As I mentioned in an earlier post, a specialty fabric or two can be the primary inspiration for an entire quilt. And that’s what I wanted to try.
This is sort of what I had in mind. I had intentionally dyed some large scale fabrics in order to try my hand at this. Plus, I had a few from earlier dye sessions. I thought I could do something with these, keeping the large scale pieces more or less intact, so their designs would still show.
I put my muslin support fabric up on my design wall (nearly 4′ x 5′) and started auditioning fabrics. I almost immediately removed the large circles from the mix since I thought the colors looked a little muddy.
Hmm. I could see that the light blue fabric with fuchsia leaves was standing out A LOT. What to do? (Note that all fabrics are just folded and pinned in place at this point.)
I made the highlight fabric smaller. And, of course, added the circles back. (Can you say “trial and error?)
I was loving the colors, but the composition was definitely lacking. I thought it needed some variety of scale, so I made some small units with scraps. (These are just glued to one another.)
Well, they look pretty exciting don’t they? But, how to best use them?
Those little pieces definitely added energy, but everything was looking pretty messy at this point. I decided I needed to commit to CUTTING fabrics, so I could see it all better.
Which is when I realized I had gotten way off track.
I was loving the colors, but I was having a terrible time using those large scale prints. Finally, I decided that my fabrics just weren’t large enough for this size quilt.
So, I started again, at about one quarter the original size.
I could immediately see that this was much more viable. On to round two.
BTW, I don’t fret when I have to rework something. Each “detour,” as I call them, has value. I learn from them. Typically, I’m excited to use that new knowledge as I plow ahead into the next thing.
How do you react to restarts?
Ellen Lindner