Special Places in Western NC

Don’t you enjoy finding little unique aspects of the places where you travel? If so, you’ll definitely want to visit the REAL, original Mast General Store  the next time you’re in the vicinity of Boone, NC.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

Although there are lots of retail shops called “Mast General Store” in the area, they can’t begin to compare to the original. It’s in a low spot called Valle Crucis in the middle of nowhere and it’s a wonderful gem of living history.

Much of the store hasn’t changed in decades. The wooden floors slope severely and everything creeks, but is a strong nostalgia rush!

The pot bellied stove still stands at the ready and a fire is kept going in the winter. It’s just around the corner from the checkers table.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog
As the only store in the vicinity the original store sold a little bit of everything, from food to hardware. The nail bins are shown above and the revolving drawers shown below hold all manner of hardware in pie-shaped drawers.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

The food sold today still includes many southern offerings from days gone by. There are local soft drinks, moon pies, and “penny” candies.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

Perhaps one of the most amazing things about the store is that it still functions as the local post office. Can you imagine getting your mail here? I think it’s VERY unique and interesting.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

South of Boone is the lovely little village of Blowing Rock. It has a park in the center of everything where free music can often be heard during the summer. Plus, there are an abundance of shops, restaurants, and inns. And it’s all FILLED with beautiful flowers and landscaping.

There’s also something fairly new to Blowing Rock, a prayer tree. 

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

A local shop set up a table with supplies and encouraged passersby to write prayers and to tie them to a tree right on the main sidewalk. Soon, white pieces of paper were fluttering in the breeze, in abundance. More recently, the prayer slips have been enclosed in clear plastic envelopes, which gives them an out-of-focus appearance.

It wasn’t long before the first tree was covered with white tags, so people started putting them all over the adjacent plants and such.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

Now there are over 13,000 messages on the tree and beyond!

Recently the store that initiated all of this had a major fire which destroyed the interior completely. Fortunately “not one prayer was lost,” as posted on a sign in the first tree picture. It’s definitely a source of local pride and interest.

If you time it right, you might even get to enjoy the weekly farmers market, which is known for it’s beautiful flowers.

Special Places in Western NC. Ellen Lindner, AdventureQuilter.com/blog

I hope you get to discover wonderful places on your travels and at home.

Ellen Lindner

3

Working with Magazine Pages

Inspired by the work of Derek Gores, I decided to make a glued collage with magazine pages. I’ve done this before on a small scale. This time I moved up to a whopping 16 x 20.

This was my inspiration photo. It’s a combination of 3 photos which I manipulated and merged on my computer. Can you guess why I chose blue-green as the background (fabric) color? (Think near-complementary colors.)

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

I drew my design directly onto a wrapped canvas and got to work.

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

I was working with friends and we used undiluted matte medium just the way you would with decoupage. You remember that from the seventies right? Glue underneath and more glue on top.

As you might imagine, the largish pieces and the lack of accuracy needed made the background go pretty quickly.

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

But, hmm, I had a problem. The shadows seemed to almost disappear. Clearly, I’d need to make them darker. More paper and more glue!

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

That’s better.

I began working on the cherries in earnest and, as you can imagine, I soon had little bits of colored paper going in all directions. Finding papers was pretty fun, though.

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

The right cherry completed.

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

LOTS more tiny bits of paper as I worked on the other two.

Working with Magazine Pages. Ellen Lindner, AdventureQuilter.com/blog

I was getting there, but I was also getting rather tired of dealing with little fiddly pieces of paper. I decided that perfection was not needed and started to work more loosely. What a relief! (I should have done this from the get-go.)

Soon, I’ll show you the finished collage and also give you a rundown of the pros and cons, as I see them, of fabric collage versus paper collage.

Ellen Lindner
P.S. See some of my earlier magazine page collages: ONE, 

6

That Niggling Doubt

Have you ever finished a quilt and then began to have doubts about it? That happened to me with this quilt.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

I was happy with it and began to quilt it. But, you know, quilting is a slow thing and it gives you time to think. I slowly began to suspect that the quilt just didn’t have quite enough energy.

Hmm, how could I add some pizazz? What if I rearranged it (i.e. cut it) somehow?

First, I auditioned the idea by folding the actual quilt. Two vertical folds are shown here.  See how the lines now have a zigzag to them? And, of course, the proportions have changed.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

And two more folds.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

Energy yes. Greatness no. So, I worked on the computer rearranging things. First, 2 bottom cuts.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

Then , a few more.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

Next, I cut out some paper versions and cut them up.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

Well, that was certainly energetic. I kinda liked it – even with the jagged edges. But, I kept experimenting.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

I may have gone too far on the one above. But then I tried something very simple, just cutting the quilt into 3 vertical pieces. Then, I just swapped the two side pieces.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

I liked it! But, what if I put black lines in the gaps? I auditioned it on the computer and got this.

That Niggling Doubt. Ellen Lindner, AdventureQuilter.com/blog

Yes! I loved it! So, I finally had a plan.

I’m excited to move forward with this piece!

Ellen Lindner
P.S. I have a little bit of a reputation for cutting things up.

2

Designing by Trial and Error

After recently starting a new abstract quilt, I entered the exciting and frustrating world of trial and error.

I deviated from my drawn design right away, due to the size of my favorite fabrics.

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

And it just kept on from there. These photos represent maybe a third of the things I tried.

Designing by Trial and Error

Designing by Trial and Error

Designing by Trial and Error. Ellen Lindner, AdventureQuilter.com/blog

As always, I learned a lot of things that didn’t work. And that’s valuable, too.

Designing by Trial and Error. Ellen Lindner, AdventureQuilter.com/blog

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

The photo above shows my final  decision about fabric placement. At this point they were all just folded and pinned in place. Next, I cut and placed them, and glued them to one another. Progress!

Ellen Lindner

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A Nice Award

It’s always nice to win an award and my quilt, Vine Ripened, has recently done so.

Vine Ripened, an art quilt by Ellen Lindner. AdventureQuilter.com

Vine Ripened

It won 3rd place in a show called “National Juried Fiber Arts.” The exhibit was held at the Bower Center for the Arts, in Bedford, VA.

My piece won 3rd place. You can see my ribbon and award certificate below.

This exhibit runs through August 17th, so you’ve still got a little time to see it.

I really like entering my quilts into exhibits which include objects other than quilts. I also like to send them to places where I’d like to teach, in hopes of attracting a little attention. (My folks live in VA, so I’d like to add it to my teaching resume.)

Ellen Lindner

1

Another “Intersection” Abstract

After success creating Segue into Summer, I decided to use it as a loose template for some additional quilts made with hand dyed fabrics.

I’m calling this my “Intersection” series. I plan to use tilted straight lines as the “skeleton” for each one.

First, I pulled out the large scaled hand dyes I wanted to use, plus pretty much everything hand dyed that matched them. What a collection!

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

Clearly, some editing was called for, so I pared it down somewhat.

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

And, since I’ve been “learning to like vinegar” (colors, that is,) I added in a few “ugly” colors. I knew they’d add quite a bit of pop, but would need to be used carefully. Can you see them?

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

These are the two fabrics I expected to be the stars of this piece. I dyed and painted them to go together. I  knew I’d need to add additional colors, as well as lights and darks.

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

I started in my usual fashion: creating a muslin base for my composition. I drew on the perimeter lines, as well as the proposed skeletal lines for the design. I’ve make them darker here, so you can see.

An "Intersection" Abstract. Ellen Lindner, AdventureQuilter.com/blog

As you can see, I got my two star fabrics in there right away, using them in the largest sections where they would fit.

Right away, I had to redesign the size of the top right piece, to accommodate the fabric size. The line shows the size I intended that shape to be, but the fabric wasn’t large enough, so that design line got moved higher. That would be change #1 of about 100!

I was off and running. I’ll show you LOTS of trial and error in the next post.

Ellen Lindner

 

 

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Apples a la Asheville

How ’bout them apples?

Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

These are just a few apple projects from my recent “Double Reverse Applique” class in Asheville, NC. The women were adventurous and flexible. It definitely showed as they created a variety of wonderful pieces.

Here’s Nancy with her apple, also shown above.

Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Marian put her red in the background.

Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Liz used more subdued colors.Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Kay didn’t even get the full supply list before coming to class, so she grabbed a bunch of green fabrics and went for it!

Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Janet stuck with classic colors.Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

As did Diane. But look how different they are!
Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Once she got home, Chris redid the bottom portion of her piece, making it lighter. You can see her class version in the first photo.

Apples a la Asheville. Student results from Ellen Lindner's Double Reverse Applique class. AdventureQuilter.com/blog

Aren’t these wonderful? Don’t you love the variety? This class is always popular and well received. And I think these photos show why.

Great job, ladies!

Ellen Lindner
P.S. Learn more about bringing this class to your guild or check out the eBook that teaches this technique.

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“Segue Into Summer” Complete

If you’ve been following my blog you know I’ve been learning about printing fabric with thickened dye. And, of course, I was anxious to use them! Plus, I also wanted to try larger scaled abstract pieces, as well as the idea of using a little bit of “ugly” color. All those goals came together in this quilt and I love the result!

Here it is: Segue Into Summer

Seque Into Summer, an art quilt by Ellen Lindner. AdventureQuilter.com

Segue Into Summer

At 44″h x 41″w, it’s larger than most of my quilts.
Here are a couple of detail shots.

Seque into Summer - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Segue Into Summer - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Although I started this quilt in April, progress was delayed by several other projects. I’m really glad to have it finished!

Find more information here, including how you can audition this piece in your home.

Ellen Lindner
P.S. I printed/dyed about half of these fabrics. The others were done by Pat Pauly.

0

Learning to Like Vinegar

I don’t like the flavor of vinegar but I know that it adds a needed tartness to a variety of dishes.

However I’m starting to like the idea of “vinegar” colors. That is, those colors that are jarring in combination with others, but which also add an interesting bit of “sour.”

My interest began several years ago when I read a quote from art quilter Sally Sellers. She said “It only takes a little ugly to make the other colors sing.” Wow! The idea of using something you considered ugly was very shocking to me. But, somehow it sounded legit.

So I worked up my courage and challenged myself to use a hideous color in my next quilt. The hideous color? Lime green. At the time I HATED it!!!

This is the result, Solar Tide.

Solar Tide, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

Solar Tide

Surprisingly, I really like the results. And even back in the day of still hating lime green I could see the quilt was better because of its inclusion. Shocking!

More recently, I sought out a little ugly for this quilt, Palm Fronds.

Palm Fronds, an art quilt by Ellen Lindner. AdventureQuilter.com

Palm Fronds

In this case yellow-orange serves the purpose. What do you think? It adds some pop, right?

Then I took a class with Pat Pauly and saw through her examples that she fully embraces this concept.

Dying with Pat Pauly. Ellen Lindner, AdventureQuilter.com/blog
Since then I’ve been trying to use it more. I find it somewhat challenging, but very exhilarating. This piece is almost finished, Segue into Summer.

And this yet un-named piece is currently in-progress.


I would GREATLY appreciate your feedback on this concept. Although I’m enjoying adding this vinegar, I know that many people may not care for it. What’s your preference? I truly want to know (and I won’t be offended!)

But, for the record, you still won’t get me to eat a pickle! A girl’s gotta have standards, after all.

Ellen Lindner

8

More Fiber Art in Dunedin

In addition to the fabulous work of Lorraine Turner, the Dunedin Fine Arts Center, (in Dunedin, FL) has an abundance of textile art on display. One of the exhibits is the “New Quilts from an Old Favorite: Bowtie.” Although they all include (or reference) the bowtie block, they’re very creative.

Another space features the work of Jane Sassaman. She’s known for her use of bright colors, stylized floral imagery, and satin stitching.

This is her quilt Illinois Album.

And this is a detail shot.

Another gallery showcased the work of Sheila Frampton Cooper. She creates abstract designs, using bright colors and solid fabrics.

This is her Venus in the Garden.

And a detail shot.

We enjoyed these quilts but my group was really blown away when we saw the work upstairs. That exhibit featured the work of the Tampa Bay Surface Design Guild. These creative artists presented a very diverse array of textile art.

This is called Through the Veil and it was made by Aida Sheets and Sarah Butz. Materials include a variety of papers:  handmade tree bark paper, vellum, and brown wrapping paper. They were rather loosely held together so  the whole thing floated slightly away from the wall.

As you can see in this detail shot, the papers were printed and perforated, adding more subtle interest.  We loved this piece!

This piece was also made by Sarah Butz, called Floating Through the Universe.

Tattered Garment Jacket, by Sandra Black was another group favorite.

I think you can see that the serged seams are exposed, and other little texture items have been added.

Sherry Dorst Created these wonderful woven pieces, Gift 1, 2, & 4. They were some of my favorites. How can you not like all that color draping from the ceiling?

But, the piece I wanted to take home was this one. It’s called Moebious Volley, by Carolyn Kosser. Don’t you think it would look good against my “paprika” colored dining room walls?

I think you’d really enjoy a visit to the Dunedin Fine Arts Center to see all these wonderful textile pieces! If you’re near Tampa before August 18th, you’ll have your chance.

Ellen Lindner

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