Tag Archives | Color

Using Coordinating Fabrics

In my last dyeing session I printed these two fabrics. I loved them and couldn’t wait to use them together!

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

But, what to do with them? In my usual fashion I pulled out every fabric that I thought MIGHT work with them.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I tried adding some peach, as a transition color.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Then, I removed some of the busiest prints and added black and dark purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Now what? Should I use both bright and dull yellows?

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Or maybe just dull yellow? (Which would mean I couldn’t use the yellow circles at all.)

Either way, I knew I needed a plan. Maybe something wide and short with a horizontal arrangement of purple.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

No, it really was too chunky.
I finally proceeded with the selection below, still wondering what to do.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I thought I should lay out the focal point/line first. I cut up the yellow, trying not to dice up too many circles. I was pretty happy with this, but I knew I couldn’t properly audition it on a light design wall. I needed to see the purple/fuchsia around the perimeter for contrast.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

I stared in with the fuchsia and liked the added contrast. But what about those yellow pieces? I began to think that they were too big and chunky.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

What if I made them smaller and/or inserted fuchsia in some places? To audition the idea I did a little experimenting in the computer.

Using Coordinating Fabrics. Ellen Lindner, AdventureQuilter.com/blog

Hmm. I learned two things: 1 – Yes, the yellow looked better in smaller pieces, 2 – That’s too much fuchsia!

So, I reluctantly knew what had to be done: I needed to partially take it apart, cut some pieces smaller, and then figure out how to get everything back together again. And that’s when it turned into a giant Tetris puzzle!

Sometimes I hate it when I get a good idea! (Or was it really good? Watch for future posts so you can be the judge.)

Ellen Lindner

 

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“Heat Wave” Complete

My latest piece, Heat Wave, is now complete.

Heat Wave, an art quilt by Ellen Lindner, AdventureQuilter.com

Heat Wave

I’m quite happy with it! The design was dictated, in part, by the triangular orange scraps I had on hand. I like the sharp points.

Heat Wave - detail, an art quilt by Ellen Lindner, AdventureQuilter.com

At 35 x 35, this piece is available for $1200. See more photos.

I used ALL of my orange and navy hand dyed fabrics in this piece. I’m looking forward to an upcoming dye session when I can make more.

Ellen Lindner

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Featured Spotlight on Creative Whimsy

Creative Whimsy, a website about artists and their endeavors has just done a spotlight on me. How nice!

Ellen Lindner Artist Spotlight - Creative Whimsy. Adventure Quilter.com/blog

They sent me a ton of questions and I answered most of them. (I mean, you didn’t want to read PAGES about me, right?)

I was glad they asked about my process. I explained how I make decisions at the design wall, since it’s the part of quilt making I really like the most. I showed this series of pictures as an example.

Composing with an Eye Toward Value. Ellen Lindner, AdventureQuilter.com/blog

Composing with Value. Ellen Lindner, AdventureQuilter.com/blog

They also asked for a photo of my studio. So, I bravely walked in, LEFT EVERYTHING IN PLACE, and took a photo. This gives you an idea of what it looks like mid-project, although it’s usually much worse!

Ellen Lindner's studio 2024, mid-project. AdventureQuilter.com/blog

I hope you’ll check out the full article (and be willing to scroll past all the ads.)

Ellen Lindner

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Planning as I Go

As usual, my current quilt started with a high contrast piece of hand dyed fabric. This is all I had of it.

Planning as I Go. AdventureQuilter.com/blog, Ellen Lindner

What could I do to best show it off?

Planning as I Go. AdventureQuilter.com/blog, Ellen Lindner

The additional fabrics added above provided interest, but the original fabric swatch still seemed rather straight forward.

It was kinda hard to judge against white. I knew I wanted a blue background, so I added some to the design wall to help me judge the overall look.

Planning as I Go. AdventureQuilter.com/blog, Ellen Lindner

I split the featured print and splayed it apart. I thought this added energy, plus some interesting negative blue space.

I began to audition additional colors and fabrics. What about a mass of orange on the right and across the bottom? I placed folded fabrics to consider options.

Planning as I Go. AdventureQuilter.com/blog, Ellen Lindner

My orange fabric was limited and I knew I’d have to work with the shapes I had: sharp triangles.

Planning as I Go. AdventureQuilter.com/blog, Ellen Lindner

That didn’t seem objectionable. However, I did get rid of the vertical yellow point near the center.

As you might imagine, there was some fiddly stitching on this one. It was actually easier than I expected and I’ll show you some about how I did it in the next post.

My next question: what to do with the lower left.

Ellen Lindner

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Following the Fabric

I’ve been working on a new quilt, using fabrics I dye-printed during my last dying session. As you can see, I made them to go together.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

To get started, I pulled these out, along with every fabric I thought MIGHT go with them. As usual, this stage was a rather ugly mess.   (I was toying with the idea of using some pure red bits along with the pink.)

That seemed like overkill. I removed some busy high-contrast fabrics, most of the red, and tried out a little blue-green.

Following the Fabric. Ellen Lindner, AdventureQuilter.com/blog

Much better. I was ready to move ahead.

There was a fabric combo in this collection that was really exciting me: the pink and black polka dots and the yellow-green print top left, with the little twiggy shapes. I liked the way the sharp little twigs contrasted with the round dots. Unfortunately, the photo above shows ALL the twiggy fabric that I had. I knew I would have to use it very purposefully and that it’s limited size would also dictate the overall size of the quilt.

Here’s the entire piece of twiggy fabric plus what I thought was an appropriate amount of the polka-dot. I quickly committed to the central composition and stitched two primary seams. Everything else is shown in audition stage and is only folded and pinned.

I really liked the vertical strip of black and yellow-green stripe just right of center (above.) I made it by carefully cutting a strip from the fabric with the large yellow-green rectangles. I was very happy with that result

Below, I added more fabric on the right. The black spacer between the stripe and the dots was needed as a calming note.

Following the Fabric. An art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

I wasn’t sure about the large rectangles on the left, shown above. They seemed to be sorta taking over. I removed them and concentrated on the right side for a bit. This corner combination seemed about right.

Following the Fabric. An art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

The left side was definitely going to need some attention. At this point it needed some weight (black) and some pink.

In the next post I’ll show you my progress.

Ellen Lindner

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Planning a Foreground Design

I’ve been wanting to do a series of quilts about my family. I made the first one, Happy Family, which used circles to represent people.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

Happy Family

With that one the circles were an 11th hour addition. For the next one I wanted to be much more intentional.

After selecting green for the background of my current quilt it immediately got me thinking about my dad, a farmer. I decided to make a quilt about both my mom and my dad. My mom is a very gracious southern woman, who excels at entertaining, gardening, and cooking. I think of her as a Southern Belle, because she’s a beauty, as well. Thus, my working title became “Daddy was a Farmer, Mama was a Southern Belle.” (Note: my mom is still alive and she’s given her blessing to this title.)

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

So, how to depict these two with circles??? I knew I wanted to use red to contrast with the green. And it had a sort of farm feel to me, since farm equipment is often red.

I drew a sketch on the computer and began to audition my ideas on the design wall. I thought Dad (or Daddy as I often addressed him,) needed a big red sort of tear shaped oval.

Planning a Foreground Design Ellen Lindner, AdventureQuilter.com/blog

But, Mom needed to be more curvy.

Planning a Foreground Design Ellen Lindner, AdventureQuilter.com/blog

And slightly pinker.

Planning a Foreground Design Ellen Lindner, AdventureQuilter.com/blog

I managed to find enough red fabrics for my purposes and I’m loving these colors together!

I was REALLY tempted to complete these two shapes, but I began to think about how much easier it would be to quilt the background before adding the circles, especially since I intended to add quilt a few more blue and green ones. So, I quilted the background and started auditioning fabrics for background circles.

Planning a Foreground Design Ellen Lindner, AdventureQuilter.com/blog

The background circles will be MUCH skinnier than the foreground ones. Maybe pinky width.  And they’ll have much lower contrast, serving as a background of ancestors.

The pace on this piece has finally quickened and I’m really enjoying it!

Ellen Lindner

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Piecing a Green Background

For my latest quilt I envisioned an interesting green background with vibrantly colored circles in the foreground. I got to work on the background with my usual technique of auditioning fabrics and designing as I went along. I chose green, because I had A LOT of green fabric. Plus, I had a theme idea that would work well with green.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

It was SLOW!

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I would piece a section, audition a section, and repeat.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

Thankfully, my efforts paid off and I was quite happy with the way it was developing.

To add interest in the less patterned areas I added several little skinny arcs.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I used red here and there to go with the fabrics and to support the red fabrics I planned to use in the foreground.

Here it is finished and I’m very happy with it. I think it has enough pattern to be interesting, but not so much that it will compete with the foreground.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I think there’s one commercial fabric in there, but otherwise I dyed all of them. I love using my own dyed fabric!

During the time  it took to piece the background I had plenty of time to think about the foreground. I knew I wanted to use red in some very curvy/circular shapes. Auditioning red fabrics was next on my list.

Ellen LIndner

 

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“Happy Family” Complete

Here’s my latest quilt, Happy Family

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

I’m REALLY happy with it and I hope you like it, too.

As you can see, I added three loose circles, to add interest. Since there are three members of my immediate family, and because the colors are so upbeat, I decided to name it Happy Family.

I got carried away when taking detail shots. Again, because I just love what happens when these busy prints interact with one another.

."Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog
As usual, I printed 99% of these fabrics myself (with dye.)

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

This quilt is 32″h x 35″ w.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

It’s available for purchase, at a price of $1100. If you’re interested in buying it contact me via email with the link at the bottom of the page.

Ellen Lindner
P.S. I really like the loose circles. I think I’ll use them in a future quilt.
P.P.S. I can’t wait to get started on the next quilt!

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Dyeing with Forethought

I’ve been dyeing again. These are the fabrics I created in a week-long session.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I tried to repeat motifs and colors so that I might be able to use some of these fabrics together. Like these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

Or, a different combination.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I don’t use much white, but thought it would be useful for creating contrast and interest. So, I did these.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

These are all mono prints, done on slick vinyl. The vinyl makes the dye bead up, giving lacy results.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

I think the blue and green one, above, could become a whole cloth quilt. Maybe with the addition of some black stitching?

Dyeing fabrics is always fun!

Ellen Lindner

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Composing an Abstract Composition

In my last post, I showed how I started with a diagonal composition. That was probably a good starting point, but I could very quickly see that it was way to bulky and “regular.”

I knew it needed to have some variation and some energy added. So, I started trying new things. First, I got rid of the pink corner and I added a  high contrast print with circles. That helped a lot!

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I pieced together the center section, which had vertical pieces. I was pretty confident with that portion, so I left it in place while I auditioned changes in other areas.

IComposing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

You get the idea. But then, I decided I should turn that center section 90 degrees – just to mix things up.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

It didn’t immediately look better. As a matter of fact, maybe it looked worse. But, since it was DIFFERENT FROM MY EARLIER VISION, it appealed to me and I decided to work with it some more. (After all, I could always turn it back.)

I kept this new center orientation as I continued to work on the placement of the red.

Composing an Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

I’m loving the energy of this piece and I’m having fun working on it.

It needs a title, so I’m writing my thoughts on a list as ideas come to me.

Ellen Lindner

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