Author Archive | Ellen Lindner

Use a Slat to Hang Your Quilt

After making a hanging sleeve for your quilt it’s time to make the slat that will go in it.

The slat should be made from lightweight but sturdy wood. My husband cuts strips of luan  door skin for me. I can then cut them to length with a utility knife. You can also look for wood trim and have the hardware store cut it to length of you.

What length, you ask? It should match the length of the sleeve. (In the following photos, the striped fabric is the hanging sleeve and the black and white fabric is the faced backing.)

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

This slat is much heftier than I usually use – just because it’s what I had on hand.

Drill hanging holes, about 1/4″ wide about 2″ from each end. The holes should be in the top half of the slat. In the photo below, the slat has been pulled out temporarily to show the holes.

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

This slat is much heftier than I usually use – just because it’s what I had on hand.

Insert the slat into the sleeve and center it, left to right. Then, scoot it up as high as it can go toward the top of the sleeve. (Gravity will cause this shift when hanging.) Feel around, through the sleeve, to find the drilled holes. Using sharp embroidery scissors,  cut a small X in each location. These allow the hanging nails to reach from the front of the slat, through the sleeve, to the wall. Use nails with a head to them, to allow them to catch the slat more easily.

This photo shows how it will all work. The head of the protruding nail is inside the sleeve, reaching through the slat hole, and the sleeve hole.

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

Now you’re ready to hammer two nails into the wall to support the quilt and the slat.
– Insert the slat in the sleeve. Determine the desired location and mark this on the wall.
– Remove the quilt and work with just the slat. Position it in the desired location, check that it’s level, and mark the  nail holes on the wall.
– Hammer nails into these two positions, leaving the nails protruding about ¼”.
– Reinsert the slat into the sleeve.
– You’ll probably need a helper for the actual hanging part. The idea is to lift the quilt onto the two nails, but you won’t be able to see them as you’re doing it. I find the hole and put my thumb over it in the front, while I hold the slat and quilt aligned with my other fingers on the back. IF the nails stay in place, you can just lift and set the slat/quilt combo on to the nails.
– However, the nails frequently slide into the wall. In that case, pull them out of the wall and put them into the slat in the correct orientation, now holding quilt, slat, and nail as you hunt for the hole in the wall. It’s generally not difficult but slightly awkward and definitely a 2 person job.  Voila!

These quilts were hung using slats like those described.

Using a Hanging Slat. Ellen Linder, AdventureQuilter.com/blog

“Crotons,” displayed in my home

 

Using a Hanging Slat. Ellen Linder, AdventureQuilter.com/blog

“Maybe a Maple,” displayed in my home

See how flat they are? Just like hanging a stiff piece of art.

And, if you do use a dowel, the excess sleeve fullness still allows it to hang pretty flat, like the one below.

Ellen Lindner with her art quilt Vine Ripened. AdventureQuilter.com/blog

I’d love to see installation photos after you get your quilt up!

Ellen Lindner
P.S. There’s a much easier version which works well for small quilts.
– Make the sleeve a couple of inches shorter, so the slat will protrude out both ends. This allows you to fold the quilt back and SEE the slat holes when hanging.
– The only down side is that the far left and right edges of the quilt are not supported by a slat. For heavier/larger quilts some sagging may be visible, especially over time.

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Trees or Skyscrapers?

After trying a pastel blue sky on my piece inspired by fall trees, I tried it with dark blue instead.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

I actually liked it pretty well, but I didn’t have enough bright blue to do it justice. So, I tried white. And also auditioned the idea of more twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

The verdict: YES to the white sky, NO to the chunky twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

But, what about those vertical shapes? Were they starting to imply skyscrapers, rather than trees? Yes, clearly they were. Well, that’s not really what I wanted, but I decided it could be trees in an urban setting. (Plus, I didn’t really care if the shapes read like trees, skyscrapers, or anything real.) I added a few twigs to add contrast and play up the tree idea.

After much quilting I was ready to photograph this piece.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

Why use a pink backdrop, you ask? It has to do with the digital editing I’ll be doing later. I’ll “pick” the quilt away from the background and it’s easier for the computer to do that if there’s a contrast between the two. Can you see how the left side would blend into the backdrop if I left it white?

Finished photos coming soon.

Ellen Lindner

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First, Make a Hanging Sleeve

After seeing the post about my bedroom redo, Sandy asked how I hang my quilts. Here’s the photo that piqued her interest.

Ellen Lindner's Bedroom Redo. AdventureQuilter.com/blog

And here’s the scoop.
(If you purchase a quilt from me it will come ready to hang and you don’t need to read any of this.)

Making and attaching a hanging sleeve

First, I make a 4″ hanging sleeve. There are quite a few variations out there and this is my version.
– Cut a piece of fabric with the following dimensions:
– Length = the width of the trimmed quilt minus 1 1/2″ inches.
– Width 9″.

Stitch the sleeve together as follows:
– Hem each short end by pressing up 1/4″, then folding and pressing up an additional 1/4″, and stitching.

– Fold the fabric in half, WRONG SIDES TOGETHER, matching up the long cut edges.
– Press the long folded edge on the opposite side.
– Using a 1/4″ seam allowance, stitch along the long raw edges, creating a tube.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

– Create a tuck by stitching with a long basting stitch along the opposing  folded crease, again with 1/4″ seam allowance.
– Repress, so the seam allowance is pressed open and is at the center of the back. The tuck will be on the center of the other side.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

Next, the sleeve needs to be attached to the back of the quilt. Leave the tuck in place and position the seam side down.

If you’re facing your quilt you can attach the sleeve to the facing before attaching it to the quilt. To do so pin the sleeve to the right side of the cut facing, seam side down, positioning it 1″ below the top. Then top stitch close to each long edge. See this article on how to face a quilt.

If binding your quilt, stitch the top edge of the sleeve into the binding as you go. Hand stitch the bottom edge in place.

– Pick out the basting stitches. The fullness from the tuck will provide room for the depth of a hanging rod or slat.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

The completed sleeve will be 4″ wide, from creased edged to creased edge.

Learn how to make a slat and use it to hang your quilt.

Ellen Lindner

 

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Fabric Wrapped Ornaments

Remember the ornament I showed you in the last post? The one I made for my sister?

I made several others, each using my hand dyed scraps.

Fabric Wrapped Ornaments. Ellen Lindner, AdventureQuilter.com/blog

Fabric Wrapped Ornaments. Ellen Lindner, AdventureQuilter.com/blog

This one is for my husband. He’s a big Florida Gators fan and their colors are orange and blue.

Bonus content: We have a prankster friend who loves to leave Florida State paraphernalia around our house. As you might guess, Florida and Florida State are BIG rivals! Recently this friend left FSU ornaments all around our house and yard.

And guess what I did with them?

Yep.

I obliterated the FSU logo with fabric! Go Gators!

Merry Christmas,
Ellen Lindner

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Christmas Decorations Old and New

This year I’ve been making some fabric wrapped balls as Christmas ornaments. My hand dyed scraps have been perfect for this.

I made one for my sister, to go in her home of soft blues, greens, and greys.

Christmas Decorations Old and New. Ellen Lindner, AdventureQuilter.com/blog
Her home is beautifully decorated for the holiday. Here’s just a sampling.

Christmas Decorations Old and New. Ellen Lindner, AdventureQuilter.com/blog

Christmas Decorations Old and New. Ellen Lindner, AdventureQuilter.com/blog

She and I both have these out-of-date ceramic nativity sets.

Christmas Decorations Old and New. Ellen Lindner, AdventureQuilter.com/blog

They’re certainly not what either of us would choose now, but we love them. Not because of their appearance so much, but because we’ve each had them for nearly 40 years. I smile as I arrange mine, enjoying the feel of slick ceramic beneath my hands. Remembering a simpler time. And thanking God for the gift of His son.

Isn’t it amazing how deeply such attachments bury themselves into our hearts? I know we all have special Christmas decorations and traditions. I’d love to hear about yours.

Merry Christmas,
Ellen Lindner

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New Head Shot

Did you notice anything different about my newsletter and blog? Both have new headers, each with a new head shot. Yippee! (It was WAY overdue.)

I had the photo taken by Bonnie McCaffery, while in Houston. She took about 100 and I picked this one, (even though I wasn’t sold on the background.)

New Head Shot. Ellen Lindner, AdventureQuilter.com/blog

So, I changed the background to grey and cropped it way in. Better, I think.

New Head Shot. Ellen Lindner, AdventureQuilter.com/blog

Then, for the web headers I cropped it even more.

New Head Shot. Ellen Lindner, AdventureQuilter.com/blog

See the header above. Did I go too far? I’m not sure.

Bonnie was great to work with and I definitely recommend her. She let me turn the tables on her at the end. (My out of focus photo reminded me why I paid a professional.)

New Head Shot. Ellen Lindner, AdventureQuilter.com/blog
All in all, a very good experience.

Ellen Lindner

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Retreat Project

What do you get when you add a beautiful setting, great friends, and time to make quilts? Well, fun productivity, of course!

At a recent SAQA (Studio Art Quilt Associates) retreat I took my portable design wall, my easel, and ALL of my hand dyed fabrics. I didn’t have an idea when I left home, but I got one along the way. I decided to be inspired by the colors of fall trees (which we miss here in Florida,) and to use tall vertical shapes.

First, I auditioned A BUNCH of fabric to see if I had what I needed.

Retreat Project. Ellen Lindner, AdventureQuilter.com/blog

Well, um, yes I did. Too many fabrics, as a matter of fact. (Or as Tim Gunn might say, “That’s a whole lot of look.”)

I quickly edited and started putting fabrics in place.

Retreat Project. Ellen Lindner, AdventureQuilter.com/blog

I wasn’t sure what I wanted for the “sky,” but I put some light fabrics there as place holders.

Next, I auditioned some yellow. Would one piece stand out too much? Did I need more? Could I use yellow in the sky too?

Retreat Project. Ellen Lindner, AdventureQuilter.com/blog

I settled on the arrangement below. In this photo many of the fabrics are still folded. I don’t cut until I’m pretty sure. (But, by the end of the 2 day retreat I had all these shapes cut, pinned in place, and a few glued.)

Retreat Project. Ellen Lindner, AdventureQuilter.com/blog

I knew I’d need some black to break up the bright colors, so vertical trunks and branches filled the bill nicely. And you can also see that I added more yellow/yellow-orange.

Retreat Project. Ellen Lindner, AdventureQuilter.com/blog

I also began to consider that sky. Someone at the retreat suggested a pale sky, so I tried it out. It didn’t excite me, though.

In future posts I’ll show you other options I auditioned and where I ended up.

Ellen Lindner

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“Cantilever” Complete

I’ve really had fun working on my latest quilt, Cantilever.Cantilever, an art quilt by Ellen Lindner. AdventureQuilter.com

It was exciting to exclusively use fabrics I’ve printed/dyed myself. I was very happy with the way they worked together.

Here’s a detail shot.

Cantilever, - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I love the imperfection and irregularity of these hand dyed fabrics!

This piece is available for purchase. See details here.

I’m already working on the next piece!

Ellen Lindner

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“Basketry in America” Exhibit

There’s a VERY intriguing exhibit at my local textile museum right now. The word basket really sells these pieces short! Some are utilitarian and beautiful in their simplicity. But others are large and sculptural and amazingly creative.

The details to these pieces are extraordinary, so I’m going to show you only one piece.

Here it is. An installation by Ann Coddington, called Mother/Memory.

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blog

As you can see, the lighting cast strong shadows and really added to the piece.

Just check out these details.

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blog

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blogI didn’t notice the thread around the finger above, at first. Certainly that ties into the memory aspect of the title.

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blog

Coddington listed her materials as mixed fibers and found objects. And her techniques as twining, knotless netting, lashing, random weaving, knitting, wrapping, and felting.

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blog

I couldn’t quite identify all the materials, but I sure love the combination, as well as the composition.

Basketry in America Exhibit. Ellen Lindner, AdventureQuilter.com/blog

What do you think? Did that whet your appetite for the rest of the exhibit? Me too! I had only a few minutes when I was there and I saw only about one third of the pieces. I’m anxious to go again and see the rest of it. But, I’ll need to hurry as the last day of the exhibit is December 14th. I hope you can catch it, too, at the Ruth Funk Center for Textile Art in Melbourne, FL.

Ellen Lindner

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