Translating Sketches to Color

After working in black and white to create sketches, it was time to make them up in fabric.  (Fabric with color!)  This is the palette I selected.  My usual favorites.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

These are my first four.  I used my favorite 2 sketches, plus mini-crops from them.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

Rosalie’s idea was for us  to create multiple units and then join them together.  But, I began to lose enthusiasm for that idea.  Although I really liked these four units, I didn’t like the idea of creating a quilt with a gridded format.  I discussed it with Rosalie and she agreed.  So, I decided to focus on just one motif.  However, with Rosalie’s encouragement (insistence?) I decided to incorporate the four stitched units into the background of my future piece.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

Above, you can see the arrangement of those pieces and my black paper “place holder” for the future primary motif.  (Thanks to Olan who provided the white fabric I needed to extend my background muslin.)

I drew lines on the muslin to help me make sweeping curves throughout the background. I was excited about this idea.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

I got pretty detailed where one line crossed another and used a different fabric for each little shape.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

Here it is near completion of the background.  As you can see, I pinned up potential fabrics as I worked. Once selected, each fabric was cut to shape, often with an “underlap” for the adjacent piece, and pinned in place.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

And here the background is complete, and glued.  I was VERY happy with it.  Next, I worked on selecting fabrics for the main motif.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

Auditioning motif fabrics.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

The final class arrangement.

Translating Sketches to Color. Ellen Lindner, AdventureQuilter.com/blog

I’m pretty happy with this.  I will add quite a few more arcing tapered lines in the background.  However, when I got home I was so tired of looking at it I needed a break from it.  So, it’s on my design wall FOLDED IN HALF so I can only see the back.  I’ll get back to it with new eyes in a few weeks. Do you ever do that sort of thing?

Ellen Lindner
P.S. A miracle happened: with the exception of that white piece of background fabric, I actually had everything I needed in a five day class!

8 Responses to Translating Sketches to Color

  1. cindy michaud August 18, 2017 at 7:18 am #

    Delicious! Feel like I am vicariously, virtuall, visually there! Makes me want to reenact it all. Wonderful capture of a valuable lesson.

    • Ellen Lindner August 18, 2017 at 9:26 am #

      Thanks, Cindy. It was pretty intense making this piece – only because I pushed myself by sewing about 10 hours every day! (I’ll like it more when that memory fades.)

  2. Kristin F August 18, 2017 at 8:38 am #

    This looks like it was a great class, and I love the piece you’re developing!

    • Ellen Lindner August 18, 2017 at 9:25 am #

      Thanks, Kristin. The class was very good and I’m happy with my piece.

  3. marthaginn August 18, 2017 at 10:58 am #

    Amazing (color) outcome from your black sketches. And yes, some pieces need to sit on the design wall a while before the inspiration/idea/solution comes forth!

    • Ellen Lindner August 20, 2017 at 12:13 am #

      Thanks, Martha. I’ve got some other projects going on, so my QBL piece might get to “age” a while.

  4. Donna September 4, 2017 at 9:57 pm #

    Love your finished piece!

    • Ellen Lindner September 5, 2017 at 9:59 am #

      Thanks, Donna!

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