Dirty Prints

My recent dye session was devoted almost exclusively to improving ugly prints. That generally meant over dying with a solid color, or stenciling on a new one.

Take this little piece, for instance. It was originally an ugly yellow-green that I didn’t think I’d use. But, I knew that if I mostly obscured that color, leaving only tiny bits of it showing, it would add a nice sparkle to the resulting print.

Since dyes are transparent, I gave a lot of thought to how the underlying color would work with the new one. I thought a dull red (the complement of green) would give a dark, neutral result. And, as you can see, that’s exactly what I got.

Overdyes and dirty prints. Ellen Lindner, AdventureQuilter.com/blog

My stencil was larger than the little piece I was printing, so some of the design got printed onto the plastic. No worries. I just laid some white fabric down onto it, and lifted a print. And then I added a couple more.

Overdyes and dirty prints. Ellen Lindner, AdventureQuilter.com/blog

Next, I used that dirty stencil for what I call “dirty printing.” All you do is pull clear paste through the used stencil. It picks up the dye that was in the nooks and crannies, creating a more delicate version of the same lines. I layered them on top of each other, in various orientations. I love the look!

This is just one of the many techniques I learned in a five day class with Pat Pauly. She’s a wealth of knowledge!

Ellen Lindner
P.S. A broader term for this sort of treatment is “ghost print.” A ghost print is when you take a second print without adding any additional dye/paint/ink.

 

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Wildlife Down Under

I’ve always wanted to see a koala and I got several chances to do so in Australia.

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

They are so adorable! They sleep about 20 hours each day, so of course, all the ones we saw were doing just that. However, we got to get super close to them at the Sydney Zoo. We weren’t allowed to touch them, but we could observe them up close. Doesn’t this guy above look super relaxed?

His buddy was snuggled in a couple of branches below. This was a good chance to study their feet, which are different front and back. The front ones have two opposable thumbs! (His back feet are showing in this photo.)

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

In Tasmania we saw a wombat, which is similar to the koala species. Also very cuddly looking. And awake!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

And then we spent some time with about 140 kangaroos. They live at a wildlife sanctuary where they are taken care of. As a result they are VERY tame, so we could walk among them, feed them, and scratch them. They were so spoiled as to be rather disinterested in us – and our food.

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

Many of the kangaroos had adolescent joeys (babies) that were hanging out in mom’s pouch. Only the joey’s back legs and tail were showing. VERY weird looking!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

And then, we got to see a Tasmanian Devil in action. They’re very interesting looking little characters: about the size of a raccoon, with red ears!

Wildlife Down Under. Ellen Lindner, AdventureQuilter.com/blog

I was shocked when one of the workers asked “Do you want to see him attack?” Well, of course we did. So, the worker gathered a small crowd. Then, he walked over to where the devil was sleeping in a log and poked him with a literal 10 foot pole. That little guy came tearing out of there, with teeth barred! The worker backed up in a big hurry and the devil got tired of the chase after 15 feet or so. Yes, it got our attention! (Reminded me of a very aggressive black dog we had one time. She sorta led with her teeth.)

It was great to see this unusual – to us – wildlife!

Ellen Lindner

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What a Trip!

I recently went on the vacation of a lifetime, to Hawaii, Australia, and New Zealand! My favorite thing was the scenery in Hawaii and New Zealand. Here’s just a sample.

The beach in Kona, Hawaii (on the big island.)

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The turquoise water, white waves, and black lava rocks created a wonderful contrast!

Much of New Zealand had steep hills and mountains caused by earthquakes. It was very dramatic.

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The tan hills reflect the dry conditions, although irrigation keeps the agricultural industry vibrant. As a matter of fact, New Zealand is so conducive to growing things that the same trees that are grown for lumber in California reach maturity in half the time in NZ.

What a trip! HI, Aus and NZ. Ellen Lindner, AdventureQuilter.com/blog

The photo above was taken on a working sheep station (ranch.) Which shows you just how abundant such stunning views are. Gorgeous!

There was inspiration everywhere!

Ellen Lindner

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Thinking About a New Class

I’m thinking about turning my “Notes for a Friend” concept into a class. To try out the idea I did an informal class with two friends and it was a huge success!

Cindy had never worked abstractly before, but she jumped in and finished her note in no time flat. Didn’t she do a great job?

Cindy's completed Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

Although she planned on adding hand embroidery later, she decided to skip that so she could work on a second one. She got all the way through completing the composition during our time together. She left plenty of calm areas which will look great when she adds some hand stitching.

Cindy's in-progress Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

Notice that Cindy has a cardboard frame around her piece, above. This helps her visualize the final project without seams allowances, etc. Very helpful.

Jo-Ann was enamored with many hand-dyed scraps and their busy patterns. Using so many patterns can be quite challenging, so she took she took her time and came up with a great composition. She faced it once she got home and doesn’t it look wonderful?

Jo-Ann's completed Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

She decided that it didn’t need any hand stitching due to the busy patterns already in the piece and I agreed.

It was great fun for me to work with these two and I’m excited about the idea of developing this into a class. Of course, I know it will be quite different working with 15-20 people. I’ll have to think about some streamlining techniques.

What do you think? Would you like a class making one of these tiny quilts (5 x 7?) I anticipate that most students will completely finish theirs, including facing, in class. I’d greatly appreciate your thoughts on such a class, positive or negative.

Ellen Lindner

6

Notes for a Friend, #27-29

Since I had collected quite a stash of hand-dyed scraps, I decided to use them in a new series of “Notes for a Friend.” These super small pieces are only 7 x 5 each, but I think they pack a lot of punch.

When making them it’s easy to be distracted by the excess fabric hanging off the edges. Therefore, I will frequently use a paper frame to help me visualize the final product. Here’s #27 with the frame in place.

"Notes for a Friend," tiny, vibrant quilts. Ellen Lindner, AdventureQuilter.com/blog

And here it is, completed. (And with a new orientation.)

"Notes for a Friend," tiny, vibrant quilts. Ellen Lindner, AdventureQuilter.com/blog

I just love these little pieces! Especially when I make them in vibrant colors.

I generally make them in sets of 3. Here’s #28.

"Notes for a Friend," tiny, vibrant quilts. Ellen Lindner, AdventureQuilter.com/blog

And #29.
As you can see, I add hand stitching that plays up the fabrics. Very fun!

"Notes for a Friend," tiny, vibrant quilts. Ellen Lindner, AdventureQuilter.com/blog

Page Coming Soon

They look great as a group, or individually. And, for added presentation “oomph” they can be framed using my favorite method.

Here’s an example (with a different little “Note,” and a floating frame.)

Note for a Friend, framed with Ellen Lindner's favorite method. AdventureQuilter.com/blog

I’ll have them on my website for sale, soon. At only $59 they go quickly. Email me now if you just have to have one. (Link at the bottom of the page.) Or check out the Notes for a Friend Gallery to see what else is available.

Which one is your favorite? I can’t decide.

Ellen Lindner

4

Use a Slat to Hang Your Quilt

After making a hanging sleeve for your quilt it’s time to make the slat that will go in it.

The slat should be made from lightweight but sturdy wood. My husband cuts strips of luan  door skin for me. I can then cut them to length with a utility knife. You can also look for wood trim and have the hardware store cut it to length of you.

What length, you ask? It should match the length of the sleeve. (In the following photos, the striped fabric is the hanging sleeve and the black and white fabric is the faced backing.)

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

This slat is much heftier than I usually use – just because it’s what I had on hand.

Drill hanging holes, about 1/4″ wide about 2″ from each end. The holes should be in the top half of the slat. In the photo below, the slat has been pulled out temporarily to show the holes.

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

This slat is much heftier than I usually use – just because it’s what I had on hand.

Insert the slat into the sleeve and center it, left to right. Then, scoot it up as high as it can go toward the top of the sleeve. (Gravity will cause this shift when hanging.) Feel around, through the sleeve, to find the drilled holes. Using sharp embroidery scissors,  cut a small X in each location. These allow the hanging nails to reach from the front of the slat, through the sleeve, to the wall. Use nails with a head to them, to allow them to catch the slat more easily.

This photo shows how it will all work. The head of the protruding nail is inside the sleeve, reaching through the slat hole, and the sleeve hole.

Use a slat to hang your quilt. Ellen Lindner, AdventureQuilter.com/blog

Now you’re ready to hammer two nails into the wall to support the quilt and the slat.
– Insert the slat in the sleeve. Determine the desired location and mark this on the wall.
– Remove the quilt and work with just the slat. Position it in the desired location, check that it’s level, and mark the  nail holes on the wall.
– Hammer nails into these two positions, leaving the nails protruding about ¼”.
– Reinsert the slat into the sleeve.
– You’ll probably need a helper for the actual hanging part. The idea is to lift the quilt onto the two nails, but you won’t be able to see them as you’re doing it. I find the hole and put my thumb over it in the front, while I hold the slat and quilt aligned with my other fingers on the back. IF the nails stay in place, you can just lift and set the slat/quilt combo on to the nails.
– However, the nails frequently slide into the wall. In that case, pull them out of the wall and put them into the slat in the correct orientation, now holding quilt, slat, and nail as you hunt for the hole in the wall. It’s generally not difficult but slightly awkward and definitely a 2 person job.  Voila!

These quilts were hung using slats like those described.

Using a Hanging Slat. Ellen Linder, AdventureQuilter.com/blog

“Crotons,” displayed in my home

 

Using a Hanging Slat. Ellen Linder, AdventureQuilter.com/blog

“Maybe a Maple,” displayed in my home

See how flat they are? Just like hanging a stiff piece of art.

And, if you do use a dowel, the excess sleeve fullness still allows it to hang pretty flat, like the one below.

Ellen Lindner with her art quilt Vine Ripened. AdventureQuilter.com/blog

I’d love to see installation photos after you get your quilt up!

Ellen Lindner
P.S. There’s a much easier version which works well for small quilts.
– Make the sleeve a couple of inches shorter, so the slat will protrude out both ends. This allows you to fold the quilt back and SEE the slat holes when hanging.
– The only down side is that the far left and right edges of the quilt are not supported by a slat. For heavier/larger quilts some sagging may be visible, especially over time.

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Trees or Skyscrapers?

After trying a pastel blue sky on my piece inspired by fall trees, I tried it with dark blue instead.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

I actually liked it pretty well, but I didn’t have enough bright blue to do it justice. So, I tried white. And also auditioned the idea of more twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

The verdict: YES to the white sky, NO to the chunky twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

But, what about those vertical shapes? Were they starting to imply skyscrapers, rather than trees? Yes, clearly they were. Well, that’s not really what I wanted, but I decided it could be trees in an urban setting. (Plus, I didn’t really care if the shapes read like trees, skyscrapers, or anything real.) I added a few twigs to add contrast and play up the tree idea.

After much quilting I was ready to photograph this piece.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

Why use a pink backdrop, you ask? It has to do with the digital editing I’ll be doing later. I’ll “pick” the quilt away from the background and it’s easier for the computer to do that if there’s a contrast between the two. Can you see how the left side would blend into the backdrop if I left it white?

Finished photos coming soon.

Ellen Lindner

2

First, Make a Hanging Sleeve

After seeing the post about my bedroom redo, Sandy asked how I hang my quilts. Here’s the photo that piqued her interest.

Ellen Lindner's Bedroom Redo. AdventureQuilter.com/blog

And here’s the scoop.
(If you purchase a quilt from me it will come ready to hang and you don’t need to read any of this.)

Making and attaching a hanging sleeve

First, I make a 4″ hanging sleeve. There are quite a few variations out there and this is my version.
– Cut a piece of fabric with the following dimensions:
– Length = the width of the trimmed quilt minus 1 1/2″ inches.
– Width 9″.

Stitch the sleeve together as follows:
– Hem each short end by pressing up 1/4″, then folding and pressing up an additional 1/4″, and stitching.

– Fold the fabric in half, WRONG SIDES TOGETHER, matching up the long cut edges.
– Press the long folded edge on the opposite side.
– Using a 1/4″ seam allowance, stitch along the long raw edges, creating a tube.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

– Create a tuck by stitching with a long basting stitch along the opposing  folded crease, again with 1/4″ seam allowance.
– Repress, so the seam allowance is pressed open and is at the center of the back. The tuck will be on the center of the other side.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

Next, the sleeve needs to be attached to the back of the quilt. Leave the tuck in place and position the seam side down.

If you’re facing your quilt you can attach the sleeve to the facing before attaching it to the quilt. To do so pin the sleeve to the right side of the cut facing, seam side down, positioning it 1″ below the top. Then top stitch close to each long edge. See this article on how to face a quilt.

If binding your quilt, stitch the top edge of the sleeve into the binding as you go. Hand stitch the bottom edge in place.

– Pick out the basting stitches. The fullness from the tuck will provide room for the depth of a hanging rod or slat.

First, make a hanging sleeve. Ellen Lindner, AdventuerQuilter.com/blog

The completed sleeve will be 4″ wide, from creased edged to creased edge.

Learn how to make a slat and use it to hang your quilt.

Ellen Lindner

 

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Fabric Wrapped Ornaments

Remember the ornament I showed you in the last post? The one I made for my sister?

I made several others, each using my hand dyed scraps.

Fabric Wrapped Ornaments. Ellen Lindner, AdventureQuilter.com/blog

Fabric Wrapped Ornaments. Ellen Lindner, AdventureQuilter.com/blog

This one is for my husband. He’s a big Florida Gators fan and their colors are orange and blue.

Bonus content: We have a prankster friend who loves to leave Florida State paraphernalia around our house. As you might guess, Florida and Florida State are BIG rivals! Recently this friend left FSU ornaments all around our house and yard.

And guess what I did with them?

Yep.

I obliterated the FSU logo with fabric! Go Gators!

Merry Christmas,
Ellen Lindner

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