Surrounded by Sandhills

We’re lucky to have many Sandhill cranes in my neighborhood.  They’re an endangered species and, to me, rather unusual.  They are very tall, almost 5 feet.  They generally walk slowly with their heads moving gracefully forward and back as they go.  We don’t seem them fly very often, but they can easily do so.  And they have a very distinctive warble.

crane 1

Shortly after receiving a digital SLR camera as a gift, a group of cranes moved through my front yard and I went outside to photograph them and to learn about my camera.  (Think large 35 mm style camera that creates digital images.)

I guess I startled them because they began slowly moving away, down the street to the right.

Sandhill crane. Ellen Lindner, AdventureQuilter.com

There were about nine of them altogether, but I never got all of them in one shot.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com
But then, something unusual began to happen.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

It seemed that they may have changed their minds about the direction they wanted to travel.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

Sure enough, they turned around and started back toward me, moving right to left.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

I was standing in my driveway and they came closer and closer.  Because I had the camera up to my eye, I was slow to pick up on what was happening next.  The birds were now circling back around me to my left!  It was almost like they were curious.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

What was going on here?  They came extremely close and eventually, circled between me and my house.

Sandhill crane. Ellen Lindner, AdventureQuilter.com

Now having turned 360 degrees back to their original direction, they traveled across my neighbor’s yard and continued on their way.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

This was all very unusual bird behavior.  The only thing I can figure is that they were attracted to the clicking shutter noise of my camera.  Maybe I’ll have to test that theory again one of these days.

I watched them a bit longer and captured this shot of several taking flight.

Sandhill cranes. Ellen Lindner, AdventureQuilter.com

They’re very majestic birds and I’m glad to have them in our neighborhood.

Ellen Lindner

5

The Devil’s in the Details

Or is that “God is in the details?”  Either way, it was the details that often demanded my attention at the World Quilt – FL, which was recently held in Orlando.

As you might expect, many of the most exceptional quilts were the winners from the World Quilt traveling competition.  Several of them had abundant use of texture.

Orlando quilt show. AdventureQuilter.com/blog

Ann Marie Miro quilt, detail

Orlando quilt show. AdventureQuilter.com/blog

Quilt made by Jutta Erner, detail

Synthetic fabrics were used fairly frequently.  Often they were scrunched, melted, or distressed in some other fashion.

Orlando quilt show. AdventureQuilter.com/blog

Detail of quilt made by C. Crugel, from South Africa

I especially liked the raised circular stitching, above.  Little washers (or something similar) were stitched over to give the raised effect.

Orlando quilt show. AdventureQuilter.com/blog

Debby Williams, from New Zealand painted the many geometric star shapes on her quilt

There was also some exquisite detail work.  Check out the border on this quilt.  The feathers were appliqued on AND stuffed!  A subtle little detail, rewarded only to those who studied it closely.  (Or, in my case, overhead someone else who was studying it closely.)

Orlando quilt show. AdventureQuilter.com/blog

Made by Ansa Breytenbach, fron New Zealand. Detail image

How about the quilting in this next piece?  It won “Best of Country,” for the United Kingdom.

Orlando quilt show. AdventureQuilter.com/blog

By Annelize Littlefair

Not a detail shot, I thought this quilt was rather interesting.  I liked the idea of sketching people doing everyday activities, with just a hint of color.

Orlando quilt show. AdventureQuilter.com/blog

By Alison Laurence, from New Zealand

And the detail shot.

Orlando quilt show. AdventureQuilter.com/blog

Not too many years ago, I could generally identify which quilts were from which country.  But, for me, those days are gone.  Everyone seems to be influenced by everyone else.  I hope we don’t get too homogenized!

Ellen Lindner

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Orlando Quilt Show: Things that Caught My Eye

I really enjoyed a visit to the World Quilt Show – Florida, in Orlando, yesterday.  There were many wonderful quilts, great vendors, and FRIENDS to visit with!  It doesn’t get much better than that.

I took photos of some of my favorite quilts, as well as ones with something that was either new to me or especially well done.

Perhaps you’ve seen this wonderful quilt online.  It’s called Coco, and it was made by Neroli Henderson, from Australia.

Orlando quilt show. AdventureQuilter.com/blog

The texture on this piece was amazing.  It was composed of TINY little snippets of fabric sewn in place, (although you couldn’t see the stitching.)  No tulle overlay was used to control all those pieces, though!  I’m not quit sure how she managed it.

Orlando quilt show. AdventureQuilter.com/blog

This next quilt was also made by an Australian: Sue de Vanny.  It was very well done and won an award for machine workmanship.

Orlando quilt show. AdventureQuilter.com/blog

The tram had many wonderful details, again made from small pieces of fabric.

Orlando quilt show. AdventureQuilter.com/blog

An appropriate destination, don’t you think?

The color and composition of Susan Hotchkis’ quilt really appealed to me.

Orlando quilt show. AdventureQuilter.com/blog

As I got closer, I was even more intrigued by the techniques and textures at work.  VERY heavy machine stitching was used to add texture and color in some areas.

Orlando quilt show. AdventureQuilter.com/blog
Although it all appeared rather random, I could tell the artist put great thought into.  (See the additional blue and yellow stitching below?)

Orlando quilt show. AdventureQuilter.com/blog

I almost walked right by this quilt.  Just because it was sorta low contrast, which doesn’t always get my attention.

Orlando quilt show. AdventureQuilter.com/blog

It’s called ‘Leafy”  Sea Dragon,  and it was made by Lois Parish-Evans.  Although the sea horse is nice, the things that got my attention were the intricate side parts, which had lots more contrast.  I wondered how they were done.

I was surprised by the answer, which was explained on the sign.  Lois started with plain white fabric and quilted the entire design.  The sea horse is stitched in black, but most of it is done in wonderful little dainty patterns with white thread.  Then, she used Inktense pencils to color in the design.

Orlando quilt show. AdventureQuilter.com/blog

Oh my!  The tiny white lines you see below are the quilting lines.  The spaces in between have been colored in to give this wonderful result.  I’m kinda spell bound by this.

Orlando quilt show. AdventureQuilter.com/blog

These images are just the start of my pictures.  I’ll have more for you in the next post or two.

It’s quilt season.  I hope you get to go to a show!

Ellen Lindner

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Swapping ATCs

Of course, the reason for making artist trading cards it to swap them!  And that’s just what I did with a talented group of SAQA (Studio Art Quilt Associates) members  from south Florida.

These are the nine cards I received.

Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog
What a collection!  These women are pretty fearless.  They used a lot of surface design techniques, including painting, thread painting, melting, gluing, and hand stitching.

Here are some closer views.

Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

A wide variety of materials was skillfully employed by these artists.  Can you identify the orange open-weave item in the left card above?  Yep, it’s from a produce bag.  Great texture and contrast!

Both of the cards below used glued paper, among other things.

Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

It was great fun trading ATCs and generally celebrating the holidays with these women!

Ellen Lindner
P.S.  SAQA is an excellent organization.  Find more info here.  (I’m biased, but I think the Florida members are especially talented, active, willing to help, and fun to hang out with!)

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Making ATCs (Artist Trading Cards)

Did I tell you about meeting a woman on an airplane who later sent me some upholstery fabric samples?  It all started while I was “arting” on a cross-country flight.  I was sketching and playing with paints and she was knitting.  Of course, it didn’t take long before we were talking about our respective projects, and it turned out that she was a quilter.  We exchanged contact info and it wasn’t long before a NICE selection of sheer upholstery samples showed up at my door.  How thoughtful!

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

I love sheers with textures.  Since I had recently agreed to make an artist trading card, I thought some of these delicate fabrics would be just perfect.  (Then I found out I needed to make TWELVE of them!  Oh well, at least I had the fabric I needed.)

Not familiar with artist trading cards?  They’re small cards about the size of a credit card:  2 1/2 x 3 1/2.  As the name implies, artists make them and trade them.

I decided on silk burgundy and cotton cream fabrics to showcase these sheers.

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

The gridded sheer fabrics made excellent backgrounds against the deep burgundy colors.

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

For each one, I layered a textured sheer piece that covered most of the card.  Next I added a small piece of cream fabric.  Then, I cut a motif from the sheer fabric and added it on top.  These were accented with a little bit of black  fabric.  Finally, I stitched around the motifs with black thread.  I did it in a kind of messy/sketchy style.

This one was my favorite, and I sent it to my new airplane friend.  (It was number 13.)

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

Here’s another one close up.

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

I added silk on the back, too.  Since it ravels badly I burned the edges with a soldering iron.  That took a while.

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

Here’s the whole collection.  I was pretty happy with them and they were (mostly) fun to make.

Making Artist Trading Cards. Ellen Lindner, AdventureQuilter.com/blog

I swapped these for a very intriguing collection.  I’ll show you those in the next post.

Have you ever made ATCs?  Which one is your favorite above?

Ellen Lindner
P.S.  See my soldering/melting set up here.

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Final Angel Ornaments

Now that Christmas has passed and all my angel ornaments have found their homes I can show you the rest of them.

First, a couple for friends.  Here’s Jo-Ann’s.

Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog
And Susan’s.
Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog

I used recent photos for the two above, but tried to find more vintage photos for the next ones.  On to my sisters-in-law.

Jennifer

Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog

And Lisa

Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog

Finally, close family.

My sister at about age 12.

Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog

And my mom at age 32.  Wasn’t she pretty?  (And she still is.)

Angel ornament made by Ellen Lindner. AdventureQuilter.com/blog
By this age my mom had four children, ages 6-11!

I’ve had a lot of fun making these ornaments, especially finding the faces to use.  Everyone has loved them.

Ellen Lindner

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Hye Shin Exhibit: Part Two

In the last post I showed you only the artwork displayed in the lobby and the first part of the Ruth Funk gallery.  Now, for the installations.

I’m sorry I don’t recall the title of this first one.  It had to do with blood as the gift of life.  The “bags of blood” had words on them like Strength, Faith, etc.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

The pods were made from wire wrapped in thread.  As you can see, the threads from the bags above land nicely in little circles on the paper underlay.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog
The center “seeds” of each pod were made with digital images printed onto silk and then applied.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

The second installation was called Sunken Dreams.  It is the artist’s reaction to the South Korean ferry accident which killed around 140 people in May of 2014.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

The artist is from South Korea so this had quite an impact on her.  (She now lives in Orlando, FL.)

She lined the wall with little woven pouches.  These contained little puffy pillows she had made, with Korean text on each one.  Once again, the pieces had been mounted well away from the wall, playing up the shadows.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

We almost missed these last two pieces, which were completely different.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

We decided that they’re embroidery utilizing a couching technique (where a skinny thread wraps a fatter one, holding it in position.)

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

What do you think?  Am I right?

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

I like the way the couching thread contrasts with the image in many places.

This exhibit is now closed, but I hope you’ll get out to a museum or gallery in your area.

Ellen Lindner

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Hye Shin Exhibit

I really enjoyed Hye Shin’s recent exhibit at the Ruth Funk Center for Textile Arts, in Melbourne, FL.  It was called Light and Shadow, and it was very interesting.  Hye does a lot of weaving, but also makes very sculptural pieces and unique installations.  Her lobby installation was entitled Dandelion Wishes was  and it was my favorite of all the pieces there.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

It was hung well over head height.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

Aren’t they cool?  They were hung almost invisibly and they gently swayed and twisted in the breeze from the air conditioner.

As the exhibit title suggested, there was plenty of light and shadow to appreciate.  Most pieces were mounted well away from the wall and well-lit.  This produced interesting shadows, which the artist considers to be part of the work.

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

The pieces above and below are primarily weavings.  They’ve also been painted and have things like thread caught in between the layers.  Can you see how some areas are fairly sheer and others are mostly opaque?

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

The piece below was hand stitched on paper.  Cool, huh?

Hye Shin exhibit on Ellen Lindner's blog. AdventureQuilter.com/blog

These are only some of the delights from this exhibit.  In the next post I’ll show you the rest.

Ellen Lindner
P.S. The Ruth Funk Center for Textile Arts always has interesting and unique exhibits.  You may enjoy some of these related posts:
Southern Accentsart quilts from the southeastern members of Studio Art Quilt Associates.
Florida in Fabric II:  Wish You Were Here, art quilts made by Florida artists.
ReDress:  Nancy Judd Upcycled Style, clothing made from discarded items:  everything from glass shards to parachutes and plastic fruit.

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Coastal Progress

A lot has happened with my coastal piece since I last posted about it.  I’ve now added the bulk of the bottom/foreground section.

Ellen Lindner abstracts a coastal view. AdventureQuilter.com/blog

At about this time I began to question how much I really needed to add on the right.  After some consideration, I ended up deleting the far right column.  This is the new reference photo.  I don’t miss the last part on the right, do you?

Ellen Lindner abstracts a coastal view. AdventureQuilter.com/blog

By the way, do you see the blue painters tape on my cutting mat in the photo above?  I added it to indicate my desired dimensions for each block.  It’s proven to be helpful.

I was really happy with the progress at this point.  I wanted to hint at gold grasses in the foreground and it’s turned out about the way I wanted it.  In the photo below, I was auditioning rock fabrics for the right side.  I needed them to provide contrast with the blue water.  But, I didn’t want them to be nearly as dark as the left rocks.

Ellen Lindner abstracts a coastal view. AdventureQuilter.com/blog

First rock:  not bad.

Ellen Lindner abstracts a coastal view. AdventureQuilter.com/blog

As I continued to work on the right side, I spent a lot of time selecting fabrics.  I wanted the right foreground to be fairly dark brown.  But, the far rocks would be grayer.  I spent a while planning how these fabrics would merge, yet still have enough variety to be interesting.

Ellen Lindner abstracts a coastal view. AdventureQuilter.com/blog

It’s getting there!

Ellen Lindner

1

Making Angel Ornaments

After seeing some angel ornaments for sale I got the idea of making something similar as gifts.  But my idea was to add the faces of the recipients to their respective angels. Doesn’t that sound like fun?

I painted the bodies red and added a little shading on the sides.  As you can see, these primitive figures have no shoulders or arms.  Which I kinda love.  It will make the angels almost cartoon-like, giving me lots of artistic latitude.

Making angel ornaments. Ellen Lindner, AdventureQuilter.com/blog

The halos got a gold leaf treatment.  Don’t you love the way the black underneath shows through?  I think that sort of imperfection adds a LOT of character and interest.

Making angel ornaments. Ellen Lindner, AdventureQuilter.com/blog

The wings got a rather “fancy” country-style treatment:  cream paint, stained edges, and lace.  Perfect, I think!

Making angel ornaments. Ellen Lindner, AdventureQuilter.com/blog

Before assembling the angels, I spent some time on Photoshop tweaking photographs in order to get heads to the right size, etc.  Here’s my first prototype, with me as the subject.

Making angel ornaments. Ellen Lindner, AdventureQuilter.com/blog

Isn’t it a hoot?

I’ve now given away the other three, and I can’t believe I forgot to photograph them first!  But, my friend, Lynn, photographed hers.  As you can see, I tried to match the text to the expression on the face.

Making angel ornaments. Ellen Lindner, AdventureQuilter.com/blog

(This is what she gets for striking such a goofy pose in the original photo!)

These were a lot of fun to make and I’ll be making several more.

What craft/art projects are you doing for Christmas?

Ellen Lindner
P.S.  I ordered the angel kits from retrocafeart.com

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