Tag Archives | Color

Maybe I Need a Crystal Ball

For me, the hardest thing about dyeing fabric is predicting the final color. I think maybe I need a crystal ball!

Case in point: I spent a lot of time getting this fabric just the way I wanted it. This is what it looked like wet. I was concerned that the delicate tone-on-tone area in the lower right might not show up, but was otherwise confident about the outcome.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

However, this is what I ended up, once washed and dried.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

As expected, I lost the detail of that one corner, but where did the MINT green come from? Not satisfied with this result, I retreated the fabric and tried again. Here’s the reworked version, wet. As you can see, I kicked up the background colors quite a bit.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

And this is the final version. Which I like a lot.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

I’ve gone to the trouble to make a TON of swatches, just so I could avoid this problem. However, I’m not measuring and weighing dyes, just trying to match proportions. It looks like I might need to be more exacting.

And here’s another one that gave me trouble. Wet:

Washed and dried:

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

Ugh! What ugly colors! So, I tried again. Reworked and wet:

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

That looked pretty colorful, but it ended up just the way I wanted.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/

I guess my “take home” points are:
1 – Trust my swatches and try to “measure” more accurately.
2 – Don’t stress when it doesn’t come out to my liking, because…
3 – I’ve gotten pretty good at reworking the colors. (Yay for me! That’s a silver lining.)

Of course, not all the dyeing ends up off-color. I’ll show you some first-try successes in the next post.

Ellen Lindner

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Reworking Those Twigs

After considering radical changes to my quilt in-progress, I was excited to implement new ideas!

This was my initial trial and error placement. The twigs were part of the original version, along with the rust fabrics, but all the blue and black was new. I liked the arrangement and it changed very little.

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

But, it needed some high contrast, right? Maybe against that dark blue. Light twigs, maybe? I auditioned the idea by placing some little snips of fabric.

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

Yep, I liked it, so I PAINTED on two twigs. (Kinda scary, but I had tested my idea, so I felt pretty confident.) That really drew the eyed and I was very happy with it.

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

(I intended to use fabric paint, but it was all dried up. Therefore, I used regular craft acrylic paint. We’ll see how it holds up.)

I wanted the light areas to sort of creep across the piece, in a loose diagonal. Maybe I needed more light twigs to accomplish that? Again, I auditioned the idea with some little scraps. And maybe it was time to thoroughly examine proportions too. Should the black on the left be smaller?

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

Yes! Changes in both areas and I think they helped quite considerably. At this point I had also done most of the piecing.

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

Piecing complete, below. Considering the addition of some teal circles. I like repeating both the color and the shape.

Reworking Those Twigs. An art quilt in-progress. Ellen Lindner, AdventureQuilter.com/blog

I’m starting to get really  happy with this piece. I’m SO glad I reworked it!

Any ideas for a name?

Ellen Lindner

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Chihuly in St. Pete

I imagine you’re already familiar with the work of glass sculptor, Dale Chihuly. He makes extraordinary sheer pieces that seem lighter than air. Many times, he creates elaborate installations in public gardens.

I got to see some of his work in St. Petersburg, FL at Chihuly Collection. Here are a few of the pieces we saw.

Chihuly in St. Pete. Ellen Lindner, AdventureQuilter.com/blog

A typical “chandelier.” Many are about 10 times this big.

 

Chihuly in St. Pete. Ellen Lindner, AdventureQuilter.com/blog

An installation of “platters.” Notice the shadows, too.

 

Chihuly in St. Pete. Ellen Lindner, AdventureQuilter.com/blog

“Platter” detail.

 

Chihuly in St. Pete. Ellen Lindner, AdventureQuilter.com/blog

As you can see, the lighting is an important part of any Chihuly exhibit. Don’t you love it?

 

Chihuly in St. Pete. Ellen Lindner, AdventureQuilter.com/blog

A typical Chihuly ceiling: MANY “platters” face down on a plate glass support. This was shot looking straight up.

Aren’t they amazing? If you ever get the chance to see his work  you’ll definitely want to. Especially if it’s an outdoor installation. In the meantime, enjoy perusing his website.

I hope you get to see some awesome art soon!

Ellen Lindner

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“Raking Season” Complete

I loved making this quilt and I’m VERY happy with the results!

Raking Season, an art quilt by Ellen Lindner. AdventureQuilter.com

Raking Season

I dyed all the fabrics for this quilt, except for one. I love how they go together! (Note: I didn’t dye them specifically to go together. They’re ones I’ve dyed over a couple of years, but because I’m often drawn to the same colors, stencils, and techniques they ended up being a very cohesive group.)

Can you see that this quilt only has about 12 pieces? I was able to use large pieces due to the patterns in the fabrics. I’ve tried that before, but I think this was my most successful attempt.

Here’s a detail shot:

Raking Season - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

See larger images and more information about this quilt.

Ellen Lindner
P.S. If you want to see this quilt in-progress, check my posts from September 2022, or click the links below.

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“Adrenaline Rush” Complete

Have you been following along as I’ve used my “Tetris” skills to put this quilt together?
I’m calling it Adrenaline Rush.

Adrenaline Surge, an art quilt by Ellen Lindner. AdventureQuilter.comAdrenaline Rush

It was challenging at times, but I’m quite happy with the results.

Adrenaline Surge - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I dyed/printed all the fabrics myself!

See full details for this piece.

UPDATE: This piece got one more radical change. See it here.

Ellen Lindner
P.S. I’ve got a pretty collection of scraps. I’ll have to do something fun with them.

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Making Progress in Red

After trying several temporary background colors, I decided to make one side white and one side red.

Ta.ckling That Red Fabric. Ellen Lindner, AdventureQuilter.com/blog

I started with a new temporary background. The purpose of this is so I don’t have to compose against my pure white design wall. It helps me visualize.

This was first stab at a new composition. I could see that I’d be able to create lots of energy, thanks to the sharp angles and high value contrasts.

But again, it seemed like the green squares against the white were, once again, taking over.

I removed them and liked them better. (Note: most of the green shapes are just folded and pinned in place. This works well for auditioning ideas. I’ll delay cutting fabrics until I’m convinced about what needs to happen.)

I removed all the squares. That helped immensely in the top half, but I thought the bottom portion looked a little naked.

I added some squares against the red and I liked the effect.

Art quiz: why did I previously decide to remove green squares from a red background, but here I’ve just added them back? Answer in P.S.

Next it was time for actual construction. It was time to remove those temporary background fabrics and switch in the ones that I’d need. In this photo I had just finished the first few red seams in the lower section.

I’ll need to go slowly, select the right fabrics, and figure out how to “tetris” this whole thing together. I imagine it will be a little challenging, but I think it will be fun too!

Ellen Lindner
P.S. Answer to art quiz: It goes back to the fact that contrasts in value always attract attention. In my last post I showed  you how the green squares were taking over against the red. That’s because of the value contrast between them. But, in this post I added those greens squares right back to the red bottom. That’s because everything affects everything else. When I change the background to white I created VERY strong value contrasts between the sharp red shapes and the white background. Therefore, they attract attention. The contrast between red and green is now secondary and not as noticeable. Remember, when you make one change you often need to make another.

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Tackling That Red Fabric

I was excited to work with the red and blue-green fabric I had recently died. I pulled out all my other dyed fabrics in those colors and began to explore my options.

This was the starting fabric.

Ta.ckling That Red Fabric. Ellen Lindner, AdventureQuilter.com/blog

As you can see above, it was missing a chunk on the bottom right corner. So I evened that up, giving me a nice horizontal slice from the bottom. I intermediately looked to see where I might use it. What if I joined it back into the larger fabric at an angle? I auditioned the idea, below, and liked it. (Can you see how the red areas taper together?)

After a few more manipulations I was ready to see what happened on the design wall. Since I didn’t want to compose against a white background I put up a temporary red background and marked the proposed perimeter with tape. (The dimensions were determined by the width of my design wall, 4′, and the height of the primary fabric, about 42″.)

First “throw” at the design wall:

Then, with a little more intent:

I was liking the energy, but I thought the red was actually disappearing. To confirm my suspicions I looked at the composition in grey scale.

Yep. The blue-green squares were taking over.

So, what if I made part of the background white? I changed the temporary background in order to try out the idea.

Ah, yes. Now THAT had potential!

It was time to lose the temporary background and to start fresh with this new idea. I was excited to move forward!

Ellen Lindner

 

 

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Composing with an Eye Toward Value

These were the fabrics I selected as I started on an abstract quilt with NO plan.

Working with Dwindling Fabrics, Ellen Lindner, AdventureQuilter.com/blog

Although I didn’t have a plan, I did have a goal. I wanted to use the last of my favorite fabric, the navy and yellow grid, and to let it be the star of the show.

BTW, can you see how the scale of that one print greatly affects the scale of the overall piece? I wouldn’t want to cut it into tiny pieces, for instance.

I had two lengths of the favorite fabric and I wanted to cut it as little as possible. I cut one piece into about a 1/3 – 2/3 split, so I had 3 pieces.. Since this fabric has the highest value contrast (light vs. dark) of all the other fabrics, I knew it would attract a lot of attention. Which was good.

Therefore, I moved everything else out of the way and created the first part of the composition with just these 3 pieces of fabric.

Composing with Value. Ellen Lindner, AdventureQuilter.com/blog

Because this fabric had a diagonal aspect to its design, it created a lot of energy. Plus, as you can see, I made sure to offset the pieces. I really liked this starting point! I knew I’d have to pay attention to the value contrasts that developed throughout the rest of the design, making sure that none of them drew attention away from it.

In the photo above you can probably tell that the left fabric is folded under at the bottom. I cut that off and added it to my starting composition, (see below.) I wanted to break up the large expanse of grid on the left piece and inserted a skinny orange strip (shown in the next photo.) I liked it a lot.

I let the fabric lead my next few decisions: adding more yellow and orange in their respective areas.

Composing with Value. Ellen Lindner, AdventureQuilter.com/blog

As you can see in the photo above, I didn’t have large pieces of orange, so I knew I’d have to piece those together. I thought I’d probably repeat the orange in the lower right, as well. Adding navy would be tricky. It would automatically create a very high value contrast, attracting attention. I’d have to consider it very carefully.

And what about that white in the top center of the photo above? Although I liked the fabric in the mix, it was right next to the navy grid, creating exactly the problem I was hoping to avoid. I did add some navy just right of center and I thought it worked there.

Next round. Navy top left: too strong!
Navy at the bottom: maybe.
White at the bottom right: maybe

Composing with Value. Ellen Lindner, AdventureQuilter.com/blog

Next round. Replaced top left navy with yellow-orange: MUCH better! (Low contrast, right?)
More navy at the bottom: probably. The navy is visually weighty which gives the piece some stability.

Composing with Value. Ellen Lindner, AdventureQuilter.com/blog

This hodge podge of scraps pinned to the design wall evolved only slightly as I began to figure out how to piece all of this. See the finished quilt in my next post.

Do you think about value this much? I find it very helpful, although sometimes I get seduced by a color or some such and forget to pay attention to the contrast.

Ellen Lindner

 

 

 

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“Toast and Jam”

Remember that ugly exercise that I’ve been considering? This is the portion of my ugly painted which I selected as my inspiration for a small quilt.

Super Cool UGLY Exercise. Ellen Lindner, AdventureQuilter.com/blog

I played around with the individual elements in the computer and, at one point, accidentally colored the background red. Which I liked!

"Toast and Jam," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

So, I started pulling fabrics and got to work. Actually, I got to work in a hotel room. This was my set up. Construction on the coffee table and Netflix on my laptop. With the iron at the perfect height, of course.

"Toast and Jam," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

Once home, I stitched the background and fused up a bunch of fabrics for the background squares. (I fuse very seldom.)

"Toast and Jam," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

I noticed that some of my lovely squares were attracting a lot of attention. I knew that wouldn’t work in the end, so I had to swap them out.

Eventually, I was happy with the background and started with the part I DID want to attract attention: the wonky open squares. This is a detail shot.

"Toast and Jam," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

I added a little hand stitching, but that was difficult through the fused fabrics.

Here’s the full quilt, Toast and Jam, 24″ x 24″.

"Toast and Jam," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

This was fun to work on, but I think I’m ready for something other than red!

This piece is available for $195 US. Contact me if you’re interested.

Ellen Lindner

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Opening Night for “Stitched, Stamped, and Sculpted”

I was really impressed with the “Stitched, Stamped, and Sculpted” exhibit opening, which was recently held in Ormond Beach, FL.

The pieces were hung nicely and lit beautifully. And, in most cases, all the work by one artist was shown together. This made for a lovely and interesting display.

Here I am with a couple of my pieces, Bounty Down Under and Croton Trio.

Opening Night of "Stitched, Stamped, & Sculpted" was a Success! Ellen Lindner, AdaventureQuilter.com/blog

Plus Cantilever.

Opening Night of "Stitched, Stamped, & Sculpted" was a Success! Ellen Lindner, AdaventureQuilter.com/blog

This was my view as I posed for the photo above: two more of my pieces in the far corner. And don’t you love the Temperature Quilt by Audrey Butler? What a colorful room!

Opening Night of "Stitched, Stamped, & Sculpted" was a Success! Ellen Lindner, AdaventureQuilter.com/blog

Here I am with my remaining two quilts. This one is called Indian River Fruit.

Opening Night of "Stitched, Stamped, & Sculpted", Ellen Lindner, AdaventureQuilter.com/blog

And A Little Bit Tart.

Opening Night of "Stitched, Stamped, & Sculpted", Ellen Lindner, AdaventureQuilter.com/blog

There were MANY interesting pieces in this exhibit. Stay tuned and I’ll show you more in upcoming posts. (Or go see it in person by August 14th.)

Ellen Lindner

 

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