My Brilliant Wish List

It’s not very often that I use the word brilliant when talking about myself.  But, in this case, someone else said it first so I’m just agreeing.  (Don’t tell my mother.)

Does your family spend lots of time thinking up thoughtful and surprising gifts for one another?  My family gave up on that long ago.  Of course, we want to give things the recipient would like, so we send our wish lists to one another in the form of links about specific online items.  But, at Christmas, my husband said he needed ideas for some small stocking stuffers for me.  Coincidentally, I was in the local quilt store, when I noticed all the inexpensive items that would fit the purpose.  But, how could I properly describe a particular glue, a particular pen, and specific fabric bundles in a way that my husband could ever find them?  And then it hit me:  photos!

My Brilliant Wish List. Ellen Lindner, AdventureQuilter.com/blog

So, I started taking photos of the things I’d like.  First:  blue-green fat quarters.

My Brilliant Wish List. Ellen Lindner, AdventureQuilter.com/blog

Favorite glues and pens:

My Brilliant Wish List. Ellen Lindner, AdventureQuilter.com/blog

My Brilliant Wish List. Ellen Lindner, AdventureQuilter.com/blog

Warning:  These Frixion pens leave a ghost shadow on dark fabrics.  I use them only on light fabrics or where the line will be cut off or covered.

Finally, a fabric bundle.  I suggested that each fabric could be an individual gift and I was rewarded with lots of soft squishy packages in my stocking!

My Brilliant Wish List. Ellen Lindner, AdventureQuilter.com/blog

I sent these photos to my husband and he took his ipod to the quilt store.  He’d show the sales ladies a photo and say “Where’s this?” Then, the next one, with “Where’s this?” and so on.  They would excitedly show him –  all the while exclaiming “Your wife is brilliant! Your wife is brilliant!”

My mother taught me not to argue.

Especially with logic like that.

Ellen Lindner
P.S.  I got lots of wonderful gifts for Christmas, including plenty of fabric!

 

6

If You Never Make a Mistake

Have you ever been to a class and realized  you left the most appropriate fabrics at home?  This happened to me when I took a class from Elizabeth Barton.  I learned a lot about abstracting and designing and had a great paper “sketch” I wanted to interpret in fabric.

It Doesn't Always Work. Ellen Lindner, AdventureQuilter.com/blog

Per Elizabeth’s instructions, I worked up my design in paper with three different value variations.  I decided to work with the one on the left, above.

But, I didn’t bring enough of my two colors, blue-green and orange.  As a result, I had to fill those areas with lots of different fabrics.  I worked hard at getting them to play well together.

I tried ignoring color and working only with value.

I persevered and got this far.

But I just hated it.  WAY too splotchy!  At this point, I bagged the whole thing.

I still love the design and intend to use it for a quilt, but I’ll have a MUCH better selection of fabrics when I do!

I’m philosophical about this sort of thing.  By being open-minded I’ve helped myself be more open-minded next time.  And the things I learned will stay with me.  I didn’t waste my time or my fabric.  It was useful.

I saw a great quote, but I don’t know who said it:  If you never make a mistake it’s because you’re not experimenting enough.  Yes!  I believe that.  Here’s to making plenty of mistakes.

Ellen Lindner

 

4

“Deliberation” Complete

My latest artwork, Deliberation, is complete.

Deliberation, an art quilt by Ellen Lindner. AdventureQuilter.com

Deliberation

I’m quite happy with it and I really enjoyed creating it.

Deliberation - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I did deliberate (get it – deliberate?) quite a bit over the title.  It does look like an overhead view of rivers and many people suggested titles with that in mind.  That would have been fine, except I wanted to work it into my current series which has titles like Daydream, Brainstorm, etc.  So, I eventually decided on Deliberation.

Audition this art in your home

On to my next adventure.
Ellen Lindner

2

I’m a Cover Girl – Sorta

I’m really thrilled to have my quilt, Reconciliation, featured on the cover of Storytelling Magazine’s current cover.

Ellen Lindner's art quilt on the cover of Storytelling Magazine. AdventureQuilter.com/blog

The description inside says:

Ellen Lindner uses fabric the way a painter used paint.  Her collages are created with a variety of fabric pieces held together with stitching across the top.  Her “Body Language” series strives to tell a story with as little information as possible.  Reconciliation depicts that moment of relief when hurts and misunderstandings are forgiven.  EllenLindner.com

Nice, right?

14

Holidays or Holy Days?

I’m really enjoying the Christmas season.  My family is close at hand and more will be arriving, decorating has been fun and stress free, and even shopping seemed easier this year.

Holidays or Holy Days? Ellen Lindner, AdventureQuilter.com/blog

Holidays or Holy Days? Ellen Lindner, AdventureQuilter.com/blog

Holidays or Holy Days? Ellen Lindner, AdventureQuilter.com/blog
We’ve already attended several fun events and have more scheduled.  Maybe even some caroling.  In our shorts and sandals.

I hope you’re having a similar experience.  But, I hope you’re also celebrating the holy aspect of your holidays.  For me, that’s a challenge sometimes.  As a Christian, I want to remember and be thankful for God’s gift of his son, Jesus.  With that in mind, I’ll be listening to some sacred Christmas music, attending church, and TRYING to stay mindful of the reason for the holy-day.

Holidays or Holy Days? Ellen Lindner, AdventureQuilter.com/blog

However you celebrate, I hope your holidays are filled with joy, memory making, and occasional thoughts as to the real meaning behind all of it.

Wishing you holiday blessings.

Ellen Lindner

 

9

In the Studio

I thought you might like to see a little bit of my studio (which I did NOT clean up for your visit.)

This is my secondary design wall.  I seldom use it for creating.  Instead, it holds other things that need my attention, like these quilts waiting to be sprayed with UV protectant and photographed.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

My primary design wall is on the left and my working table is on the right.  When using the table I sit on the far right.

Let’s take a little tour.  This small quilt is one of the samples for my Floral Improv class.  It’s for the live class.  The online one has a much larger project (coming soon.)

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

Since I’m working in a series with repeating motifs, I’m saving some of the patterns.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

And also precut shapes.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

These little fabric strips were in a project that I decided to discontinue.  Again, I’m saving them, since this color scheme will be used again.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

The top left corner isn’t too exciting.  Just a computer sketch for a recent quilt.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

But, if you follow that brown line upward you’ll see my decoration.  Yep, a hornet’s nest.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

I actually paid money for this nest and I love it.  My husband thinks I’m nuts!

As I was taking details shots, I discovered a pleasant surprise: an interesting composition.

In the Studio. Ellen Lindner, AdventureQuilter.com/blog

That has potential, don’t you think?  I’m excited to work with this idea.

So, there you have it: a mini tour of one corner of my studio.  I hope you’ll visit again sometime.  (But, I still won’t promise to clean it.)

Ellen Lindner

 

7

A Spoonflower Experiment

Have you ever printed onto fabric from your home printer?  I’ve had good luck with it, but every now and then I want to print something larger.  Like the background for Carefree.  At 51″ high, I needed an online service to handle it for me.  I used Modernyardage.com and was happy with the results.

Carefree, an art quilt by Ellen Lindner. AdventureQuilter.com

Recently I found myself with a credit at Spoonflower.com, another online printing service.  Since I didn’t have a particular project in mind, I decided to do some experimenting.  I prepared a large file that would cover an entire yard, 45″ wide.  It was a good opportunity to experiment with various sizes, resolutions, and artistic effects.  This is the file which included notations about each image.

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

And the printed result.

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

Let’s take a closer look.  These next two images are exactly the same, except the second one has been printed on fabric.Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

Actually, I think the fabric version looks better in person.

Here’s a detail shot of the largest image, on which I had used the paint daubs artistic effect.  (PSE)

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

And the printed result.  It definitely lost some sharpness, but I think it would be useful for most projects.

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

And the cropped sideways image.

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

With its printed counterpart.

Experimenting with online printing. Ellen Lindner, AdventureQuilter.com

All in all, I’m pretty happy with these.  Still, I think I’d be most inclined to use such printing services for things that didn’t have to be exact.  Things that were already vintage or could look somewhat distressed.

FYI:  I used the least expensive fabric ($17/yard), and the hand of the fabric is unchanged.

What do you think?  Would you ever use something like this in your art?

Ellen Lindner
P.S. You can read more about how I made Carefree on my old blog.  Check out December 2014.

8

What Shall I Call It?

I’ve almost finished my latest abstract piece, “Abstract #4” as I’ve been calling it.

In my last post I showed you how I was auditioning the color for some skinny strips.  I decided to do them in rust and tan, and here they are.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

I was happy with them.

Next, I wanted to add some even skinnier turquoise lines.  I decided the best way to do that would be with some hand stitching.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

Well, I decided that didn’t show well enough.  And in the first of these two photos, you can’t even tell the stitching is blue-green!

Time for something more.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

So, I added another parallel line of stitching.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

That helped.

Now, I need a name for this piece.  I’ve got a couple of ideas, but I’d greatly appreciate your suggestions.  You can offer them by commenting in the comments section, below.  Thanks in advance!

Ellen Lindner

24

Rust with Turquoise Abstract

My latest abstract piece is progressing nicely.  After creating the sketch and selecting fabrics, I began to compose the background on my design wall.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

Here it is, completed.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

Next, I made tracing paper patterns of the two undulating lines I wanted to add.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

It’s coming along, don’t you think?  I was happy with this design and began to select fabrics for the undulating lines. As usual, I wanted several fabrics for each shape.

Here they are, finished.

Abstract #4 in-progress. Ellen Lindner, AdventureQuilter.com/blog

Next, I auditioned the idea of adding skinny undulating lines.  Should they be teal or rust?  I tried out both.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

I drew sketches in the computer and that settled it.

Abstract art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

Not teal.

So, I cut some skinny strips of hand dyed rust and set to work.

Ellen Lindner
P.S. Right now I’m calling this “Abstract #4.”  I definitely need a different way of thinking of this piece, but titles often come to me last.

8

Designing with Elizabeth Barton: Part Two

After coming up with a design, Elizabeth likes to audition a wide variety of value options.  To do this, she had us stack paper in 3 values and then use a utility/craft knife to cut the design through all three.  Finally, you glue them together in various combinations.

Here’s my dark-on-light version.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

I also made a light-on-dark version.  But, I still had brown cutouts and a bunch of unused black and white pieces.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

As I was about to address those Elizabeth stopped by and said something brilliant.  “These little skinny lines are the most intersecting of all.”  She was looking at the little gaps showing in my stack of cut shapes, above.  And she was right!  That immediately sent me in the direction of adding little skinny lines.  I was excited!

This was my next iteration.  MUCH more interesting, right?  The little skinny white lines are intentional gaps between the shapes.  The black lines are drawn in to highlight the overlapping shadowy spots.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

I was very happy with this!  Still, it was time to crop and to look for even more interesting compositions.  I did this on a black/grey/white copied version.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

I found several interesting options, but I liked this next one the best.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

 So, what did I do?  I, once again, cut 3 different value shapes from this design and glued up 3 different versions.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

But wait, there’s more!  The day wasn’t over, yet.  So, instead of reaching for fabric I went back to some of my earlier sketching ideas.  Elizabeth had suggested something that sounded like great fun: randomly throwing a scattering of berries/squares onto paper and them connecting them.

A nice splattering of “dots.”

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

I couldn’t really connect them easily because they kept wanting to lift off.  Instead, I thought I’d draw around each one, then remove it.  Then later connect the draw shapes.

What a disappointing hodge-podge.  Maybe some cropping would help.

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

Designing with Elizabeth Barton. Ellen Lindner, AdventureQuilter.com/blog

Well, it did help, but I think it will be a LONG time before I feel like revisiting this idea.  And when I do, will the shapes become round berries or stay as small squares???

What a FULL day of sketching!  I won’t run out of ideas any time soon.

Ellen Lindner

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