Tag Archives | Design

Designing in Maine, Part Two

The students in my “Design Your Own Nature Quilt” class did really excellent work. Their task was to be INSPIRED by their photos, but not to actually copy them.

Eldora had a beautiful photo showing a ton of beautiful flowers, so she wisely cropped it way down.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

 She did a great job depicting the foliage and the flowers loosely. This is going to be great!

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Patricia started with a lovely mountain vista.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

She kept the composition the same and made great progress. She’ll add lots of orange triangle and V-shapes for the lilies in the foreground. They’ll really pop against the green.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Karyn had a very interesting photo, with wonderful shadows and colors. The things she liked the most were the dark tree trunks creating contrast in the background and the busy, colorful plants in the foreground.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

She easily worked loosely and very closely emulated the feel of the photo, capturing her favorite things in the process. Isn’t it great?

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Ann’s photo showed two weeping willows. She cropped most of the right one, which greatly improved the composition.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Then, she had a blast creating a “hairy” weeping willow. It really conveys the type of tree well. The dark shape on the right is the place holder for the second tree. This one is fun!

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Sue’s photo had wonderful light and dark spots in the water and intriguing reflections. She noticed these areas and brought a very good selection of fabrics.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

See what I mean? Her trees and water really came together nicely.

Design in Maine, Part Two. Ellen Lindner. AdventureQuilter.com/blog

Construction tip: when you need little tiny pieces, like the white part of the water, don’t cut them to size. Instead, cut them larger and then tuck them under a larger piece. Let the shape of the larger piece cover and define the shape of the one below. In this case the dark water fabric has tiny cuts in it with a larger piece of white below showing through.

Wow, these ladies did extraordinary work! In one day they learned some useful design principles, created a sketch for their quilt, and made excellent progress with the collage of their quilts. They really pulled out their artistic courage! And we had fun to boot!

See other student work in the Part One post.

This class can be in person or via Zoom, as a 2 day class.  More info.

Ellen Lindner

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Designing in Maine, Part One

I recently taught two classes. One was “Design Your Own Nature Quilt,” and the ladies did a great job. The supply list includes artistic courage and they did not disappoint.

After a morning learning about design and preparing a sketch, the students start creating their fabric collages in the afternoon. It can be a little intimidating because it requires INTERPRETING their inspiration photos, rather than just COPYING them.

With only a few hours to work with fabric, they still made excellent progress on their quilts. Each student worked from her own inspiration photo, so each quilt was different and each student had her own issues to contend with.

Michelle’s photo was taken while canoeing on a very calm lake. I cautioned her about the subtleties of merging water colors, but she came with the right fabrics and was willing the spend the time needed to create her effects.

And this is where she left off. I think it’s very successful. Can you see all the time she spent shredding fabrics in order to give a feel of the water reflection? She’ll add French knots to emulate rivets on the point on the canoe.

Heather’s photo featured a favorite tree.

She cropped it to improve the composition and made excellent progress on her quilt.

Sharon chose a beautiful sunset.

She had to leave class early, but still made a good start on her piece.

Susan’s photo included two different types of flowers, with a foliage background.

She simplified shapes and made a good start on her quilt.

Jenn used a wonderful photo featuring lupines.

She knew she couldn’t easily replicate the entire image, so she cropped it down and simplified. She’ll be able to cut her flower petal/shapes more irregularly, which will speed things up.

Charlene selected a VERY complex photo of lily pads and flowers. She knew she’d have to simplify and crop, so she got to work.

She still had her work cut out for her, but had no qualms about cutting many lily pads. As  you can see, it began to take shape nicely right away.

Won’t these be great? I’ll show you more quilts in-progress in the next post.

Ellen Lindner

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Working with Scraps

I had some interesting scraps left over from Waiting for the Lightnin’ Bugs. 

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

As you can see, they included many skinny triangles, so I knew that would drive my design. And, because they were so skinny, I knew I’d use a collage technique, rather than piecing them.

After creating a background, I started with the brightest shapes, placing them off-center.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

More trial and error.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

It was taking shape. But, when I started quilting it I had a terrible time with the concentric circles I wanted to use. I’m just not good with parallel curves!

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

Deep breaths.

Much of the above was picked out. After drawing the desired lines I redid a lot of it and it looked much better. Thank goodness!

Ellen Lindner

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“Waiting for the Lightnin’ Bugs” Complete

My latest quilt is complete! As you can see, I decided to square off the edges.
These colors are true. My earlier ones were shot in the studio. This one got proper lighting.

Waiting for the Lightnin' Bugs. An art quilt by Ellen Lindner. AdventureQuilter.com

Waiting for the Lightnin’ Bugs

The dark colors of the quilt, combined with yellow streaks, reminded me of a cool evening, in VA, watching the lightnin’ bugs as they came out. (Yes, I pronounce it like that. I’m from the south!)

Here’s a detail shot

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

And another. All fabrics were dyed by me.

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

I’m kinda loving this.

Check out the web page for a larger image, another detail shot, and purchase information.

Ellen Lindner

 

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My Version of Muted

Possible duplicate post

When putting away hand dyed fabrics, I noticed that my least favorites, the dark muted pieces, actually looked pretty good together. I decided to make a quilt with them, and to include a few accents of lighter colors. I was headed for a quilting retreat, so I packed up my potential fabrics to see what I could come up with.

First, I wanted to get the color palette right.  I threw all possibilities up on my portable design wall and easel combo.

My Version of Muted. An art quilt in-progess. Ellen Lindner, AdventureQuilter.com/blog

Not bad, but I could see that some of these colors would need to be used in smaller amounts. See the next photo for modifications. Note that I scaled back a few of the brightest colors. (Ignore the blue tape.)

My Version of Muted. An art quilt in-progess. Ellen Lindner, AdventureQuilter.com/blog

I spent quite a bit of time getting happy with the palette. Then, I started joining fabrics in pairs. Next, I altered each pair in some way. Maybe I added a skinny line, a skewed alignment, or a curved seam. I call this process”slicing and dicing.”

My Version of Muted. Art quilt in progress. Ellen Lindner, AdventureQuilter.com

I continued adding alterations, trying to make each unit interesting. Other than making sure I mixed up the colors well, I didn’t think about composition, shapes, or joining. Once I was home, I assembled units into larger sections.

Finally, it was time to think about composition, size, and shape. I spread out units to see what I had. I was happy with the level of energy and interest, but I didn’t want a horizontal quilt. I knew I’d need to make additional units for the top and bottom, and to fill in some other places. No more random “slicing and dicing.” I was now designing “with intent.”

My Version of Muted. Art quilt in progress. Ellen Lindner, AdventureQuilter.com

Watch for my progress in the next post.

Ellen Lindner

 

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Trying a New Scale

As I started a new quilt, I looked to my hand dyed fabrics for inspiration. I pulled out a few that I thought might spark some interest.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

Uh, no. It all seemed pretty ugly. But, I was intrigued by the large scale black and white piece. Could I work with something like that? It was certainly worth a try.

However, I only had a little of this, so I knew the finished quilt would be small. In fact, this high contrast fabric would comprise the bulk of the piece.

What to put with it? Maybe some red?

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

But, it needed some additional pattern. On a much smaller scale this time, so as not to compete with the main piece. How ’bout these?

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

I liked them in the audition (not-yet-pieced) version, but after moving on to piecing I realized that the proportions had changed quite a bit. (Why didn’t I think more about that?) That wide teal line was way too wide. I trimmed it and repieced it. Much better, (below.)

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

But, that ate into the orange-red print, so I added some more. (This required some fiddly piecing, since I only had scraps of this remaining.) Then, I realized that the solid red was too wide. (Every change affects everything.) I put a tuck in that fabric, (shown pinned for audition below.) That did the trick.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

Finally, my little composition was ready for quilting.

Trying a Different Scale. Ellen Lindner, AdventureQuilter.com/blog

I echoed the pattern in the far right fabric and liked the effect.

Good Possibilities - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I’ve named this piece Good Possibilities. You can see the full image here.

I really enjoyed working with this larger scale fabric. I’ll definitely do it again.

Ellen Lindner

 

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“Twigs” Complete

For the first time I worked on two quilts at the same time, finishing them up very close together. Here’s the latest, Twigs.

Twigs, an art quilt by Ellen Lindner. AdventureQuilter.com

Twigs

I’m very happy with it. And here’s a detail shot.

Twigs - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

The dark twigs were done in the dyeing stage. The white ones were added after piecing, with acrylic paint. As you can see, I used the same stencil for both.

See more details, including purchase information.

Ellen Lindner
P.S. After neglecting it for quite some time, I’m finally hemming and altering clothes. At only 5′ tall, I do a lot of that!

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A Little Bit of Black

A little bit of black can often add just the right touch to a quilt. And in the case of this piece, I NEEDED to add more black to go with what was already there.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I liked the idea of playing up the sharp little lines on the left. But, how to best accomplish that? I tried stitching with a double pass, using 30 weight thread.

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

It showed up well on my sample so I drew out a pattern and started stitching on the quilt.

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

But, it didn’t show up that well on the quilt. Up close it was fine, but it pretty much disappeared from a distance. What else could I try? Maybe hand couching?

Here it is, with about half machine stitching and half overlaid with couching. It shows up much better, right?

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

Here’s a detail shot, again in-progress. What a difference!

A Little Bit of Black Works Wonders. Ellen Lindner, AdventureQuilter.com/blog

I was loving this effect and couldn’t wait to finish it up!

Ellen Lindner
P.S. BTW, I used 6 strands of embroidery floss as the laid thread and regular black sewing thread as the working thread.
P.P.S. See other quilts with hand couching: Wishes on the Wind, post about couching, Back Yard Beauty.

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Composition by Trial and Error

As I continued auditioning fabrics for my latest quilt, I was thinking mostly about value contrast. (Light and dark.)

This is where I left off. I could see that it needed some darker values to add some punch.

 

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

What about some dark green on the right? Yes. I thought it would work.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Plus, I auditioned the idea of a skinny vertical strip of black. Can you see it above?

Rather than piecing the green fabrics in horizontal pieces, I decided to mirror the angle of the highest set of stripes in the feature fabric.  didn’t want a strong line where the top of the green ended and pink started. I looked for fabrics that would help me provide a transition.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Yes, that worked. Here, you’re seeing mostly cut and pieced fabrics. As you can see, I kept the skinny vertical black strip.

Then, I decided the dark green was a little too one-sided. I decided to add a green strip on the left.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I was very happy with it at this point.

As I worked on the left green strip I began to think about how I might add some more TINY bits of black. I thought I needed them to help tie together the other black (the skinny strip and in the pink fabric top right.)

How would you add a little black? And where? I’ll show you my answer in the next post.

Ellen Lindner

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Dyed Whole Cloth

I’ve been working on incorporating a variety of motifs and colors into one piece of dyed fabric and I finally got one I really love.

Mabye I Need a Crystal Ball. Dyeing fabric with Ellen Lindner, AdventureQuilter.com/blog

I rotated it 90 degrees and put it up on the design wall. Now what?

I had a lot of fabrics with the right colors, so I pulled them all out and pinned them up on the design wall. Lots of options here!

(This is my typical process, followed by lots of editing.)

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Perhaps this green-on-green piece would be a nice counter point. Not bad.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

Next, 2 questions:
1 – Could the first fabric hold its own? Would it need some more contrast? It looked pretty awesome by itself.
2 – Regardless of the answer to the first question, should I alter the original fabric? Maybe move the chevrons around?

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

I decided that I should add some contrasting fabrics to the original one. Something dark and maybe green. Back to the green shapes. I liked inserting them between the chevrons.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

But, maybe the chevrons shouldn’t all start at the top. What about this? I was missing the darker green. And maybe the far right chevrons are too far to the right? Lots more trial and error needed.

Dyed Whole Cloth. Ellen Lindner, AdventureQuilter.com/blog

At this point I was folding fabrics and pinning them in place. No firm decisions or cutting yet. Soon, though! Check the next post for more progress.

Ellen Lindner

 

 

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