Tag Archives | Abstract

Inspired by a Christmas Cactus

Once again, my Christmas cactus was beautiful this year. (Here in Florida it lives outside year round.)

Inspired by a Christmas cactus. Ellen Lindner, AdventureQuilter.com

I began to imagine what an abstracted version might look like in fabric. Can’t you envision some bright, spiky red shapes? I was especially enamored with the cascading blossoms on the right side.

Just to jump start some ideas, I played with the photo on my computer. This pointillist version really got my attention.

Inspired by a Christmas cactus. Ellen Lindner, AdventureQuilter.com

Whoa! I was pretty much blown away by these bright spots of color and the black background.

I began to ask questions and to make plans. I knew I wanted to include some black and to use shards of bright colors. I didn’t think I wanted to use little circular blobs, though.

What would be a better shape? Maybe a rectangle with a point cut off? (A shape I had just used in my most recent quilt.) Would I want to cover the entire surface with such shapes? I didn’t think so.

I bought some solid black fabric and began to audition colors and shapes. I’ll show you soon.

Ellen Lindner

2

Round Two

After a disappointing attempt at making a quilt featuring my large-scaled hand dyed fabrics, I dramatically down sized and tried again.

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

This time I switched the color proportions, using turquoise as my primary color and fuchsia as the accent. I still found it hard to incorporate the leaf fabric. Maybe because it had a lighter background? As you can see, I quickly over worked it.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

Have you heard the saying, “If something’s not working out (visually) remove your favorite thing?” Yeah. I slowly considered that I might need to remove the fuchsia leaf fabric and eventually did so, (reluctantly.) And, of course, things got much easier after that.

The background progressed well and I was very happy with it. It even showed off my fabrics, right?

Round Two. Ellen Lindner, AdventureQuilter.com/blog

On to a focal point. And I had the perfect specialty fabric for it.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

But one strip of perfect fabric clearly couldn’t carry the whole piece. I knew I’d have to cut it into pieces to add some energy and to improve the composition.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

BTW, I’m calling this “The robbing Peter to Pay Paul photo.” It shows what’s left of the original composition on the left design wall, as I reworked it on the right, using many of the previously cut fabrics.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

OK, so I needed to mix things up a little. I decided to expand the color palette and to add additional smallish pieces. A quick audition confirmed this as the correct direction. Didn’t it gain a lot of energy from that?

Round Two. Ellen Lindner, AdventureQuilter.com/blog

I committed to cutting smaller shapes and I was really liking where this was going.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

I was getting close. After finalizing the arrangement, I took lots of photos of the accent pieces and lifted them all off. Then I quilted the background with straight lines. At one point I put the background back on the design wall, but accidentally got it upside down (below.) I decided I liked that better.

Here’s the final arrangement pinned, and ready for gluing, then stitching/quilting.

Round Two. Ellen Lindner, AdventureQuilter.com/blog

I’ve had quite a time thinking of a name. Any suggestions? I’m leaning toward Underwater Dance, Shallow Water Dance, or just Water Dance. Do you think any of those work?

Ellen Lindner
P.S. Don’t you love my new lights on my design walls? I LOVE them!!! (See more of my recent studio revamp on my video page.)

2

A Fabric-Inspired Quilt

As I mentioned in an earlier post, a specialty fabric or two can be the primary inspiration for an entire quilt. And that’s what I wanted to try.

This is sort of what I had in mind. I had intentionally dyed some large scale fabrics in order to try my hand at this. Plus, I had a few from earlier dye sessions. I thought I could do something with these, keeping the large scale pieces more or less intact, so their designs would still show.

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I put my muslin support fabric up on my design wall (nearly 4′ x 5′) and started auditioning fabrics. I almost immediately removed the large circles from the mix since I thought the colors looked a little muddy.

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

Hmm. I could see that the light blue fabric with fuchsia leaves was standing out A LOT. What to do? (Note that all fabrics are just folded and pinned in place at this point.)

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I made the highlight fabric smaller. And, of course, added the circles back. (Can you say “trial and error?)

I was loving the colors, but the composition was definitely lacking. I thought it needed some variety of scale, so I made some small units with scraps. (These are just glued to one another.)

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

Well, they look pretty exciting don’t they? But, how to best use them?

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

Those little pieces definitely added energy, but everything was looking pretty messy at this point. I decided I needed to commit to CUTTING fabrics, so I could see it all better.

Which is when I realized I had gotten way off track.

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I was loving the colors, but I was having a terrible time using those large scale prints. Finally, I decided that my fabrics just weren’t large enough for this size quilt.

So, I started again, at about one quarter the original size.

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I could immediately see that this was much more viable. On to round two.

BTW, I don’t fret when I have to rework something. Each “detour,” as I call them, has value. I learn from them. Typically, I’m excited to use that new knowledge as I plow ahead into the next thing.

How do you react to restarts?

Ellen Lindner

4

“She Has a Great Personality” Complete

I finally got around to properly photographing my latest quilt, She Has a Great Personality. It’s meant to be a self-portrait in the style of a favorite artist. In this case, that artist is abstract painter Jane Davies.

"She Has a Great Personality" Complete. Ellen Lindner, AdventureQuilter.com/blog

I thought working abstractly would be difficult, but it wasn’t too bad. I had more trouble deciding on some of the details.

I added hand stitching in several areas to help tie it all together.

"She Has a Great Personality" Complete. Ellen Lindner, AdventureQuilter.com/blog

I’m very happy with it, and I think it represents me pretty well.

Ellen Lindner

2

Those Circles!

Jeepers! I feel like the poster child for trial and error! While working on my latest quilt I had quite a difficult time deciding on what color to make one of the design elements.

The issue was the white circles, as seen below. I loved their shape and placement, but I could see that they attracted too much attention. I needed to tone down the contrast.

Those circles! Ellen Lindner, AdventureQuilter.com/blog

So, I started auditioning a variety of other colors. Yellow?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

No. I figured it should be a lighter or darker version of one of the colors already in the quilt. Pink?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Nope. Pale aqua?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Uh-uh. Enough of  these pastels. What about something bright?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Hmm. Not too bad. (Actually, I tried brighter orange fabrics and they seemed a little too much to me.) How about dark red?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

I like this well enough to cut out the shapes.

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Well, they were no longer attracting attention, but now I wondered if they showed up enough!

I FINALLY went back to orange, now in more subdued versions.

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Would you believe it? I now thought the orange didn’t show up enough. Maybe I should add some darker hand stitching around each one.

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Maybe. Or would lighter thread provide more contrast?

Those circles! Ellen Lindner, AdventureQuilter.com/blog

Never one to make life easy for myself, I ripped out the dark stitching and redid it with yellow. I was FINALLY happy with it.

Whew! I’m giving myself a gold star!

A Gold Star for My Students. Ellen Lindner, AdventureQuilter.com/blog

What do you deserve a gold star for? Let me know and I’ll email you one.

Ellen Lindner

 

0

I Almost Forgot

My raw edge collage techniques involves lots of layering. Sometimes perfectly wonderful fabrics get covered by something else later. However, I don’t typically rescue those underneath fabrics. Instead, I tell myself that I bought the fabric to use and if it’s function is to support later fabrics, and to give me flexibility then it has served me in a useful way.

But, on my current quilt, there’s a large shape that landed on top of the background. See what I mean?

So, I decided to rescue the red section underneath the largest turquoise shape. Both the red and turquoise sections were built on – and glued to – muslin, so I knew I could easily separate them.

But then I forgot.

Meanwhile, I started quilting the background, even though there were still foreground elements to be added. This was a logistical decision, since it will help me avoid all the starting and stopping that would otherwise be necessary to dodge all the things I intend to add.

About halfway through I remembered my earlier plans. So, I pulled up the batting as best I could on the lower portion. Some of it was already stitched down.

I Almost Forgot. Ellen Lindner, AdventureQuilter.com/blog

As you can see, I cut away the red portion, where able.

And I found two pins still stuck into that fabric! Good thing I did. I’ve had to cut them out a few times in the past.

But, since I was cutting from the back, I didn’t judge well and I actually cut into the background in the area I wanted to keep. Gulp!

I Almost Forgot. Ellen Lindner, AdventureQuilter.com/blog

But, since I work in raw edge collage, and quick patch took care of that.

I Almost Forgot. Ellen Lindner, AdventureQuilter.com/blog

Back to quilting!

Ellen Lindner

0

An Abstract Self-Portrait?

I like challenges. As a result, I’m currently working on an abstract self-portrait. It all came about when my art group, Dirty Dozen Fiber Artists, came up with (another) self-portrait challenge. This one was to be inspired by another artist.

After some online searching and thought I decided on one of my favorite contemporary artists, Jane Davies.  She’s a painter and collage artist who does extraordinary abstract work.

Pattern Study 1 by Jane Davies. AdventuareQuilter.com/blog

Stripes and Dips 1 by Jane Davies. AdventuareQuilter.com/blog

Pattern Study 3 by Jane Davies. AdventuareQuilter.com/blog

Great, aren’t they? But, how do I make an abstract person? I remembered seeing one of her pieces (which I couldn’t find again,) that had a figure-like shape and I thought I could emulate that.

After creating an orange and red background, I auditioned the shape and placement of the figure with parchment paper.

An Abstract Self-Portrait? Ellen Lindner, AdventureQuilter.com/blog

And then, the fabrics.

An Abstract Self-Portrait? Ellen Lindner, AdventureQuilter.com/blog

I think it works pretty well. What do you think?

I’ll be adding a squiggly black line to this – again in the style of Jane Davies. I’m really enjoying working on this!

Ellen Lindner
P.S. Jane Davies has some excellent free tutorials and a great book about painting abstracts.

0

“Diversity”

When making Melting Pot, I was also considering whether I might have time to make a smaller quilt for another challenge. As Melting Pot grew, I decided to make it smaller and to use the remaining parts for this smaller quilt. Diversity is the result.

"Diversity", an art quilt by Ellen Lindner. AdventureQuilter.com/blog

It was made for an exhibit called “1 x 4: Imagination.” As you can see, 1 x 4 refers to the dimensions: 1 foot wide and 4 feet tall.  I modified the shape of the top and bottom, an effect I really like.

Like its sister quilt, Diversity was pieced improvisationally (with no pattern.)

I’ve spent a lot of time in the last few months shifting my teaching to online. That was a BIG time commitment and I didn’t have much time for creativity. Now, things have settled down and I’m easing back into quilt designing. Surprisingly, I had a little artistic block when I came back to it. I think that’s because I was so focused on black and white tasks for so many months, and my creative muscles were out of practice. Has that every happened to you? Now, I feel those old creative juices beginning to flow and it’s so much fun!

Ellen Lindner

 

0

“Melting Pot” – Quite the Challenge

In a recent post I suggested that, when making improvisational quilts, it’s a good idea to get the proportion of colors set before any construction begins. Yet, I ignored my own advice on my latest quilt, Melting Pot.

It all began when I fell in love with a painting by Jane Davies. Great colors, right? It’s called Common Thread 1.

Common Thread 1, a painting by Jane Davies. JaneDaviesArtGallery.com

Although the colors are quite disparate, I decided I would use them as a springboard for a new improvisational piece. (However, when I printed out this reference photo, the colors came out much more subdued, which affected the fabrics I used.)

As with any improv quilt, I started by selecting the fabrics I would use and sewing them together in pairs. This is what it looked like at that stage.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

Pretty ugly, right? Clearly, I’d have to add interest by slicing and dicing to create a variety of shapes and sizes. And I strongly suspected that I would decrease some of the colors as I went. I jumped in.

Even the first little bit of manipulation made it look better.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

So I did more.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

At this point I didn’t care about making square-ish units. I was just trying to create interest. It was definitely getting better as smaller shapes were created.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

I decided to scale back on the yellow, orange, and tans, and to pump up the teals, reds, and blacks.

"Melting Pot" - Quite the Challenge. Ellen Lindner, AdventureQuilter.com/blog

The little skinny strips add a lot of energy, don’t they?

At this point, it was getting pretty large and I was having second thoughts about the size. Then, I remembered another call for art requiring a quilt that’s 1′ wide by 4′ high. I realized  I had enough units to make 2 quilts! Yippee! In the photo above, I’ve separated them. The 6 units on the left would go into my original quilt and the 3 (stacked) on the right would become a 1′ x 4′ piece.

And here’s the finished quilt, Melting Pot. Whew, that was challenging!

And a detail shot:

I’ll show you the companion quilt soon.

Ellen Lindner

8

Lily Improv

Are you familiar with Linda and Laura Kemshall? They’re a mother-daughter duo who make fabulous art – in fabric and paper, and who have a weekly newsletter. Recently, they featured this photo. Isn’t it lovely?

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

I was enamored with the colors of the lilies and wrote to ask if I could use it for a quilt’s inspiration. Linda had taken the photo and she gave me permission to use it.

I pulled out pretty much all of my pink and green fabrics and began to make selections. I knew I’d also want to add in some grey, too.

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

(Yes, I have a lot of fat quarters!)

Have you ever made an improv quilt? The critical thing is to get the colors and their proportions the way you want them at the start. Then, you can sew and slash and piece to your heart’s content. (It turns out that I missed the mark, but more on that later.)

To start, I cut a bunch of fabric rectangles. For the critical pinks I cut them about the size of a piece of typing paper. The whites, greys, and greens were only about 1/4 that size. I also sorted through my scraps and pulled out the pieces that would work. Then, everything got stacked into contrasting pairs and taken to the sewing machine.

The scraps had wonky shapes, but I just trimmed them to straight lines.

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

Now that I think of it, I guess that’s the crux of this improv method: sew things together and then trim them.

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

This is what my blocks looked like, above, after that first round of piecing. Everything is large and chunky. But, I knew I’d be GREATLY modifying them so I was pretty happy with them. (Maybe too much peach, though.) Then, the fun began.

Sometimes I sliced across seams and rejoined them with mismatched alignment.

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

And I began to add grey to some of the oddly shaped blocks.

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

Lily Improv. Ellen Lindner, AdventureQuilter.com/blog

This was just the beginning of the fun. Watch my next post to see how things progress.

Ellen Lindner
P.S. You’ll definitely want to check in on the Kemshall’s website, Design Matters TV, and sign up for their mailing list.
P.P.S. You can see some of my other improv quilts in the links below.

 

2