composition with three vertical columns. This shows an early arrangement, incomplete.

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

I added in some dull pink.  (Dull, because I didn’t want it to shine more than the indigo fabrics.)

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

And the almost-finished composition, pinned.  I was happy with it. But, maybe the pink had too many dull spots?

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

I auditioned a brighter pink.

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

I liked it much better EXCEPT I thought it probably needed to be thinner. I auditioned the idea.

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

Yep.  Much better. But, I had a problem.  Most of this was already glued, so I couldn’t easily rearrange things.  How could I make the pink stripes thinner? I decided to sew a tuck in the back of each, through the muslin support and all. Can you see the seam below?

Composing with Indigo. Ellen Lindner, AdventureQuilter.com/blog

That worked.  As you can see, I also added some hand embroidery.  I’ll have more detail shots of that in the next post.

Ellen Lindner

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Fragrance-Free Flowers

What an unexpedted delight.  My sewing group meets in a local library and when we walked in today we were greeted with this new art installation.

Fragrant-Free Flowers. Ellen Lindner, AdventureQuilter.com/blog

Aren’t they great?  There was a recent class about making these flowers and I guess this was the collective result.

They’re made from paper and each one is about the size of a dinner plate.

Fragrant-Free Flowers. Ellen Lindner, AdventureQuilter.com/blog

Fragrant-Free Flowers. Ellen Lindner, AdventureQuilter.com/blog

I’m thinking there must be a way to do something similar with fabric.  You could stiffen the fabric, right?  Or maybe use something already fairly sturdy.  Felt, maybe? Perhaps I’ll investigate.

Ellen Lindner

13

“Mid-October” Complete

Well, here it is, version two now complete: Mid-October.

"Mid-October" complete. Ellen Lindner, AdventureQuilter.com/blog

"Mid-October" complete. Ellen Lindner, AdventureQuilter.com/blog

After completely finishing AND photographing version one, I began to think it was too dark.  It just didn’t remind me of the bright fall colors I was going for.

See what I mean?  (Actually, the two quilts photographed slightly differently, but I think you can see the duller patches throughout.)

Leaf Quilt Complete - Maybe. Ellen Lindner, AdventureQuilter.com

What do do at this stage?  I “painted” over several spots with Inktense color blocks.  (See the detail shot.) To my eye it’s much better.

Have you ever painted over a completed quilt?  This is not my first time around that particular block.

Ellen Lindner

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Leaf Quilt Complete – Maybe

Working on this quilt inspired by fall foliage, I added many more little orange bits.

Leaf Quilt Complete - Maybe. Ellen Lindner, AdventureQuilter.com

Hmm, maybe I got carried away there. I removed a few and it looked better.

And here it is finished, called Mid-October.

Leaf Quilt Complete - Maybe. Ellen Lindner, AdventureQuilter.com

I liked it.  But something was bothering me.

Ellen Lindner
P.S. Have you ever had that nagging feeling that something isn’t quite right?

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That Fabric Again

Remember the great fabric I used in my quilt Initial Response? I still had half of it, ready to use on the next project. This portion made me think of fall leaves, with the twigs and branches of trees peeking through.  Can you see it?

That Fabric Again. Ellen Lindner, AdventureQuilter.com/blog

That was enough to get me started.  From there I cut it into 9 pieces.  (Not square, of course.) If you look closely, you can see the cuts, above.

I decided the feature fabric should be about 1/4 of the quilt design, which helped me determine the size.

That Fabric Again. Ellen Lindner, AdventureQuilter.com/blog

I put 4 of my 9 pieces in the corners and scattered the others throughout.  Then I started filling in with fabrics from my stash, both commercial and hand dyed.

Soon, I had this.  “Not bad,” I thought.

That Fabric Again. Ellen Lindner, AdventureQuilter.com/blog

I added a little more interest with some small snippets of plaids and stripes.  And then began to audition twig fabrics and widths.  I decided most of them would need to be pretty skinny.

That Fabric Again. Ellen Lindner, AdventureQuilter.com/blog

I added QUITE A FEW twigs and was happy with the results.

That Fabric Again. Ellen Lindner, AdventureQuilter.com/blog

As I thought more about fall leaves I realized I should probably add some color variations.  I tried several fabrics in the orange family. Some were very bright and sort of took over.  Maybe I could still use them in small pieces.  Others were too dull and were removed from consideration.

In the next post I’ll show you what I did with these fabrics.

Ellen Lindner

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AQS Daytona Show 2018

I was VERY impressed with the quits shown at the recent AQS show in Daytona.  MANY of the quilts on display could have been winners in any show.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Andrea Brokenshire, My Rhodie

This piece, made entirely of little black dots, garnered a lot of attention.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Olga Gonzalez-Angulo, Captivated by Nature,

The largest dots in this photo are about the size of a sequin.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Olga Gonzalez-Angulo, Captivated by Nature, close detail

I loved the energy and transparency of this piece.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Christina McCann, OR7

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Christina McCann, OR7, detail

 

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Sonai Grasvik, Flicker II

Check out the textures and details of this feather.

Sonai Grasvik, Flicker II, detail

Doesn’t this look like the contours and light of a slot canyon?

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Kimberly Lacy, Fire in the Canyon

 

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Cindy Peterson, The Buick 8

This elephant shows a wonderful use of plaids and other prints.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Elizabeth Ownes, The Ellephant

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Elizabeth Ownes, The Ellephant, detail

This large piece was one of my favorites.

AQS Quilt Show Daytona. Ellen Lindner, AdventureQuilter.com/blog

Bonnie Bucknam, Tumble

The quilts were so great I hardly had time to visit the vendors! 🙂

Ellen Lindner

 

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Lots of Apples in Palm Harbor

Teaching classes is so much fun!  Add to that the satisfaction students get from mastering something new and it’s one big Adrenalin surge for all of us. This was the case when I recently taught “Double Reverse Applique” in Palm Harbor, FL.

With Double Reverse Applique (DRA) the pattern is stitched from the back and loose fabric is trimmed from the front.

Lots of Apples in Palm Harbor. Ellen Lindner's "Double Reverse Applique" class, AdventureQuilter.com/blog

Lots of Apples in Palm Harbor. Ellen Lindner's "Double Reverse Applique" class, AdventureQuilter.com/blog

A little concentration helps!

Lots of Apples in Palm Harbor. Ellen Lindner's "Double Reverse Applique" class, AdventureQuilter.com/blog

And by the end of the class you get this!

Lots of Apples in Palm Harbor. Ellen Lindner's "Double Reverse Applique" class, AdventureQuilter.com/blog

Aren’t they great?  I love how different they all ended up.

I always try to deliver a high quality class and I’ve been repeatedly told that I succeed.  How nice! I’d love to teach for your group, too.  See my class offerings.  Not able to attend a class?  There’s also an eBook version of this class, available for immediate download.

Ellen Lindner

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Learn about Value from Kestrel Michaud

My  friend, Kestrel, is a wonderful artist.  She creates intricate work using fused fabric, and a special “Cricut” cutting machine. With it and her techie abilities she can create designs and cut TINY elements for her artwork.

Learn with Kestrel Michaud. Ellen Lindner, AdventureQuilter.com/blog

Like this.

Learn with Kestrel Michaud. Ellen Lindner, AdventureQuilter.com/blog

She typically mounts and frames her work, but is slowly embracing stitching.

This one is my favorite, Flamingo Beach Patrol.

Learn with Kestrel Michaud. Ellen Lindner, AdventureQuilter.com/blog

Kestrel is very generous with her knowledge.  She’s posted a lesson about value on her blog, which I thought you might like.  Check out Kestrel and her work!

Ellen Lindner
P.S. There are several brands of these cutting machines.  In another blog post Kestrel compares two of them.

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Two Days with Pat Pauly

I was lucky enough to take a two day class with Pat Pauly. Fabric was flying and Adrenalin was flowing as she challenged us to work without a lot of planning.

Two Days with Pat Pauly. Ellen Lindner, AdventureQuilter.com/blog

Pat talking about the inspiration for this quilt.

The purpose of the class was to teach us various ways to jump start an abstract design.  One way Pat does that is by making small collaged “postcards.”  These can later serve as quilt sketches.

Like this, with the sketch on the left and the quilt on the right.

Two Days with Pat Pauly. Ellen Lindner, AdventureQuilter.com/blog

And then the students tried it. Anita Krug had especially good results. Wouldn’t these make great quilt designs?

Two Days with Pat Pauly. Ellen Lindner, AdventureQuilter.com/blog

And Karol Kusmaul made a very interesting composition by cutting up and rearranging calendar pages.

Two Days with Pat Pauly. Ellen Lindner, AdventureQuilter.com/blog

Doesn’t this look like fun?

I’d say everyone in the room pushed well beyond their comfort zone.  And we learned a lot!

If you ever get a chance to take a class with Pat Pauly, I highly recommend it.

Ellen Lindner

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