Tag Archives | Color

Going Back and Making Changes

Last summer, I made a quilt called Beet Salad. I put a lot of work into it, including dyeing all the fabrics especially with this quilt in mind. This was the final result.

Beet Salad, an art quilt by Ellen Lindner. AdventureQuilter.com

Beet Salad

Although I liked it, somehow it didn’t quite meet my vision. I wasn’t sure what it needed. Recently, (when I finally put it away,) I studied it again and decided the color contrast was just too harsh. Especially with those yellow circles.

So, I removed them, and this is the new rendition.

Beet Salad, an art quilt by Ellen Lindner. AdventureQuilter.com

Beet Salad

I like it SO much better! It was a little bit of a technical challenge to remove the yellow circles, but I think it was worth it.

What do you think? Do you like it better?

Ellen Lindner
P.S. Have you ever changed something after it’s completely finished?

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Kiwi (?) Quilt Underway

I got brave and decided to cut into some of my specialized fabrics. These are hand dyes that have a variety of motifs, scales, or colors. They’re not “yardage” and are a little more challenging to use. These were my starting three.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

The left fabric reminded me of kiwifruit, so I began to think of it as “my kiwi quilt.”

I tried out other fabrics to add to the mix. Some dark blue definitely helped.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

This was my “final” selection.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

It was a little intimidating to cut into that kiwi fabric. Since the motif was so large I didn’t want to whittle it down too much. This was the first cut.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

And another.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

And another. Taking it from one piece to four.

Starting a "Kiwi" Quilt. Ellen Lindner, AdventureQuilter.com/blog

Time to “Tetris” these pieces together, and to make a few more to get the job done.

It was getting quite energetic and I was liking it.

Ellen Lindner

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Arches National Park

My husband and I recently visited several national parks in southern Utah. Arches National Park was our  hands-down favorite. The rock formations and colors were amazing!

My favorite was Double Arch, shown below.

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog
I think my husband’s favorite was Delicate Arch, the iconic arch for which the park is known.

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog

We worked hard for this view! It was a good hour of uphill climbing, but it was well worth it. The trail was labeled difficult and I’d have to say it lived up to it. I think I’d add another D word: dangerous. I’m not a worrier or scared of heights, but it sure would be easy to get hurt on this trail!

Check out this video showing a little bit of the hike back down. Yes, it was exactly as treacherous as it looks AND there was two-way traffic here! That’s hubby leading the way and I was the idiot who was filming!
DON’T WATCH IF YOU’RE SCARED OF HEIGHTS

Here are some of the other noteworthy sights we saw. This is Balanced Rock.

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog

Tunnel Arch

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog

I forget the name of this one.

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog

Here’s another little video about a different trail, named Park Avenue. Aren’t the colors amazing?

We also visited some other parks in the area. At Capitol Reef National Park we saw petroglyphs. Can you make them out?

Arches National Park. Ellen Lindner, AdventureQuilter.com/blog

Arches was, to me, even more amazing than the Grand Canyon. I loved the colors!

Ellen Lindner

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“Beet Salad” Complete

Whew! After LOTS of rearranging and trial and error, I’ve finally finished this piece. And I’m quite happy with it.

The finished piece is 36″ x 26″. It’s available for $695.

The yellow in this detail shot looks a little yellow-green, but it will show you the circular quilting pattern, done both on the machine  and  by  hand.

I think it’s well named, don’t you?

Ellen Lindner
P.S. See recent posts about how I dyed the fabric for this, and in-progress construction photos.

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An Exercise in Composition

As I worked on my two-colored “beet” quilt, it became obvious that composition was going to be SUPER important in creating a successful piece.

Because the yellow showed up so sharply against the reds and purples I knew the yellow circles would form the focal point of the piece and they’d need to be arranged just so. With that in mind, I arranged them first, even before all the background decisions had been made.

An Exercise in Composition. Ellen Lindner, AdventureQuilter.com/blog

In the shot above, I’ve used a variety of commercial fabrics as place holders for the background (hand-dyed) fabrics I actually plan to use. It was just easier to compose against these dark colors than the white of my design wall.

Then I began to replace the initial background fabrics with my hand dyed ones. Still with just a bare bones composition.

An Exercise in Composition. Ellen Lindner, AdventureQuilter.com/blog

In the shot below, I’ve settled upon the new background fabrics and they’re mostly sewn together.

An Exercise in Composition. Ellen Lindner, AdventureQuilter.com/blog

Time to add some low-contrast beet-colored circles to the background. I knew they’d add interest, and they did.

An Exercise in Composition. Ellen Lindner, AdventureQuilter.com/blog

But, I began to think the space just wasn’t filled enough. Did I need more circles? Or more YELLOW circles – for contrast? I played with this idea on my computer.

An Exercise in Composition. Ellen Lindner, AdventureQuilter.com/blog

Hmm, that certainly filled the space more. Time to consider.

Either way, I’ll add some more low contract background circles.

Ellen Lindner

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Quilt Design and Composition: Wonky or Not?

I’ve been having fun making units for my current quilt. It features the colors of red and yellow beets, represented by wonky circles. Follow along with my quilt design decisions.

This was an early start.

Quilt Design: Playing with those fabrics. Ellen Lindner, AdventureQuilter.com/blog

Initially, I made all the circles very imperfect.

Quilt Design: Playing with those fabrics. Ellen Lindner, AdventureQuilter.com/blog

But, as I began to play with composition I began to question this decision. The yellow parts showed up SO MUCH, and I wasn’t sure I liked the off-kilter look.

Like this:

So, I did some experimenting, leaving the interior of the circles wonky, but aligning the outer yellow rings more accurately. Like this.

Beets: Composition and Fine Tuning. Ellen Lindner, AdventureQuilter.com/blog

I think it’s an improvement (even though the color of this photo is off.)

Next, comes composition. Some questions I’m tossing around:
– Is the composition tight enough? Do I need to bring things more  to center?
– Should they overlap more? (My working title is “Beet Salad,” so I’m thinking yes.)
– Do I need more circles?
– Do the circles show up well enough? Will I need to add yellow rims to some of them?

I’m moving ahead with this and happy with my progress.

Ellen Lindner

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Over Dyeing Fabrics

When dyeing fabric, there are always a few fabrics that don’t quite match my intentions. When that happens, I consider over dyeing them. Which simply means dyeing the whole piece a second time.

The background color on this one was just too pale for my liking.

So, I over dyed it with a diluted red.

Truly. It really was diluted! But, apparently it was stronger than I realized. No worries. I like it better than before and I’ll definitely be able to use it. Maybe I’ll soften it with a subtle stamped design in white.

This green fabric was not bad except for the red lines I had drawn on. They made it really ugly.

I decided to embrace the red theme by over dyeing with orange.

Hmm, well it’s better, I think. Very usable, but not that exciting. I think I’ll draw on some dark blue or black circles.

Did I mention that dyeing fabric requires patience? Yep. Patience to wait to wash out fabrics and then patience when additional steps or corrections are needed. It sure is fun, though!

Ellen Lindner

Updated July 1, 2021:

I used white transparent fabric paint and stenciled a ginkgo leaf design onto the red fabric.

Over Dyeing Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I also used the stencil as a guide for drawing additional leaves with a permanent marker. I really like the effect. I think I’ll be doing more of that.

Over Dyeing Fabrics. Ellen Lindner, AdventureQuilter.com/blog

 

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Dyeing Fabrics in Beet Colors

After seeing a photo of a red beet along with a yellow one, I got the idea to make a quilt in those colors. I set out to dye fabrics in a variety of beet/berry colors, along with some dull yellow ones. Thankfully, I had already done quite a bit of color swatching, so I was able to refer to my results as a reference.

All Those Swatches! AdventureQuilter.com/blog

These are my final results, and I’m quite happy with them.

I was really thankful for the color swatches. That’s because wet dye always looks different from the washed and dried version. Especially with strong colors.

Take this piece, for example. I was aiming for a variety of beet/berry/grape colors, all in the same fabric. Although it was hard to see the variations in colors, I trusted my swatches and mixed the fabric dye colors accordingly. This is what it looked like. NOT reassuring!

But, this is what it looked like dry – almost exactly what I wanted.

It turns out that my dye mixture was a little thin, so the stencil motif blurred somewhat. But, actually, I like the imperfect effect quite a bit. Here’s a detail shot.

I’m looking forward to using these fabrics!

Ellen Lindner
P.S. The color swatching is an exercise in the book Colour Your Palette, by Leah Higgins.

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“Party Chatter” Complete

I’ve been having fun working on my “sour dough” quilt.

First, I decided on the placement of the leftover blocks. I cut a few of them into smaller units.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

I’m a believer in this quote from Sally Sellers, “It only takes a little ugly; just enough to make the other colors sing.” So, should I add a little ugly? I decided a small amount of yellow would do the trick.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

A nice start. Then, I added even more.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

I like it. What do you think?

Finally, I added the skinny dark teal strips. Because they’re so high contrast, they add a lot of drama, and really make the composition.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

In the photo above, I started quilting it. I had lots of good suggestions about a title. But, to me, it seemed to represent some sort of social interaction. A lively, happy one. So, the name “Party Chatter” seemed to fit. Here’s the finished piece.

"Party Chatter" - detail. An art quilt by Ellen Lindner. AdventureQuilter.com
Check out my website for a detail shot and other information.

What do you think about adding a little bit of ugly?

Ellen Lindner

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A “Sour Dough” Quilt

I’ve never made sour dough bread, but I know that it requires a starter. And also that some of the ingredients are reserved for a future loaf. With this in mind, I think my current project is a “sour dough” quilt.

It all started with these blocks that were leftover from an earlier project. These were the starter. (Each mini composition is held together with glue.)

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I didn’t really have a plan, but I put a piece of muslin up on my design wall and started slowly adding the blocks.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

I immediately liked the colors and the energy of the oddball shapes. However, it was clear to me that I wouldn’t want to butt the pieces right up next to each other. Doing so would make all the shapes merge together. Instead, I’d need a dark or light fabric separating the colorful shapes.

That made me think of Susan Lapham’s quilts. She often uses white between here blocks and connects them with skinny black strips. I decided to emulate her style for this one.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

Initially, I added white blocks as I was creating the composition. But, I realized it would be easier to add the white at the end. The white fabrics are also starters, since they were torn for an earlier project, but never used.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

I switched to dark teal strips pretty earlier on. (And I fused the back of that fabric: very unusual for me.)

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

At this stage, I can see that I need some smaller pieces. Maybe I’ll cut some of my blocks or maybe I’ll add some fresh cut little squares. And what about adding an accent of a new color? It’s all up for consideration.

I’ve really been enjoying this little project. What fun things have you been working on lately?

Ellen Lindner

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