Tag Archives | Dyed Fabrics

Red and Yellow Abstract

Historically, I haven’t been a fan of red and yellow combinations, but for some reason, I now find myself drawn to them. I still think they’re a little jarring, but it seems that I now like that. As evidence, I recently dyed fabrics with these colors.

I created a variety, hoping I could use them together. As you an see, I repeated a bean shape in several colors. I was happy with how they worked together and was anxious to get started.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I realized some of the lightest fabrics wouldn’t fit well into the mix. But, I had some other fabrics I thought I could use. I pinned everything together on the design wall. And I loosely arranged them: a good starting point.

Knowing the contrast of red and yellow, as well as the contrast of different values, would attract attention, I placed them (above) in approximately “sweet spots.” These are considered ideal locations for focal points. They’re easy to identify: picture a tic-tac-toe game overlaying the overall shape. Where the lines cross are sweet spots.

I immediately thought the red fabric with yellow beans was a little too “regular.” (See above) That is, the beans were spaced too evenly. I thought the composition would be stronger if they were “messed up” a little bit. So, in the photo below, you can see that I sliced right through the red bean fabric, and scooted things out of alignment.  Better, I thought.

Next, came A LOT of auditioning as I folded, rearranged, cut (only once I was sure,) and pieced.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It was like a giant game of Tetris. Eventually, I had the left portion pieced and began to work on the yellow fabrics on the right.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It all went more slowly that I would have liked, but I was definitely having fun!

More next time.

Ellen Lindner

 

 

 

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Dying and Mono Printing

In my recent dye session. I played around with mono printing, which is great fun. This was my first piece. The colors were brushed horizontally, but I left the squirted “eyeball” in tact.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

There was a lot of dye left on the plastic, so I printed a “ghost.” As you can see, the brushed on dye was already used up, but the more gloppy eyeball printed fairly nicely.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

So, I learned something: if I squirt on generous amounts, I can get a second print. And it will be somewhat different from the first. I tried it again, with these two. Not very ghostly, but the colors have moved and merged. Very interesting.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

You can also mono print in a “finger paint” sort of way. These had dye brushed on pretty smoothly. Then, I drew or scraped through them. I’ll definitely be doing more of this!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

When I switched to shiny plastic as my surface the dye beaded up. Which actually gave me a wonderful texture. I’ll be doing more of this, too!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

I learned a lot. Some of these are  not too usable – yet. But, hey, I know how to over dye, so I’m not worried.

I’ve written a short tutorial about mono printing. The underlined text at left is a direct link, or you can find it in the Articles section of Learn with Ellen. If you give it a try, I’d love to see your results!

Ellen Lindner

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Dying Again

As usual, I really enjoyed my recent dying session. I was trying out a new color, Tangerine, so I did a lot of swatching to get to know how it worked.

Dying Again. Getting to Know Tangerine. Ellen Lindner, AdventureQuilter.com/blog

The swatches above show what happened when I mixed tangerine with each of my other 7 colors, in 3 ratios, and 3 values. Yes, it takes a while, but the results are worth it. I’ve done this with each color and have them all sorted, and LABELED, in a book.

When dying fabrics, I often repeat colors and motifs, so the pieces will work together well. This time, I did quite a few pieces with large, squarish meandering. Some of them were in high contrast colors and others were more subtle.

Dying Again. Ellen Lindner, AdventureQuilter.com/blog

A few more examples, (with one exception.) Several of these were mono printed, and I’ve written an article about that process.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

These are fabrics I dyed that will probably go together in the same quilt. As you can see, I also played around with a “bean” shape. I think these will work well together.

Dying Again. Ellen Lindner, AdventureQuilter.com/blog

More dyed fabrics in the next post!

Ellen Lindner
P.S. See the earlier swatching I did with my other colors.

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“Seeking the Horizon” Complete

I finished up my little (18 x 18) scrap quilt and I’m pretty happy with it. I’m calling it Seeking the Horizon.

Seeking the Horizon, art quilt by Ellen Lindner. AdventureQuilter.com

Detail shot.

Seeking the Horizon, art quilt by Ellen Lindner. AdventureQuilter.com

All the fabrics are dyed and printed by me. I think they have a lot of impact together!

Ellen Lindner
P.S. If you read about my quilting problems in the previous post, you can see that I improved upon it.
P.P.S. I made this for an exhibit called “Reflections.” It sorta has that quality, doesn’t it?

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Working with Scraps

I had some interesting scraps left over from Waiting for the Lightnin’ Bugs. 

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

As you can see, they included many skinny triangles, so I knew that would drive my design. And, because they were so skinny, I knew I’d use a collage technique, rather than piecing them.

After creating a background, I started with the brightest shapes, placing them off-center.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

More trial and error.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

It was taking shape. But, when I started quilting it I had a terrible time with the concentric circles I wanted to use. I’m just not good with parallel curves!

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

Deep breaths.

Much of the above was picked out. After drawing the desired lines I redid a lot of it and it looked much better. Thank goodness!

Ellen Lindner

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“Waiting for the Lightnin’ Bugs” Complete

My latest quilt is complete! As you can see, I decided to square off the edges.
These colors are true. My earlier ones were shot in the studio. This one got proper lighting.

Waiting for the Lightnin' Bugs. An art quilt by Ellen Lindner. AdventureQuilter.com

Waiting for the Lightnin’ Bugs

The dark colors of the quilt, combined with yellow streaks, reminded me of a cool evening, in VA, watching the lightnin’ bugs as they came out. (Yes, I pronounce it like that. I’m from the south!)

Here’s a detail shot

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

And another. All fabrics were dyed by me.

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

I’m kinda loving this.

Check out the web page for a larger image, another detail shot, and purchase information.

Ellen Lindner

 

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My Version of Muted

Possible duplicate post

When putting away hand dyed fabrics, I noticed that my least favorites, the dark muted pieces, actually looked pretty good together. I decided to make a quilt with them, and to include a few accents of lighter colors. I was headed for a quilting retreat, so I packed up my potential fabrics to see what I could come up with.

First, I wanted to get the color palette right.  I threw all possibilities up on my portable design wall and easel combo.

My Version of Muted. An art quilt in-progess. Ellen Lindner, AdventureQuilter.com/blog

Not bad, but I could see that some of these colors would need to be used in smaller amounts. See the next photo for modifications. Note that I scaled back a few of the brightest colors. (Ignore the blue tape.)

My Version of Muted. An art quilt in-progess. Ellen Lindner, AdventureQuilter.com/blog

I spent quite a bit of time getting happy with the palette. Then, I started joining fabrics in pairs. Next, I altered each pair in some way. Maybe I added a skinny line, a skewed alignment, or a curved seam. I call this process”slicing and dicing.”

My Version of Muted. Art quilt in progress. Ellen Lindner, AdventureQuilter.com

I continued adding alterations, trying to make each unit interesting. Other than making sure I mixed up the colors well, I didn’t think about composition, shapes, or joining. Once I was home, I assembled units into larger sections.

Finally, it was time to think about composition, size, and shape. I spread out units to see what I had. I was happy with the level of energy and interest, but I didn’t want a horizontal quilt. I knew I’d need to make additional units for the top and bottom, and to fill in some other places. No more random “slicing and dicing.” I was now designing “with intent.”

My Version of Muted. Art quilt in progress. Ellen Lindner, AdventureQuilter.com

Watch for my progress in the next post.

Ellen Lindner

 

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Cutting Up Again

Once again, I decided to cut something up. This is where I started, with an already quilted quilt.

I liked it, but realized I liked the left side better than the right.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

So, after some folding and auditioning, I cut this quilt into two pieces. I set the left portion aside.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

And started work on the right portion.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

My plan was to slice into it diagonally and then join the two portions back together, using a loose satin stitch. I was surprised by how easily this technique worked. Even on curved shapes! I added some skinny stripes and continued slicing and reassembling until I got something along these lines.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

It definitely had more energy! I sliced into it some more.

It was obvious that the overall shape would not be rectangular. I began to think about what those edges should look like. Should I make them even more irregular? To audition this idea I used pieces of muslin to obscure and reshape the edges in places.

Yes! I was liking the spiky nature of these edges. I decided to pick out some stitching and cut new nooks and crannies.

I had to use my sharpest tools to slice away the loose zigzag without cutting the fabric.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

I wasn’t sure how to finish the edges, but I decided to try the same loose zigzag I’d been using for joining, and I liked it.

Cutting Up Again. Ellen Lindner, AdventureQuilter.com/blog

In the next post I’ll show you the finished quilt. I like it.

Ellen Lindner

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Trying a New Scale

As I started a new quilt, I looked to my hand dyed fabrics for inspiration. I pulled out a few that I thought might spark some interest.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

Uh, no. It all seemed pretty ugly. But, I was intrigued by the large scale black and white piece. Could I work with something like that? It was certainly worth a try.

However, I only had a little of this, so I knew the finished quilt would be small. In fact, this high contrast fabric would comprise the bulk of the piece.

What to put with it? Maybe some red?

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

But, it needed some additional pattern. On a much smaller scale this time, so as not to compete with the main piece. How ’bout these?

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

I liked them in the audition (not-yet-pieced) version, but after moving on to piecing I realized that the proportions had changed quite a bit. (Why didn’t I think more about that?) That wide teal line was way too wide. I trimmed it and repieced it. Much better, (below.)

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

But, that ate into the orange-red print, so I added some more. (This required some fiddly piecing, since I only had scraps of this remaining.) Then, I realized that the solid red was too wide. (Every change affects everything.) I put a tuck in that fabric, (shown pinned for audition below.) That did the trick.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

Finally, my little composition was ready for quilting.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

I echoed the pattern in the far right fabric and liked the effect.

Good Possibilities - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I’ve named this piece Good Possibilities. You can see the full image here.

I really enjoyed working with this larger scale fabric. I’ll definitely do it again.

Ellen Lindner

 

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“Twigs” Complete

For the first time I worked on two quilts at the same time, finishing them up very close together. Here’s the latest, Twigs.

Twigs, an art quilt by Ellen Lindner. AdventureQuilter.com

Twigs

I’m very happy with it. And here’s a detail shot.

Twigs - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

The dark twigs were done in the dyeing stage. The white ones were added after piecing, with acrylic paint. As you can see, I used the same stencil for both.

See more details, including purchase information.

Ellen Lindner
P.S. After neglecting it for quite some time, I’m finally hemming and altering clothes. At only 5′ tall, I do a lot of that!

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