Tag Archives | Experimenting/Arting

Liquefy and Crop

Are you playing along with me?  If so, you’ve printed out the liquefied image from the previous post and you’ve found some small compositions within it.

I found ten, but I’m only showing you four of them.

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Ellen Lindner's color experiments. AdventureQuilter.com/blog
Ellen Lindner's color experiments. AdventureQuilter.com/blog

Again, any one of them would be a great start to an abstract quilt.  What did you find?

Later, I wanted to select one or two of my compositions for the next stage of experimenting.  The first thing I did was to turn them all upside down.  That gave me a new perspective.

I chose two and cropped them SOME MORE!  Maybe you can find their points of origin in the images above.

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Finally, I began to play with the image above and to turn it into a viable sketch.

Maybe this?

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Or, with slightly altered colors:

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Hmm, yes.  I think that’s a good starting point.  As with Brainstorm, I won’t try to perfectly replicate the sketch.  I’ll use it as reference to get me started, but then – once again – take plenty of detours.  I’m already thinking I’ll add a little yellow.  We’ll see.

Ellen Lindner

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Taking Detours

When I’m in experimental mode, my plan is to take every creative detour that pops into my head.  What an Adrenalin surge that is!

After completing Brainstorm I wanted to continue to work in the loose, experimental way I had when creating it. First, I wanted to play with colors.  I figured I’d probably use the same ones I’d used in Brainstorm, but perhaps in different proportions.  Hmm, how to best audition my options?  Since my Brainstorm fabrics were still strewn all over my work table, I could have easily pinned them to my design wall.  But, I decided to do some coloring on the computer, instead.  (I used Photoshop Elements, but you could do lots of this with colored pencils and paper.)

I opened a picture of Brainstorm and digitally “sampled” the most prominent colors.  That is, I copied them.  I loaded my digital paint brush with each one in turned and slathered them onto a plain sheet of digital paper.  I tried to do it without a lot of thought.  I used the same size brush throughout and my only criteria was to spread the colors around.

Well THAT was fun!

Ellen Lindner's color experiments. AdventureQuilter.com/blog

As you can see I also drew on a few motifs that I thought I might use at some point.

Ellen Lindner's color experiments. AdventureQuilter.com/blog

I was pretty floored at this point, because either of these could be tweaked a little and turned into a wonderful quilt background.  Wow, what a concept!

Next, I decided to make blocks of color in a computer file that I could fill in with the colors.  I didn’t intend to make a blocky quilt; I just wanted to play with proportions.

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Woah, another good result.  What’s going on here?  I like these proportions a lot.

But, as I said, I didn’t want a blocky quilt, so I did some digital magic.  I “liquefied” the above image.

Ellen Lindner's color experiments. AdventureQuilter.com/blog

Also very cool.  But, I don’t want to make a quilt with that much action in the background.  No worries.  I’ll go back to that recent exercise where I found small compositions within the larger piece.  Now, doesn’t that sound like fun?

All this play would be more fun with some playmates.  Would you like to join me?  You could do something similar with one of your favorite quilts as a starting reference.  Or, I tell you what:  I’ve made the image above copyright free.  You can print it and play with it to your heart’s content!  To find compositions, use two L-shaped pieces of cardboard to create a frame.  Move them around, adjust their size, and tilt them some too.  You’ll find many intriguing little designs.  Draw them on your image and cut them out.  I suggest cropping way in and getting 3 or more compositions from this.  But, that’s up to YOU.  I sure hope someone will join me.  My enthusiasm is getting hard to contain!

Preview:  Of course, after finding a composition I like I’ll take some more detours. 🙂

Ellen Lindner
P.S.  If you want to work with a larger version of this image, go here.

 

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“Brainstorm” Complete

This is one of the most enjoyable quilts I’ve ever made.  I cut loose and experimented and embraced lots of
new-to-me ideas.  And I love the result!

Brainstorm

Brainstorm, an art quilt by Ellen Lindner. AdventureQuilter.com

Brainstorm

Here are some detail shots.

Brainstorm - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Brainstorm - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I was kinda proud of the title, too.  Doesn’t it look like a brainstorm?  Certainly my process involved some brainstorming.

You can read about my process in the blog links below.  I hope you like it as much as I do.

Ellen Lindner
P.S. Would you like to audition this art in your home?

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Cardio for My Right Brain

As I mentioned in a recent post, I’m left-brained, meaning that I tend to be rather literal with my art.  Since I want to change that I’m actively “exercising” my right brain – the creative side.  I’ve been doing a variety of activities to strengthen my creative muscles.  Most recently, they’ve been the ones found in Paint Mojo, by Tracy Verdugo.

This book focuses on random, playful creating, rather than getting caught up in over thinking. As I’m doing the exercises I’m focusing on PROCESS, rather than product.

I especially liked the first exercise.  It involved making what I’m calling “ugly paper.”  There were a series of prompts to follow.  Things like mixing and using a dark color, dripping paint onto the paper, adding stamping, etc.  At the end it looked like quite a hodge podge of unrelated elements.  See what I mean?

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog
But, no worries.  Because the next instructions were to identify and cut out several sections with potential.  I turned it upside down for a fresh perspective and used L-shaped pieces of cardboard to visually crop and select sections.  I found 3.

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog
Next came suggestions for how to improve the pieces.  This is the left piece after the addition of some black and white skinny lines.  Low and behold I really like it!

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog
This is the center section which I over painted with yellow, among other things.  Not too successful, but a very intriguing PROCESS.

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog
The 3rd section is my favorite, although I think I’d rotate it to the left.  I added the center color to this one (which looks MUCH better in real life.)  It’s really yellow-orange without any green.

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Now that was fun!  On to the next exercise, which involved a little more introspection.  The instructions said to first write about yourself, then partially paint over it.  Next draw a circle, choose your paint colors and add your thumbprints to it.

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Spraying it with water made the colors run and blend.  But some glued on (leftover) white-on-white fabrics resisted the color.  I liked that effect!

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Final instructions were to draw a large motif and paint out the background.  I chose an angel and ended up with this.  Can you see those thumbprints still visible?

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Some detail shots:

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Cardio for my Right Brain. Ellen Lindner, AdventureQuilter.com/blog

Not bad, I think.  Oops, there I go again  thinking about the end result!  Ignore that.  The PROCESS was fun and engaging.

It’s very fun to work freely and quickly with paint like this.  I’m not sure how/if it will translate to fabric later but I feel like it WILL enhance my right brain skills.  I plan to work about a week or so on this type of thing.

Got some paint?  Want to join me?

Ellen Lindner

 

 

 

 

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Leaf Quilt Progressing

After getting started on two big leaf quilts, things went pretty smoothly.  (The photos in this post show the left quilt.)  Having previously drawn the design on a large piece of muslin, I auditioned which green to use where.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

Can you believe I had to buy MORE fabric?  Very unexpected.

Here’s the final arrangement of greens.  Which ended up being not so final after all.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blog

I was beginning to audition vein colors and widths.  I loved the color above, but thought it was a little fat.  More experimenting was needed.

In the photo below, I’ve changed some of the bottom right fabrics and I was continuing to add veins.  I REALLY liked these colors!

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

Here’s the final version, with veins complete.  I was quite happy with it.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

Then, I got to thinking about adding shadows to make the veins looked raised.  I did a little experimenting and decided to do this with two layers of black tulle.

I covered the entire quilt with the tulle (2 layers.)  Next, I decided on the light source and did some crazy calculating (and guessing) to determine the correct width of the shadow at each location.  I drew in the shadow dimensions and stitched them with dark monofilament thread.  Finally, I cut away the extra tulle.

In the photo below the entire quilt has tulle on it.  I’ve stitched the first few shadow lines, on the right. allowing me to cut away the tulle in those areas.  I was pleased to see that it was developing as I had hoped.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

In the next photo, the left side is still covered with tulle and the right has had the shadows completed.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

And here it is finished.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blogEllen Lindner creating a leaf quilt. AdventureQuilter.com/blog

I think the shadow effect worked perfectly.  What do you think?

Want to see it up close?  I know you do, so here it is.

Ellen Lindner creating a leaf quilt. AdventureQuilter.com/blog

I think I might use clear thread next time.

The left quilt is now almost complete.  I’ll wait to trim and face it until the second quilt is finished, so I can make sure they’re the same size.

BTW, I’ve used tulle to add a shadow, or to change a color many other times.  See several examples on this page.  
– Misty Morn 
required four layers of black tulle to create the shadows in the foreground.
– Blue tulle was used to created the shadows on the oranges in Lakeside Citrus.
– Black oraganza (more opaque than tulle) was used for the berry shadows in Ripening.
– Two layers of black tulle created the border for Autumn Breeze.  Can you see how the interior image continues right into the border?

TIP:  Using tulle in this way is very easy.
– Start with a piece significantly larger than needed.  Pin well.
– Stitch along desired lines.
– Trim closely.
Because tulle is extruded plastic it will not ravel!  (Other woven sheers generally ravel very badly.)

Have you ever used tulle to alter a color?

Ellen Lindner

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Arting While Flying

From the Ellen Lindner 1st Edition Art Adventure Dictionary:

art-ing, v. the act of experimenting in an artful way

Arting is just what I did on a long cross-country flight.  These were the supplies I took with me:  InkTense blocks, portable water filled brushes, latex gloves, a glue stick, and my sketch book.*

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

First, I tried to get to know my InkTense blocks a little.  I could easily fit my sketch book and the Inktense container on the tray table.  I had prefilled my brushes.  (See the water in the handle?)  I wore the gloves to keep the color off my hands.  (Which I recommend with these blocks.)

First, a little intentional bleeding on wet paper.

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

Next, some further experimentation.

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

Mixed results on that one.

On to collage.  Those airline magazines have got to be good for something, right?

DSCN7601

I wasn’t aiming for anything in particular, just enjoying tearing, gluing, and covering the page.  The strong teal water I had seen in California was on my mind, and that influenced the color selection.

Finally, a little sketching.  Boy was I RUSTY!

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

But, it’s good to practice.

"Arting" in flight. Ellen Lindner, AdventureQuilter.com

All of this arting definitely helped pass the time!

Do you have an art travel kit?  If so, what’s in it?  And where have you used it?

*It would have been great if I had taken a book of watercolor paper, rather than just sketch pages.  They would have held up to the wet work better.  But, my approach to my sketch book is to put EVERYTHING in it.  Some items are 3D and have to be folded and glued in, but that’s okay.  I want to have it all contained in the same place.  I record the dates on the front cover, and on the back I list the various projects included.

Ellen Lindner
P.S.  The queen of making art on the go is Elizabeth St. Hilaire.  See her working on a plane.  Her art is amazing (paper collage.)  You’ll definitely want to visit her website.

Related posts:  Inktense blocksCalifornia’s coast

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InkTense Blocks

Have you tried InkTense pencils and blocks yet?  They’re water soluble ink in either pencil or block form and I’ve been seeing them on all sorts of quilts.  I got a chance to play with the blocks recently and they were a ton of fun.

My first experiment was to test their “smear-ability,” or how much they’d bleed.  I sprayed the top 2/3 of my fabric with water and used Aloe Vera gel to moisten the bottom 1/3.  Then I drew over both parts with the end of the blocks, as well as with the blocks laying flat for lots of coverage.

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

As you can see, the water areas bled pretty well and the Aloe Vera part did not.  Good to know.  Now, I can select the best one based on the desired results.

Next, I dipped the end of a block into water and drew on dry fabric. The amount of saturated color that comes from these blocks is amazing!  As soon as my mark looked dry, I’d wet the end again and continue.  The end just sort of melted into wonderful ink.  It was very cool, and this was the result.

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

Finally, I tried blending colors directly onto wet fabric.  Hmm, that was much less controllable.  It bled more than I wanted, so then I decided to encourage bleeding by adding more water.  Yep, it bled alright.  Finally, I drew a design on, trying to control what I had.  Not too successful, I’m afraid.  But, that’s why I was experimenting.

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

When I’m on the ball I remember to write notes about my techniques directly onto my samples.

I’ve heard a lot about the InkTense inks being permanent once dried.  So, I added the step of heat setting these samples and set out to see if all of this was true.  It turns out:  not so much.  Here’s the cotton swab after rubbing it over my dry sample – in the area where water was used.

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

It seems like a lot of color, but maybe it wouldn’t be enough to transfer.  So I tried it.  It’s subtle, but it did transfer.  (This actually shows up more in person.)

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

 So, what about the area with the aloe vera?  What would that do?

Working with InkTense blocks. Ellen Lindner, AdventureQuilter.com

Same thing.  I think these are still very viable for use on quilts, but it’s good to know what their properties really are.

What have you experimented with lately?

Ellen Lindner

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