Dye Day

My friend, Ruth Anne, once invited a group of us to her “barn” for a messy project.  This time it was dyeing.  Our first project was to dye 8 different gradations of black.  All with the same dye, just in different saturations/strengths.  Since black dye is made up from other colors, it will sometimes separate in some interesting ways.  That’s what I was actually hoping for with mind.  So, I didn’t mix it well.  I just scrunched the fabric and stuck in a bag.

And these are the results.  The photo doesn’t do it justice, since there are some dark blues and maroons in there.  Cool, huh?A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog
Next, we did shibori.  After wrapping our fabric around poles, we applied the dye and left it to soak.  We used things like cut off 2 liter bottles.

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog
Ruth Anne was very organized.  She had a big bucket for us to set our containers in.  This held them upright and worked very well.

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

I clearly used too much dye and didn’t get the contrast I would have liked.  Still very pretty, though.

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

Our final technique of the day was writing with a syringe and thickened dye.  I got two very different results when I used two different fabrics.  The one on the right is cotton, which worked well.  The one on the left is something unknown.  You might say that the colors look the same, but no.  The blue-green lines on the left piece were supposed to be dark blue.  And the pale greyed blue in the background is the same blue-green dye I later used on the right.  Can you believe the difference?

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

We also tried other things with our thickened dye.  Laura painted with hers.

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

And I tried some mono-printing.

A day of dyeing. Ellen Lindner, AdventureQuilter.com/blog

I think some practice would help with this technique.

Any way you look at it, though, dyeing fabric is always fun!  And I’ve never gotten anything truly ugly.  There’s always a use for the resulting fabrics.

Ellen Lindner

 

 

6

Overcoming My Left Brain Tendencies

You know about the left and right sides of the brain, right?  The left side excels at logical thinking.  Categorizing, sequencing, etc. but sees things mostly black and white.  The right side is the creative side.  It considers many options and sees many shades of grey.

Well, I’m mostly left brained.  My brain automatically sorts, sequences, and plans.  Yes, I can create art, but it’s not as automatic for me.  Sometimes I need some warm up exercises (or days!) to get me into the creative groove.  And it tires me out after awhile.  I’m envious of those of you who can work on your art all day.  I HAVE to take a break and go read my email, balance the checkbook, or do SOMETHING that’s black and white, rather than open ended.  All those art choices can wear me out!

My left brain was quite happy with my recent tomato quilt.  After all, I basically copied a photo with fabric as the medium.  There’s nothing wrong with that and I like the quilt very much.

Vine Ripened, an art quilt by Ellen Lindner. AdventureQuilter.com

Vine Ripened

Ellen Lindner's tomato quilt in-progress. AdventureQuilter.com/blog

But, as I was finishing the quilt, I had a nagging dissatisfaction with my process.  Not the quilt itself, but my thinking.  I’m an artist, after all.  Did I really bring my hand, my vision, to the piece?  Did I alter it to make it better?  Well, maybe a little.  But, it seemed like I had maybe taken the easy way out.  I wanted to push myself more.  To abstract the image somehow.

In the past, I’ve had luck creating torn paper collages from magazine pages.  The inaccuracy of tearing causes the image to be looser.  This can often be a good way to abstract an image.  So, I decided to give it a try, again.  I tore a bunch of images and text from a magazine and got to work.

Ellen Lindner, torn paper collage. AdventureQuilter.com/blog

Ellen Lindner, torn paper collage. AdventureQuilter.com/blog

Hmm.  It was starting to look just like the fabric version.  Not really what I wanted.

This is as far as I got before I became completely bored with the exercise.

Ellen Lindner, torn paper collage. AdventureQuilter.com/blog

Well, that was no great success, but what did I expect when referencing the same image?  Clearly, I needed to change my focus.  Maybe I’d have better luck with a single tomato.  My favorite one, with the great curving leaves.

Ellen Lindner, inspiration photo. AdventureQuilter.com/blog

Using photo editing software, I loosely drew the main components of the tomato, putting each leaf and shape on a separate layer.  That way, I could manipulate each item individually.

Abstracting a tomato. Ellen Lindner, AdventureQuilter.com/blog

I began to ask myself some questions about this tomato:
What is my favorite part?
What can I leave out and have it still represent a tomato?
How can I represent the round shape more abstractly?

After LOTS of experimenting I came up with this sketch.

Abstracting a tomato. Ellen Lindner, AdventureQuilter.com/blog

What do you think?  I was kind of in love with it.  It was my first ever graphic abstract design.

I didn’t really intend to make another quilt when I started this process, but I just couldn’t resist.  Here’s the start.

Tomato quilt, early progress. Ellen Lindner, AdventureQuilter.com/blog

It should go quickly, so stay tuned.

I’d love to hear your ideas for creating abstract designs.  Please comment if you have tips.

Also, I’m going to need a name for this piece.  Send me your suggestions.

Ellen Lindner

 

14

Stitching Tomatoes

After placing my three tomatoes on a grey background it was time to quilt everything.  I knew I wanted to use contour stitching, so I pulled out my inspiration photos for reference.  I drew contour lines with a pencil first, directly onto each photo.  Once I was happy with them, I went over them with a Sharpie.

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog
Next, I marked lines on the quilt, and took it to the machine.

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog

Did you notice my unusual quilting foot?  It’s actually intended for cording.  I like it because it’s transparent, giving me good visibility.  But, mostly because the edges flare up slightly all the way around.  This means the foot is unlikely to travel up underneath the tons of fabric edges I have on my quilts.  It works beautifully.

Here’s the right tomato quilted.  It still needs to have the quilting marks removed and it needs a haircut.

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog

Same for the center tomato.

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog

I stitched around the leaves and the edges of the tomatoes with black thread.  This added definition.

Quilting tomatoes. Ellen Lindner, AdventureQuilter.com/blog

Now, I’m finishing up with facing, a label, a sleeve, etc.  I’ll be finished soon!

Ellen Lindner

 

4

Trying New Things

Do you like to try new things?  I do.  Especially as they relate to art and quilting.  Whether it’s a tool, a technique, or a color palette, I consider experimenting with such things to be adventures.  (As a matter of fact, that’s why I call my website Adventure Quilter.)

I recently discovered a new white pen.  It’s permanent and it works pretty well on fabric.  One coat is sort of faded looking, but two passes make a nearly opaque mark.

Trying New Things. Ellen Lindner, AdventurQuilter.com/blog

The pen is called Uniball Signo broad tip.  (The last is a misnomer, since the tip is about like that of an ordinary ink pen.)  Note:  The pen doesn’t cover quite as well as in this photo.

Do you have one of those favorite t-shirts or sweaters that’s so comfortable you want to wear it no matter how ratty it gets?  I have a t-shirt like that, which has been developing holes.  They finally got bad enough that I decided to do something about them.  Namely, mend them in a rather exaggerated way.

Trying New Things. Ellen Lindner, AdventurQuilter.com/blog

I enlarged the holes, patched them with contrasting fabric scraps and embroidered around them.  Now, I sorta feel like I’m wearing an odd work of art.  And I like it.

Have you done any creative mending?

Ellen Lindner

4

Design Class in St. Augustine – Part Two

More photos from my students’ awesome work during “Design Your Own Nature Quilt,” in St. Augustine.

I know you love the see the students’ inspiration photos as well as where they take them.  This was Victoria’s starting photo.  She planned to really play up the blossoms.

http://adventurequilter.com/old-blog/2013/03/design-in-destin/

And ended up with this.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

This is a wonderful example of our class motto:
Be inspired by your photo, not owned by it.

Victoria did an excellent job of keeping what she liked, exaggerating it, and altering the other elements.  She also resisted the temptation to make the background so dramatic that it competed with the blossoms.  As a matter of fact, that dark brown really sets off the bright blossoms beautifully, doesn’t it?  That’s what contrast will do for you.

Both Kathy and Mary selected white flowers as their inspirations.  These can be quite challenging, since it’s hard to show depth and shadows.  However, they came prepared with very good fabric selections for shadows.

Here’s Kathy’s inspiration photo of gardenias.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Here she is, at work.

WEB - Kathy at work

And her quilt, nearly complete.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Don’t you think her composition is better?  And she used tiny slivers of tans and pale blue to create shadows.  Nice work!

Mary used a magnolia blossom as her inspiration.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

She worked the background very loosely, but kept the flower very close to her photo.  Here it is, well along.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Mary used white satin fabric for her flower.  The petals do look a little different, due to the grain of the fabric and the way the light hits it.  She’s also got some pale gray tulle she’ll add for shadows.

Mary often hand stitches her pieces down using a ladder stitch.  She plans to do this for the background and maybe the flower as well.  If so, it will add a great amount of definition to the petals.

Laura used a photo of – hmm, I don’t know – some type of blue/purple mountain flower.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

As with Rosemary, we discussed the challenge of ALL THOSE little flower clusters.  She decided she would edit the number of flowers in order to keep the details manageable.

The mountain in the background was important to Laura, so she spent a good bit of time getting it and the foreground grasses just right.  This was time well spent.

As with Rosemary, we discussed the challenge of ALL THOSE little flower clusters.  She decided she would edit the number of flowers in order to keep the details manageable.

For her flowers, she cut a background shape, but then sprinkled on little contrasting bits of other values.  Although she has a bit more fine tuning to do, this is going to work beautifully.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Yes, she edited her flowers down to only three.  It’s a great composition, but I forgot to get a photo.

By the end of day two, most everyone had shed their name tags.  I was mock complaining since I often photograph the work, and then the student’s “chest”/name tag, so I’ll remember what belongs to whom.  Laura asked, “Oh, you want my name of my chest?” and did this.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Just one example of the fun we had.

Would you like to schedule this two day class for your group?  You’ll find a full description here.

Ellen Lindner

3

Design Class in St. Augustine

“What do key lime pie and beautiful quilts have in common?”  Answer:  It’s the COMBINATION of ingredients that make it work.  This is just one of the concepts students learn in my “Design Your Own Nature Quilt” class.  The supply list for this class includes “artistic courage.”  And my St. Augustine students definitely packed theirs.

After a morning learning about design, they sketched designs inspired by their own photos.  Since they learned that nearly every photo can be improved, there were lots of changes and tweaks considered.  Finally, it was time to bring out the fabric and their compositions began to emerge.

Here’s Karen’s inspiration photo.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

And her quilt, nearly complete (except for the quilting.)

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Isn’t it great?  She wisely moved the focal point off-center for more interest.  And the addition of orange and purple add a wonderful spark.

Sharon brought a photo of a favorite view in Yellowstone National Park.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

She did an excellent job capturing the scale and drama of the scene.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Celeste chose a challenging photo, due to the multitude of flower shapes.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

However, she edited her sketch to include only her favorite parts and got to work.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

She made good progress by the end of the class.  (She wasn’t crazy about the sky fabrics and intended to switch them out once she got home.)

Joanne worked with a great photo which needed very little editing.  I neglected to get a shot of her inspiration photo, but you can see a glimpse of it on her table.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

The photo below shows her quilt after her first little bit of quilting.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

Joanne will add petal definition to her flowers with the addition of black stitching.  (Yes, she’ll need her artistic courage for that, but she can practice first on a sample.)

I really tried to disuade Rosemary from using the photo below as her inspiration.  Just because of ALL THOSE LITTLE curly doohickies!  (What is the plural of doohicky, anyway?)  However, after discussing it, she decided she was willing to spend the time it would take to manage all those tiny shapes.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

It was looking really great by the end of the second day.

Design Your Own Nature Qullt class, with Ellen LIndner. AdventureQuilter.com/blog

She’ll experiment with ways to work the little curly tendrils.  Maybe couched thread, bent wire, or some other invented technique.  She’s willing to put in the time to do the needed trial and error.  And, of course, she’ll add some pale twisted yellow (?) curly-Qs in the center.  I think it’s going to be pretty spectacular.

I do so love teaching this class!  And, if you’re interested, I have an online version going on right now.  We’re about half way through part one, the design portion, with two and a half weeks remaining.

Ellen Lindner
Related posts:  Cropping as a design feature. And more cropping  (Both of these are quick reads, and worth checking out.)

0

Third Tomato

Are you getting tired of seeing my tomatoes?  Don’t worry: this is the last one.

This tomato, on the right, is only a partial one.

Photo inspiration for Vine Ripened, by Ellen Lindner. AdventureQuilter.com/blog

Still, I’ll need to build a little extra to allow for positioning and trimming.  This time I started with the lightest spots.

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

A detail of that, with many little pieces of fabric helping the transition from very light to medium-light.

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

This tomato has “cheeks” so a line of sharp value change will indicate this.

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

And here are all three tomatoes, arranged approximately as they will be in the final composition.  I’m quite thrilled with them!

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

Next, I’ll need to decide on background colors.  Something neutral, I think.  Any suggestions?

Ellen Lindner

 

13

More Tomatoes

I’ve been a little tomato crazy lately.  I’m working on a new piece which needs three tomatoes.  I’m making them as stand-alone units, to be later added to a background.  Number one is complete. Here’s number two underway.

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

Once again, I’m constructing the tomato on a muslin base, lightly gluing fabrics into place as I go.  (Which is why I have an old cutting mat underneath in case it sticks a little.)

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

I’ve been loosely emulating Susan Carlson’s technique which she describes in her book.  However, she likes to tuck the little green leaf fabrics under the larger red tomato fabrics.  Which means the red fabrics have to be cut very accurately.  I tried that on the first tomato but didn’t really care for it.  So, on this one, I’ll add the leaves on top, later.

Here it is with the red completely covered (but not finished.)  Because I deviated from her technique I had to redraw the green leaves onto the red fabrics as I went.

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

Here’s the red part complete.  Little pieces of fabric have been added to soften the value transitions and to repeat little motifs throughout.  Can you see the difference?

Vine Ripened, in-progress. By Ellen Lindner, AdventureQuilter.com/blog

I added the leaves on top of the red tomato, in my usual fashion.  Sorry, no photo of the completed tomato, but there’s more to come.

Ellen Lindner

4

“Florida Native #1”

You remember the leaf quilt I made, right?  Well, it has a companion piece which I recently finished.

Here it is, underway, as  I was auditioning fabrics.  You can see I placed the red squiggles of my feature fabric on a “sweet spot” and built everything around that.

In-progress art quilt by Ellen Lindner. AdventureQuilter.com/blog

Of course, the fabrics changed a good bit along the way.

Here’s the finished version of  Florida Native #1

Florida Native #1, a fabric collage by Ellen Lindner. AdventureQuilter.com

Florida Native 1

And a detail shot:

Florida Native #1 - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Why did the second quilt get named #1 and vice versa?  Because I thought they might hang together with this second one on the left, so I named them accordingly.  Here’s how they look together.

Florida Native #1 & #2, art quilts by Ellen Lindner. AdventureQuilter.com

I’m happy with them, but READY to move away from green!!!  (It takes a long time to make TWO quilts!)

BTW, I may have occasion to enter only one of these in an exhibit.  In that case, which one should it be and why?

Ellen Lindner

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