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“Black Pioneers” on Display in St. Petersburg, FL

Cathy Williams wanted to serve in the ranks of the all-black Buffalo soldiers, but was not allowed to do so because of her gender.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

So she disguised herself as a man and joined the army as William Cathay. She served for two years before being found out.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Her story was just many of the ones I saw when I visited the “Black Pioneers” art quilt exhibit in St. Petersburg, FL. It was a very interesting exhibit, curated by noted black historian, Dr. Caryolyn Mazaloomi. As you might expect, I was very unfamiliar with most of the people and events depicted. Thankfully, the artists’ statements filled me in.

Artist Rosy Petri depicted Thomas C. Fleming, America’s longest serving black journalist.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Tierney Davis Hogan depcited another black writer: poet Langston Hughes.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Some quilts had a very folksy quality, like Trail Blazers, by Marion Coleman. Her quilt depicts a time when 25% of all American cowboys were African-American.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Other quilts were very realistic and sophisticated. Carolyn Crump was especially good at this. Here is her piece, Game Changer. It depicts Lt. Charles Young, who served in the Utah frontier.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

I hope you can see that this quilt has several 3D aspects.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

And here’s Stagecoach Mary, made by Dorothy Burge. Mary Fields (her real name) was a Wild West Legend because she was the first black woman to deliver mail by stagecoach. She was known for her speed, her marksmanship, and her hard drinking.

Black Pioneers on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

This was probably my favorite quilt in the exhibit. I love the way Burge has made the quilt in the shape of the person.

Men of Valor – Sergeant Benjamin Brown and Corporal Isaiah Mays was made by Tomasita Louviere-Ligons. It features these two frontiersmen who served “above and beyond” in Arizona Territory, earning each of them a Medal of Honor.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Although most of the quilts depicted people, several focused on events. Carolyn Crump’s The Truth Hurts: Riches, Resentment, Revenge, RIOTS speaks to the anger and resentment of white Tulsa citizens which casued them to massacre a group of prosperous blacks who lived across the railroad tracks.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Again, she has emphasized her message with 3D areas.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

Viola Burley Leak’s piece, Watts Riot, depicts not only the chaos of the riot, but also some of the underlying issues that led to it.

"Black Pioneers" on Display in St. Petersburg, FL. Ellen Lindner, AdventureQuilter.com/blog

There are about 50 quilts in this exhibit, so my photos have just scratched the surface. “Black Pioneers” will be on display through January 8th, 2023 at the James Museum, in St. Pete. There’s also some other wonderful art in this museum. It’s well worth the visit.

Ellen Lindner

 

 

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Brown Fabrics Coming Together

I was really happy with the way my latest brown quilt was coming together. It was time to add in some curves.

Brown Fabrics Coming Together. Ellen Lindner, AdventureQuilter.com/blog

Yes, that was more interesting.

Now what? I knew that massing colors together is often effective. So maybe I could add some dark ones near the bottom circle piece.

Brown Fabrics Coming Together. Ellen Lindner, AdventureQuilter.com/blog

Yes, something along these lines. As you can see, I worked in some more curves.

It looked like it now needed to get wider on the right.

Brown Fabrics Coming Together. Ellen Lindner, AdventureQuilter.com/blog

Oh yes! I was really getting excited about this!

Along the way I decided the far left panel needed to be narrower, for two reasons: 1 – to make it a different width from the far right panel, 2 – to move the dark black/rust circles away from center. I auditioned the idea by covering the left edge with a piece of muslin.

But, did the top need cropping too? Again, I auditioned the idea with a strip of muslin. (Which is exactly why I own these strips of muslin.)

Brown Fabrics Coming Together. Ellen Lindner, AdventureQuilter.com/blog

With a little tweaking and sewing the top was completed.

Brown Fabrics Coming Together. Ellen Lindner, AdventureQuilter.com/blog

I am LOVING it!!! On to quilting.

Ellen Lindner

 

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Luscious Brown Fabrics

I’ve really been having fun playing with these fabrics. This photo shows my initial fabric audition.

Luscious Brown Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Aren’t they great? They’re all dyed by me.

I did a little editing and thought I was ready to compose. What now?

Luscious Brown Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I tend to arrange fabrics vertically when auditioning, so I decided to stretch a few  horizontally. Just to see.

Luscious Brown Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I didn’t think that worked so well, but it did get my brain to move away from the purely vertical pieces. What if I arranged the two dominant fabrics in a diagonal arrangement?

Luscious Brown Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Yes, that seemed better.

Time to audition a few accent colors. Since my accent fabrics were so much brighter than my main ones I knew I’d have to use them in very small amounts. Otherwise, they’d take over.

Luscious Brown Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I felt like I was moving in the right direction at this point. I knew it was time to throw some curves into the mix.

Ellen Lindner

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“Adrenaline Rush” Complete

Have you been following along as I’ve used my “Tetris” skills to put this quilt together?
I’m calling it Adrenaline Rush.

Adrenaline Surge, an art quilt by Ellen Lindner. AdventureQuilter.comAdrenaline Rush

It was challenging at times, but I’m quite happy with the results.

Adrenaline Surge - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I dyed/printed all the fabrics myself!

See full details for this piece.

UPDATE: This piece got one more radical change. See it here.

Ellen Lindner
P.S. I’ve got a pretty collection of scraps. I’ll have to do something fun with them.

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Make a Fabric Postcard

I recently made this fabric postcard as a “thank you” gift for the outgoing leader of one of my art quilt groups. I think they’re really appropriate for that sort of thing, and YES, you can mail them. (Although I make an envelope, too.)

Making Fabric Postcards. Ellen Lindner, AdventureQuilter.com/blog

Fabric postcards are super fast and easy. I’ve written a tutorial for you where you can see several more examples.

Have fun!

Ellen Lindner

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“Textile Trends” Part Two

The recent “Textile Trends” exhibit, in Melbourne, FL included some very interesting pieces. This “oddball” dress was made with staples. I think it’s wacky and wonderful!

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

It’s called A Woman Prerogative (signage spelling,) by Lydia Friedland. Just check out this detail shot!

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

I loved the hand stitching on this small piece.
It’s called Wabi Sabi Red, by Grace Cormier.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

Here’s another small piece, with intentionally rusted fabric. And, again, great hand stitching. It’s called Satin Ruins by Judith Schwab.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

My off-kilter photography doesn’t quite do justice to this piece. It was made by Esta Rubin and is titled The Rising of the Dark.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

And, finally, my own piece – in the corner – called Miscommunication.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

There were some growing pains with this first-ever-textile-show for the gallery. But, I hope they’ll offer it again. There’s clearly plenty of great art to show off!

Ellen Lindner
P.S. See a better image of my quilt.

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“Textile Trends,” in Melbourne, FL: Part One

“Textile Trends,” and exhibit in Melbourne, FL is winding down in the next few days. (The last day is the 27th.) It was the first time Fifth Avenue Art Gallery has had an all-textile call for art, and the resulting show was pretty impressive.

This large weaving was made by Lois Mittleman.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

She found LOTS of interesting things to include! Measuring tape and bundles of yarn:

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

Electronic cables, and an Amazon Prime mailing bag:

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

Nearby was this fabulous piece by Gabriele DiTota, called Bothered. 

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

The palm is done with cyanotype. Made during the pandemic, she used a serendipitous dyeing technique for the background fabrics and included words like “Fear” and “worry,” reflecting her mindset at the time.

I also liked Moondance, by Doris  Hulse.

"Textile Trends" in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

And here’s a great mixed-media piece from Jo-Ann Jensen.

Textile Trends in Melbourne, FL. Ellen Lindner, AdventureQuilter.com/blog

More images coming soon.

Ellen Lindner

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Making Progress in Red

After trying several temporary background colors, I decided to make one side white and one side red.

Ta.ckling That Red Fabric. Ellen Lindner, AdventureQuilter.com/blog

I started with a new temporary background. The purpose of this is so I don’t have to compose against my pure white design wall. It helps me visualize.

This was first stab at a new composition. I could see that I’d be able to create lots of energy, thanks to the sharp angles and high value contrasts.

But again, it seemed like the green squares against the white were, once again, taking over.

I removed them and liked them better. (Note: most of the green shapes are just folded and pinned in place. This works well for auditioning ideas. I’ll delay cutting fabrics until I’m convinced about what needs to happen.)

I removed all the squares. That helped immensely in the top half, but I thought the bottom portion looked a little naked.

I added some squares against the red and I liked the effect.

Art quiz: why did I previously decide to remove green squares from a red background, but here I’ve just added them back? Answer in P.S.

Next it was time for actual construction. It was time to remove those temporary background fabrics and switch in the ones that I’d need. In this photo I had just finished the first few red seams in the lower section.

I’ll need to go slowly, select the right fabrics, and figure out how to “tetris” this whole thing together. I imagine it will be a little challenging, but I think it will be fun too!

Ellen Lindner
P.S. Answer to art quiz: It goes back to the fact that contrasts in value always attract attention. In my last post I showed  you how the green squares were taking over against the red. That’s because of the value contrast between them. But, in this post I added those greens squares right back to the red bottom. That’s because everything affects everything else. When I change the background to white I created VERY strong value contrasts between the sharp red shapes and the white background. Therefore, they attract attention. The contrast between red and green is now secondary and not as noticeable. Remember, when you make one change you often need to make another.

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Tackling That Red Fabric

I was excited to work with the red and blue-green fabric I had recently died. I pulled out all my other dyed fabrics in those colors and began to explore my options.

This was the starting fabric.

Ta.ckling That Red Fabric. Ellen Lindner, AdventureQuilter.com/blog

As you can see above, it was missing a chunk on the bottom right corner. So I evened that up, giving me a nice horizontal slice from the bottom. I intermediately looked to see where I might use it. What if I joined it back into the larger fabric at an angle? I auditioned the idea, below, and liked it. (Can you see how the red areas taper together?)

After a few more manipulations I was ready to see what happened on the design wall. Since I didn’t want to compose against a white background I put up a temporary red background and marked the proposed perimeter with tape. (The dimensions were determined by the width of my design wall, 4′, and the height of the primary fabric, about 42″.)

First “throw” at the design wall:

Then, with a little more intent:

I was liking the energy, but I thought the red was actually disappearing. To confirm my suspicions I looked at the composition in grey scale.

Yep. The blue-green squares were taking over.

So, what if I made part of the background white? I changed the temporary background in order to try out the idea.

Ah, yes. Now THAT had potential!

It was time to lose the temporary background and to start fresh with this new idea. I was excited to move forward!

Ellen Lindner

 

 

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Dyeing On a Larger Scale

Lately, I’ve been trying to dye fabrics to a larger scale. I feel like I succeeded with the one on the right. I screened red on through some construction fencing, and then added some blue-green squares. It should be very usable.

Dyeing at a Larger Scale. Ellen Lindner, AdventureQuilter.com/blog

I like the large red circles on the left one, but the design reads a little  Christmasy. It will probably need further attention.

I’m drooling over the orange and blue “twiggy” fabric, below left. It will take a good bit of thought, I imagine, to figure out what to  do with it while till maintaining the “twigginess.” The pink and white fabric below was made as a “ghost print” from some red screening. I think it will work with some of these, too.

I also did some deconstructed screen printing. With it you let dye dry onto a screen and then later screen a color or clear paste through it. The original dried dye initially acts as a resist and later breaks down, adding its own color to the mix. With this one, I drew on horizontal and vertical lines using all my warm dyes: yellow, orange, red, and fuchsia, and let it dry (over 2 days!) I screened clear paste through, which eventually took on t he other colors and finished to a nice peach.This is detail shot. 

I don’t normally work with pastels so I’ll have to dye a few more to go with this one. I’ve got lots of fun stuff to think about!

Ellen Lindner
P.S. Each of these fabrics is about 43″ on the longest side.

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