More “Croton Story” Leaves

I’m apparently quite enamored with these 3D Croton Leaves. They’re all part of a larger series (or installation?) called A Croton Story. Here’s Chapter 3.


And a detail shot.

I hope you can tell that the two halves of the leaf sort of fold up around the central vein, but with quite a bit of downward curl on each side. These have wire inside to achieve that and are pretty rigid. The one above is about 24″ long.

Here’s Chapter 4.

It’s only about 20″ long.

I’m getting to be pretty speedy at making these. That’s a good thing, because I want to make several more. I have visions of them all being seen together as an installation so I MUST add the needed colors! I’m having fun!

These are quick studio shots. The official ones will take quite a bit of editing to get that shadow right. (Very tricky.) I’ll add them to my website soon.

I hope you’re finding entertainment for yourself during this very unusual time.

Ellen Lindner

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“She Looked for Blessings and Found Them” Complete

She Looked for Blessings and Found Them is the tile of my just completed self-portrait. Here’s a photo of the full quilt. It’s height matches my own, at 60″. And it’s 12″ wide.

"She Looked for Blessings and Found Them." A self-portrait art quilt by Ellen Lindner, AdventureQuilter.com

She Looked for Blessings and Found Them
(A self-portrait)

What makes this piece special are the statements I’ve stitched in telling things I’ve done over the years. Some are cute and others are not so complimentary, but the combination gives a good insight into who I am.

"She Looked for Blessings and Found Them," detail. A self-portrait art quilt by Ellen Lindner, AdventureQuilter.com

I hope you’ll check out all the detail shots which show these statements and really tell the story.

Ellen Lindner
P.S. See this quilt in-progress.

 

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A Self-Portrait in Red

My art quilt group, the Dirty Dozen Fiber Artists, have a really interesting challenge going on. We’re all making self-portraits, each the height of the maker. Isn’t that a cool idea? They also have to be skinny: no more than 12″ wide.

I wanted to include a lot of text in mine, stating my characteristics or attributes.  I decided  a composition with horizontal lines would lend itself to this. But, I also wanted to add my own head. That was surprisingly difficult, but I finally got it.

 

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

Working on my design wall, the horizontal RED stripes became my body. I used my hand dyed fabrics, paying attention to scattering in a variety of patterns and scales. But, I also aimed for a lot of quiet (near solid) areas that would show off text.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

My primary design wall is only 4′ tall, so I had to work on my alternate one, above. It’s 7′ tall and I’m only 5′ so it provided plenty of room. (BTW, the bump on the top of my head will be lost in the trimming and seam allowance. I always want the design to extend into the seam allowance, so the bump acheives that.)

I initially planned to use orange in the background around my head. But, I worried that it didn’t provide enough contrast. A quick audition confirmed the problem.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

I tried again with blue-green. Much better.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

The height of this piece meant that I was frequently working above my head. S-T-R-E-T-C-H.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

This is what it looked like with the composition complete. No stitching or text yet. I was very happy with it!

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

When selecting the text for my self-portrait I switched from attributes to actions. I selected some cute and complimentary things, but also some not-so-flattering confessions. I printed out everything in a variety of fonts and began to audition placement.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

I transferred the text to the unquilted quilt. Then, I quilted it with horizontal lines. And finally, I started hand stitching the text.

A Self-Portrait in Red. Ellen Lindner, AdventureQuilter.com/blog

Oh my, that took a LONG time!!! (I think I’ll use marker next time.)

Now it’s almost complete and you’ll find it on my website soon.

Ellen Lindner

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How I Store My Stuff

From fat quarters to large quilts we all have the need to store our quilting possessions in an organized way. I’ve created a video that shows how I do this. Join me in the closet and we’ll explore together.

Here are a few still images that may give you a better view.

Store your quilts up high. Ellen Lindner, AdventureQuilter.com/blog

Quilts stored up high in my closet. They’re wrapped around a closet rod.

 

Quilt and fabric storage solutions. Ellen Lindner, AdventureQuilter.com/blog

Fabrics rolled so they’ll stand up and be visible.

 

Quilt and fabric storage solutions. Ellen Lindner, AdventureQuilter.com/blog

Storage for about 1000 fat quarters. Each piece is folded and standing up in the appropriate drawer.

What storage tips do you have? I’d love to hear them. You can leave me a message in the comments section, below.

Ellen Lindner

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A Second Croton Leaf

After making my first 3D Croton leaf, I was excited to make some more. This is A Croton Story: Chapter 2.

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

Can you tell that the two leaf halves are curled? I love that!

I modified my assembly technique this time, improving both the construction speed and the appearance. I love that too!

This time, I dyed some fabric with a leaf in mind and I think it works very well. (I did this with the “dirty printing” technique.)

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

The stem is stiff and also 3D.

A Croton Story, Chapter 2. A 3D art quilt by Ellen Lindner. AdventureQuilter.com

See more about this quilt.

In my last dying session I dyed quite a few fabrics with additional crotons in mind. I can’t wait to make a whole selection!

Ellen Lindner

 

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AQS Daytona Beach 2020

It’s always a joy to visit a regional quilt show and the one in Daytona Beach, in February, was no exception.

I kinda changed the way I took pictures this time. Instead of focusing on the big winners I, instead, searched for fine details, great compositions and things that were new to me. I hope you’ll enjoy seeing them.

LeAnn Hileman’s mastery of details was very apparent in her quilt Missouri Barn.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Check out her vines on this fence post.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

And her cheese cloth weeds along the fence.
AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Mariane R. Williamson has a strong sense of composition, as you can see in her piece, Tornado.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

But, she also includes wonderful details with paint, raw edge fabrics, and HEAVY free motion quilting.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

This quilt, on the other hand, has merged delicate details into shapes that skillfully represent the people and their instruments. It’s called The Gault Family Band, and it’s made by Jan Hutchison.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

Check out the detail shots. Look how little it takes to depict a mouth or a nose.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I love the color and composition in this piece! It’s called Stone Lakes, by Jan Soules.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I was happy to also have a piece in the show, my Coastal Overlook. With it, I tried to portray the motion and energy of the Pacific Ocean as it crashed and swirled below me.

AQS Daytona Beach 2020. Ellen Lindner, AdventureQuilter.com/blog

I definitely enjoyed the show and look forward to the next one.

Ellen Lindner

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Welcome to My Home

You’re invited into my home to see the quilts I have on display. That’s a good way to pass the time, right? Come on in.

After viewing it, please visit the video page on my website to see my other offerings.

I’m planning on making other short videos. Anything you’d especially like to see? I’m thinking my studio, my storage set up, and maybe my dying set up. What piques your interest? Anything else I should consider?

Ellen Lindner
P.S. Pass it on!

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First Croton Leaf Complete

Here it is, A Croton Story, Chapter One.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.comAs you can see, the 3D aspect of it really adds a lot. Here’s a detail shot.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Final dimensions 24h x 11w x 1d.
Here are some studio shots.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

The stem was stiffened with thick interfacing and heavy stitching. Then, I wet fabric strips with gel medium (collage glue) and wrapped them around it. The result was nice and stiff, just like a stem should be.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

I’m super happy with this piece! It required A LOT of experimenting and inventiveness.

Now, I’ve got the techniques down and I’m making a series of these in brighter colors. The fabrics are dyed and I’m making progress. I can’t wait to see them all together.

Ellen Lindner
P.S. These pieces will be available for purchase, at $175 each.

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Technical Challenge: a 3D Quilted Leaf

After admiring the arch and curl of a Croton leaf, I decided I wanted to make a quilt with those same lines. And because I thought it should roll up for shipping (or lay flat) but still be malleable for display, I knew I’d want to put wire into it. Which is what plunged me into a time of great experimentation and learning.

First, I studied and photographed Croton leaves from my back porch plant. (I picked the past-their-prime leaves.)

Click any image for a larger view
Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

See what pretty shapes they have? This is what I wanted to emulate.

Next, I scanned them an turned them into black and white sketches. I traced the outline of the first one I wanted to use.

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

Then, I created the top composition with two hand dyed fabrics. Next came quilting, but without a backing just yet.

Since I wanted the leaf to arch from stem to tip, I wanted to add a fairly heavy, but still pliable, wire down the center. I was worried about the end of that wire puncturing the fabric, so I knew I’d need to soften or shape it somehow. The solution came in the form of an accidental Christmas present. I had asked for glue sticks, like Elmer’s makes. But, my husband misunderstood and bought me glue sticks for a hot glue gun. (He gets points for even knowing that a hot glue gun exists. Even though mine no longer works.) The glue sticks turned out to be exactly what I needed, though. I melted down several in a little handmade aluminum foil “pot.” I dipped the ends of the wire into it and it created a nice round blob on each end. Voila!

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

I hand stitched the wire along the center vein line. To keep the wire from shifting from stem to tip, I created little fabric stops on each end. I glued and folded fabric over the end and then stitched it to the quilting. (BTW, I’m making this sound so straight forward. But, EVERY one of these techniques was tested and modified in a sample before using it on this larger leaf.)

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

In the photo above, you can see some of the tools I used, including leather gloves and wire cutters. Next, I would cut the wire mesh and hand stitch it on.

And it all worked! Here you can see that I could bend the leaf along the center vein, or curl the sides like book pages. I was getting excited!

Technical Challenge: 3D Quilted Leaf. Ellen Lindner, AdventureQuilter.com/blog

Not shown, I used a different weight of wire and satin stitched it around the perimeter of the leaf. That was rather tricky since the leaf was now stiff. But, I was getting close!

Stay tuned to see how this turned out. Hint: I’m delighted with it!

What experiments have you tried during this time of isolation?

Ellen Lindner

 

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Transparency is the Thing

My primary objective during a recent dying session was to improve many ugly or high contrast fabrics. This photo shows about half of the fabrics I intended to improve.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

Some of them look fine, but have a lot of contrast in them. Now that I’ve been working with these hand dyed fabrics for a while, I’m finding that working with these can be challenging. Others are nearly solid and need to have some pattern added. Finally, some are hideous and merely need to be mostly obscured.

Because dyes are transparent, you always have to consider how colors will combine when one is applied over another. I gave this a lot of thought. The fabric below was pale blue and white. Pretty, but not something I thought I’d use. So, I over dyed it with a dull yellow. As you can see, that turned the blue to green, just as I expected.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

And here’s the whole collection, after a week’s worth of effort. I think I did about 40 pieces.

Over Dying - Again. Ellen Lindner, AdventureQuilter.com/blog

Actually, there are another 6 or so that turned out really ugly. (Chartreuse, when I was aiming for a simple yellow-green.) They’ll be in the “needs improvement” category for my next dye session.

Now, I’m on to using these fabrics and it sure is fun!

Ellen Lindner

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