Twigs of Teal and Red-Orange: Getting Started

I dyed this fabric last year and it’s one of my favorites.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

I was really happy with the way I had a viable design without doing anything more to it, but HOW do you design with that? I had a false start last year and am now trying again.

These are the collection of “featured” fabrics I thought I might be able to use. I call them featured fabrics because they have high amounts of contrast in them, which will draw the viewer’s eye. When working with such fabrics, I try to put them in place early on and then fill in with less dramatic fabrics, as needed.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Next, I pulled out every fabric I thought might work. As you can see, I like these colors and found that I had quite a collection.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

But, maybe it needed something unexpected. What about accents of yellow?

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Hmm. Maybe.

I liked the large twig (center right) on the dull orange print. But, I didn’t like the background fabric. So, I stenciled on a couple more using paint.

TTeal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

These should be usable.

I had my fabric decisions (mostly) made, so it was time to start moving things around on the design wall. (The challenging, but fun, part!)

Ellen Lindner

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Finishing Up the Red and Yellow Quilt

After finishing up the left 2/3 of my red and yellow “bean” quilt, it was time to tackle the right yellow portion. It came together pretty well. (Still in -progress below.)

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

During these final stages I also considered added some skinny lines, for energy. (See them pinned on at the top in the photo above?) I eventually decided against them, however, because I thought they’d attract too much attention. I wanted the other contrasts to be the attention getters. (And those bean shapes, of course.)

From early in the design phase I thought I’d probably want to applique on another couple yellow beans. (If you look back at the first post, you’ll see that I had one little piece of yellow fabric sitting on the red – near the top – as a place holder.) I auditioned that idea further near the end.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I also considered adding some red ones. That’s what the red blobs are for in the photo above. I decided I just needed one. I made it a partial bean, like the other red ones.

And then I cropped both sides. (But, I later added some of the red side back.)

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

Finally, I had it all put together and quilted.  As you can see above, I added some more bean outlines during the quilting process. I really like using a double black line for emphasis.

Then, it was time for photography.

Photographing "Spilling the Beans," and art quilt by Ellen Lindner. AdventureQuilter.com/blog

You can see the full finished quilt here. I’d really appreciate your thoughts about it – especially what you think about these two colors together. Yay or nay?

Ellen Lindner

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Red and Yellow Abstract

Historically, I haven’t been a fan of red and yellow combinations, but for some reason, I now find myself drawn to them. I still think they’re a little jarring, but it seems that I now like that. As evidence, I recently dyed fabrics with these colors.

I created a variety, hoping I could use them together. As you an see, I repeated a bean shape in several colors. I was happy with how they worked together and was anxious to get started.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I realized some of the lightest fabrics wouldn’t fit well into the mix. But, I had some other fabrics I thought I could use. I pinned everything together on the design wall. And I loosely arranged them: a good starting point.

Knowing the contrast of red and yellow, as well as the contrast of different values, would attract attention, I placed them (above) in approximately “sweet spots.” These are considered ideal locations for focal points. They’re easy to identify: picture a tic-tac-toe game overlaying the overall shape. Where the lines cross are sweet spots.

I immediately thought the red fabric with yellow beans was a little too “regular.” (See above) That is, the beans were spaced too evenly. I thought the composition would be stronger if they were “messed up” a little bit. So, in the photo below, you can see that I sliced right through the red bean fabric, and scooted things out of alignment.  Better, I thought.

Next, came A LOT of auditioning as I folded, rearranged, cut (only once I was sure,) and pieced.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It was like a giant game of Tetris. Eventually, I had the left portion pieced and began to work on the yellow fabrics on the right.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It all went more slowly that I would have liked, but I was definitely having fun!

More next time.

Ellen Lindner

 

 

 

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New studio Flooring

Check out my new studio flooring!

New studio flooring. Ellen Lindner, AdventureQuilter.com/blog

I just love it!

This photo was taken right after installation, before I moved ALL MY STUFF back in. I had it all piled in the dining room. Moving it in and out was QUITE the job!

I wanted new flooring to accomodate fabric dying and this is going to work great. I can just easily wipe  up dye, even after it dries. (Before, I was covering my carpeted floors with plastic for each dye session.)

Now, I can set up very quickly. I’m thinking I’ll be doing more dying. Can’t wait!

Ellen Lindner
P.S. I may have picked something a little too light. It’s definitely showing threads and such more easily, but so far I’m managing with a little increased  house keeping.

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Dying and Mono Printing

In my recent dye session. I played around with mono printing, which is great fun. This was my first piece. The colors were brushed horizontally, but I left the squirted “eyeball” in tact.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

There was a lot of dye left on the plastic, so I printed a “ghost.” As you can see, the brushed on dye was already used up, but the more gloppy eyeball printed fairly nicely.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

So, I learned something: if I squirt on generous amounts, I can get a second print. And it will be somewhat different from the first. I tried it again, with these two. Not very ghostly, but the colors have moved and merged. Very interesting.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

You can also mono print in a “finger paint” sort of way. These had dye brushed on pretty smoothly. Then, I drew or scraped through them. I’ll definitely be doing more of this!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

When I switched to shiny plastic as my surface the dye beaded up. Which actually gave me a wonderful texture. I’ll be doing more of this, too!

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

I learned a lot. Some of these are  not too usable – yet. But, hey, I know how to over dye, so I’m not worried.

I’ve written a short tutorial about mono printing. The underlined text at left is a direct link, or you can find it in the Articles section of Learn with Ellen. If you give it a try, I’d love to see your results!

Ellen Lindner

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Dying Again

As usual, I really enjoyed my recent dying session. I was trying out a new color, Tangerine, so I did a lot of swatching to get to know how it worked.

Dying Again. Getting to Know Tangerine. Ellen Lindner, AdventureQuilter.com/blog

The swatches above show what happened when I mixed tangerine with each of my other 7 colors, in 3 ratios, and 3 values. Yes, it takes a while, but the results are worth it. I’ve done this with each color and have them all sorted, and LABELED, in a book.

When dying fabrics, I often repeat colors and motifs, so the pieces will work together well. This time, I did quite a few pieces with large, squarish meandering. Some of them were in high contrast colors and others were more subtle.

Dying Again. Ellen Lindner, AdventureQuilter.com/blog

A few more examples, (with one exception.) Several of these were mono printed, and I’ve written an article about that process.

Learning to Monoprint. Ellen Lindner, AdventureQuilter.com

These are fabrics I dyed that will probably go together in the same quilt. As you can see, I also played around with a “bean” shape. I think these will work well together.

Dying Again. Ellen Lindner, AdventureQuilter.com/blog

More dyed fabrics in the next post!

Ellen Lindner
P.S. See the earlier swatching I did with my other colors.

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Grow with the Flow in Maine

The ladies in my Grow with the Flow class learned a lot and got such excellent results!

Here’s Eldora with her quilt. Didn’t she do a great job?

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

First, they learned how to create an ombre background, with a horizon line. These were pretty to start with, but then the students added skinny accent pieces and everything really came to life! This is Kim’s background, below.

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

This class – for the only time ever – offered two different sizes. The students who worked in the larger size spent most of the day on their backgrounds. Gail was in a puddle of pink as she worked on hers.

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

She finished it beautifully.

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

Charlene also worked in the larger size. She used one of my favorite color combinations.

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

Complementary (opposite) colors often work well for the accents. Sue is sheepishly showing off one such example. Don’t those accents make everything pop?

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

Carla went for a sunset feel with hers. I think it works!

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

After completing their backgrounds, students were ready to add their black and white sprout. I taught them how to “fussy fuse” and they fully embraced it. This is Carol’s result.

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

And Kate’s. She had fun adding some printed accents. They have lots of zip!

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

Can you see how everyone paid attention to the light and dark areas of the sprout? They made sure the lightest parts were against the darkest background and vice versa. This was critical to make the sprout show up properly.

Here’s Julie with her quilt. Another dramatic piece!

Grow with the Flow in Maine. A class with Ellen Lindner, AdventureQuilter.com/blog

I really enjoyed teaching these women. They were fun and easy going and not afraid to try something new. (Like raw edges.) They had great results and those who didn’t finish theirs went home knowing how to do so.

You can see earlier student work in the Grow with the Flow gallery.

Ellen Lindner
P.S. The Grow with the Flow class is available by zoom or in person. Here’s more info.

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Designing in Maine, Part Two

The students in my “Design Your Own Nature Quilt” class did really excellent work. Their task was to be INSPIRED by their photos, but not to actually copy them.

Eldora had a beautiful photo showing a ton of beautiful flowers, so she wisely cropped it way down.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

 She did a great job depicting the foliage and the flowers loosely. This is going to be great!

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Patricia started with a lovely mountain vista.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

She kept the composition the same and made great progress. She’ll add lots of orange triangle and V-shapes for the lilies in the foreground. They’ll really pop against the green.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Karyn had a very interesting photo, with wonderful shadows and colors. The things she liked the most were the dark tree trunks creating contrast in the background and the busy, colorful plants in the foreground.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

She easily worked loosely and very closely emulated the feel of the photo, capturing her favorite things in the process. Isn’t it great?

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Ann’s photo showed two weeping willows. She cropped most of the right one, which greatly improved the composition.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Then, she had a blast creating a “hairy” weeping willow. It really conveys the type of tree well. The dark shape on the right is the place holder for the second tree. This one is fun!

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Sue’s photo had wonderful light and dark spots in the water and intriguing reflections. She noticed these areas and brought a very good selection of fabrics.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

See what I mean? Her trees and water really came together nicely.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Construction tip: when you need little tiny pieces, like the white part of the water, don’t cut them to size. Instead, cut them larger and then tuck them under a larger piece. Let the shape of the larger piece cover and define the shape of the one below. In this case the dark water fabric has tiny cuts in it with a larger piece of white below showing through.

Wow, these ladies did extraordinary work! In one day they learned some useful design principles, created a sketch for their quilt, and made excellent progress with the collage of their quilts. They really pulled out their artistic courage! And we had fun to boot!

See other student work in the Part One post.

This class can be in person or via Zoom, as a 2 day class.  More info.

Ellen Lindner

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Designing in Maine, Part One

I recently taught two classes. One was “Design Your Own Nature Quilt,” and the ladies did a great job. The supply list includes artistic courage and they did not disappoint.

After a morning learning about design and preparing a sketch, the students start creating their fabric collages in the afternoon. It can be a little intimidating because it requires INTERPRETING their inspiration photos, rather than just COPYING them.

With only a few hours to work with fabric, they still made excellent progress on their quilts. Each student worked from her own inspiration photo, so each quilt was different and each student had her own issues to contend with.

Michelle’s photo was taken while canoeing on a very calm lake. I cautioned her about the subtleties of merging water colors, but she came with the right fabrics and was willing the spend the time needed to create her effects.

And this is where she left off. I think it’s very successful. Can you see all the time she spent shredding fabrics in order to give a feel of the water reflection? She’ll add French knots to emulate rivets on the point on the canoe.

Heather’s photo featured a favorite tree.

She cropped it to improve the composition and made excellent progress on her quilt.

Sharon chose a beautiful sunset.

She had to leave class early, but still made a good start on her piece.

Susan’s photo included two different types of flowers, with a foliage background.

She simplified shapes and made a good start on her quilt.

Jenn used a wonderful photo featuring lupines.

She knew she couldn’t easily replicate the entire image, so she cropped it down and simplified. She’ll be able to cut her flower petal/shapes more irregularly, which will speed things up.

Charlene selected a VERY complex photo of lily pads and flowers. She knew she’d have to simplify and crop, so she got to work.

She still had her work cut out for her, but had no qualms about cutting many lily pads. As  you can see, it began to take shape nicely right away.

Won’t these be great? I’ll show you more quilts in-progress in the next post.

Ellen Lindner

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The Quilts They Chose

In my last post I told you how I’m giving away quilts to my nieces and nephews, and I thought you might like to see what they picked.

When David bought his first house I gave him these three “on indefinite loan.” But, they’re now officially his. They look great hanging above his bed.

Silk Study, 1-3

Amy helped me dye the fabrics for this quilt, so of course, it became hers. (This one has actually won awards.)

Cut Glass

Those first two were years ago and I’ve just recently given away these others. (They got to choose in birth order.)

Wishes on the Wind, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

Wishes on the Wind – selected by Jason Pugh

This is photo that’s been tweaked, printed and stitched with black thread. A cool technique that I need to revisit.

Curly Crotons
Selected by Dillon Harris

 

Slightly Unexpected, an art quilt. Ellen Lindner, Adventurequilter.com

Slightly Unexpected
Selected by Alex Lindner

Very diverse, right? I’ll show you more of their choices in the next post.

Ellen Lindner

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