Archive | March, 2021

Cropping and Negative Space

By Ellen Lindner on March 30, 2021 in Uncategorized

After making small collages our online instructor, Jane Davies, asked us to visually crop them and to pay attention to negative space. Well, I’m sort of “known” for cropping things, so I was right in my comfort zone!

Before:

After:

As expected, everything looked better when cropped. There were several reasons for this:
– Due to the sizes of the backgrounds and the added shapes, there was just too much blank background in some of these.
– When an element runs off the edge of a composition, it engages the viewer more. The viewer subconsciously realizes that the shape continues and this holds their interest.
– *The background (negative) space becomes more interesting. Look at the example above. Initially the background was one large sort of doughnut-shaped piece of white. After cropping, it became 4 different, and more interesting shapes.

Here are some more examples:

They’re all better after cropping, right?

As a painter, Jane advised us NOT to physically crop our work, but to get comfortable with filling the size of the canvas, instead. As a fabric artist, I think I can safely ignore that advice. (Let’s hope so, because I’ve been cropping for years!)

Have you ever considered cropping your work? I find it to be a very useful design tool.

Ellen Lindner
P.S. See my most dramatic crop.
P.P.S. If you liked that article, you may be interested in others.

Playing with Colored Pieces of Paper

By Ellen Lindner on March 21, 2021 in Uncategorized

You can’t work with a bunch of pieces of colored paper without seeing some design possibilities!

As part of my online class with Jane Davies, I was arranging, and rearranging, and rearranging again a wide array of colors and shapes.

Our first assignment was to make a largish collage with multiple pieces. Mine missed the mark (although I had fun doing it.)

Along the way, I was seduced by all the colors and I just HAD to play with them outside the scope of the class exercises. I played with monochromatic greys. Look how nicely they set off soft colors. Could I use enough restraint to create with these colors in fabric? I’m not sure.

Then, I saw a photo of a red beet and a gold beet. So, I had to play with those colors a little. A little sharp, perhaps, but still something I may want to explore in the future.

Eventually, we got to make collages with just three pieces and I was swimming back in more comfortable waters. Quite a few of these were successful, but I know Jane will have us alter them in the next step. I’m very interested to see what we’ll do with them.

When was the last time you took a class that didn’t involve fabric? I think it’s a really good way to explore new ideas and I feel confident some of these will find their way into my fabric collages.

Ellen Lindner

Painting Sophisticated Colors

By Ellen Lindner on March 10, 2021 in Uncategorized

I’m currently enrolled in a mini-collage class with Jane Davies. For week one, she had us paint A LOT of swatches. Surprisingly, I didn’t need to buy any paint. I guess I’ve done more of this over the years than I realized.

I’m pretty good at mixing colors, but I still gets streaks sometimes.

Jane asked us to paint only what she calls sophisticated colors. These are colors with both some black and white in them. In other words, they’re somewhat subdued. More like the colors you might paint your home than the bright colors children like. Of course, I like the bright colors, so their omission has already piqued my interest. After quite a few swatches, I checked my collection for light, medium, and dark. I thought I was on track.

After about 80 swatches over all this is what I had. Not bad, I thought.

But, Jane, asked for more lights and neutrals, so I painted up another 20 or so.

She also encouraged us to paint Chromatic Grays. I’d never heard this term a couple of months ago, but now it seems that I can’t get away from it. As the name implies, these are grays that have a significant undertone of a particular color. These are the colors I initially identified as being chromatic grays.

Now I can see that at least two of these are too colorful. I guess I’m learning.

Again, the idea of using these duller colors is piquing my interest. Since I plan to eventually do some of the class exercises in fabric, I pulled out a few drawers to see if I even owned any chromatic grays.