Tag Archives | Fabric as inspiration

Following the Fabric

I’ve been working on a new quilt, using fabrics I dye-printed during my last dying session. As you can see, I made them to go together.

Dyeing with Forethought. Ellen Lindner's fabric dyeing results. AdventureQuilter.com/blog

To get started, I pulled these out, along with every fabric I thought MIGHT go with them. As usual, this stage was a rather ugly mess.   (I was toying with the idea of using some pure red bits along with the pink.)

That seemed like overkill. I removed some busy high-contrast fabrics, most of the red, and tried out a little blue-green.

Following the Fabric. Ellen Lindner, AdventureQuilter.com/blog

Much better. I was ready to move ahead.

There was a fabric combo in this collection that was really exciting me: the pink and black polka dots and the yellow-green print top left, with the little twiggy shapes. I liked the way the sharp little twigs contrasted with the round dots. Unfortunately, the photo above shows ALL the twiggy fabric that I had. I knew I would have to use it very purposefully and that it’s limited size would also dictate the overall size of the quilt.

Here’s the entire piece of twiggy fabric plus what I thought was an appropriate amount of the polka-dot. I quickly committed to the central composition and stitched two primary seams. Everything else is shown in audition stage and is only folded and pinned.

I really liked the vertical strip of black and yellow-green stripe just right of center (above.) I made it by carefully cutting a strip from the fabric with the large yellow-green rectangles. I was very happy with that result

Below, I added more fabric on the right. The black spacer between the stripe and the dots was needed as a calming note.

Following the Fabric. An art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

I wasn’t sure about the large rectangles on the left, shown above. They seemed to be sorta taking over. I removed them and concentrated on the right side for a bit. This corner combination seemed about right.

Following the Fabric. An art quilt in progress. Ellen Lindner, AdventureQuilter.com/blog

The left side was definitely going to need some attention. At this point it needed some weight (black) and some pink.

In the next post I’ll show you my progress.

Ellen Lindner

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Piecing a Green Background

For my latest quilt I envisioned an interesting green background with vibrantly colored circles in the foreground. I got to work on the background with my usual technique of auditioning fabrics and designing as I went along. I chose green, because I had A LOT of green fabric. Plus, I had a theme idea that would work well with green.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

It was SLOW!

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I would piece a section, audition a section, and repeat.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

Thankfully, my efforts paid off and I was quite happy with the way it was developing.

To add interest in the less patterned areas I added several little skinny arcs.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I used red here and there to go with the fabrics and to support the red fabrics I planned to use in the foreground.

Here it is finished and I’m very happy with it. I think it has enough pattern to be interesting, but not so much that it will compete with the foreground.

Piecing a Green Background. Ellen Lindner, AdventureQuilter.com/blog

I think there’s one commercial fabric in there, but otherwise I dyed all of them. I love using my own dyed fabric!

During the time  it took to piece the background I had plenty of time to think about the foreground. I knew I wanted to use red in some very curvy/circular shapes. Auditioning red fabrics was next on my list.

Ellen LIndner

 

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What to do with Scraps?

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

All quilters and textile artists face the question of what to do with their scraps. I mean, they MIGHT come in handy one day, so it would be good to keep them, right? But, that requires not only space, but some sort of organizational system so the scraps can be seen and used. And what size should be saved? Only yardage or tiny bits?

(I’ve visited some quilt guilds which collect tiny scraps and use them as stuffing for dog beds which they donate to a local shelter. A pretty good idea, I think.)

When I was using commercial fabrics I didn’t feel the need to save very small pieces of fabric. But now that I’m dying my own fabric those little scraps have become much more precious to me. Alas, I end up saving a lot of small bits. But then, what should I do with them?

Recently, I’ve started stitching these little pieces together, with no thought about color or matching. I just find two pieces that are approximately the same length and join them together. After a while I’ll have units that will fit each other and I can proceed with a little trimming and pressing as a go. Still without a plan.

These little units were pieced with scraps from Happy Family, so they automatically had shared colors.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

I put them next to one another just to see what it looked like. Interesting, I think.

In the midst of the scrap sewing I decided to participate in a fund raising activity for SAQA (Studio Art Quilt Associates.) Hey, some of these little units could be used for that!

This call for art was rather unusual in that it called for art of one size, but with plans to display the pieces matted to a different size. That kinda threw me, since I felt like I had to make the composition look good at both sizes. Here it is full size, a whopping 6 x 8. (Note that we were not supposed to finish the edges.)

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

And here’s what it will look like when matted. (4.5 x 6, if I remember correctly.)

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

Not bad, I think. I hope it will generate some bidding.

More recently, I decided to make a “prayer”/art flag. At only 5 x 8, I knew my scrap units would once again do the trick. And they did.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

My scrap units are now looking rather picked over. But, I now know they’re worth having around so I’ll be making more of then. Every now and then.

What to do with scraps? Ellen Lindner, AdventureQuilter.com/blog

And it just occurred to me that these could be pieced by hand, too. So, I could use them as a hand project, too. (Now I’m cooking.)

Ellen Lindner

 

 

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“Happy Family” Complete

Here’s my latest quilt, Happy Family

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

I’m REALLY happy with it and I hope you like it, too.

As you can see, I added three loose circles, to add interest. Since there are three members of my immediate family, and because the colors are so upbeat, I decided to name it Happy Family.

I got carried away when taking detail shots. Again, because I just love what happens when these busy prints interact with one another.

."Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog
As usual, I printed 99% of these fabrics myself (with dye.)

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

This quilt is 32″h x 35″ w.

"Happy Family" complete. An art quilt by Ellen Lindner. AdventureQuilter.com/blog

It’s available for purchase, at a price of $1100. If you’re interested in buying it contact me via email with the link at the bottom of the page.

Ellen Lindner
P.S. I really like the loose circles. I think I’ll use them in a future quilt.
P.P.S. I can’t wait to get started on the next quilt!

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Abstract Design

I continued working on my latest quilt, using lots of trial and error. This is where I left off in the last blog post. I decided against the strong stripes in the lower left.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

This closer shot shows how I first, fold the fabrics to audition placement and size. I cut into them when I get confidant with my plan, but I don’t do the piecing until near the end.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Compare this next photo to the one at the top of the page. I decided I needed some more blue. And I also wanted to enlarge the yellow area near the center. (And to do so with an irregular shape.)

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Here, the background is completely pieced, although I’m auditioning a few little spots of color which I intend to fuse on.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Time to assess what I’ve got. Is it interesting enough? Does it have enough energy? Does it need something else?

What about some skinny and loose black circles? I auditioned the idea on my computer.

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Well, I liked the circles, but not the black. What about yellow?

Abstract Design. Ellen Lindner, AdventureQuilter.com/blog

Yes, I think that will do!

I should have this finished soon and I’m looking forward to showing you the finished project.

Ellen Lindner

 

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I Think I Learned Something

After making each art piece I  like to study it to see if I can figure out what works and/or what does not.

I was particularly happy with this recent quilt, Exuberance, so I studied it a bit. My question: “what makes it successful?”

Exhuberance, an art quilt by Ellen Lindner. AdventureQuilter.com

Exuberance

I think it has a strong composition, good use of colors, and effective use of value variations. What about the white circles in two corners? How critical are they? They certainly add interest, but is there something more?

To help me figure it out I also looked at this quilt, Raking Season. It has rust and black circles made with same stencil as the blue and white above. While I think this quilt is very successful, it doesn’t have the sparkle of the first one. I think maybe it has to do with the color of the circles. The light ones add sparkle.

Raking Season, an art quilt by Ellen Lindner. AdventureQuilter.comRaking Season

Hmm, something to think about. Maybe all my quilts need some light spots to add that sparkle.

To test my theory, I made sure to select some light fabrics for the quilt I’m currently work on. These were my “definite” fabrics when I first started moving them around. As you can see I’ve got some white and black areas in several places. I know they’ll attract attention, so I’ve got my eye on them as I add more fabrics and move things around.

Ellen Lindner's design process: moving fabrics around, trying to create sparkle and energy. AdventureQuilter.com/blog

Slowly creating and enjoying it.

Ellen Lindner

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Twigs of Teal and Red-Orange: Getting Started

I dyed this fabric last year and it’s one of my favorites.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

I was really happy with the way I had a viable design without doing anything more to it, but HOW do you design with that? I had a false start last year and am now trying again.

These are the collection of “featured” fabrics I thought I might be able to use. I call them featured fabrics because they have high amounts of contrast in them, which will draw the viewer’s eye. When working with such fabrics, I try to put them in place early on and then fill in with less dramatic fabrics, as needed.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Next, I pulled out every fabric I thought might work. As you can see, I like these colors and found that I had quite a collection.

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

But, maybe it needed something unexpected. What about accents of yellow?

Teal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

Hmm. Maybe.

I liked the large twig (center right) on the dull orange print. But, I didn’t like the background fabric. So, I stenciled on a couple more using paint.

TTeal and Red-Orange Quilt: Getting Started. Ellen Lindner, AdventureQuilter.com/blog

These should be usable.

I had my fabric decisions (mostly) made, so it was time to start moving things around on the design wall. (The challenging, but fun, part!)

Ellen Lindner

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Red and Yellow Abstract

Historically, I haven’t been a fan of red and yellow combinations, but for some reason, I now find myself drawn to them. I still think they’re a little jarring, but it seems that I now like that. As evidence, I recently dyed fabrics with these colors.

I created a variety, hoping I could use them together. As you an see, I repeated a bean shape in several colors. I was happy with how they worked together and was anxious to get started.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

I realized some of the lightest fabrics wouldn’t fit well into the mix. But, I had some other fabrics I thought I could use. I pinned everything together on the design wall. And I loosely arranged them: a good starting point.

Knowing the contrast of red and yellow, as well as the contrast of different values, would attract attention, I placed them (above) in approximately “sweet spots.” These are considered ideal locations for focal points. They’re easy to identify: picture a tic-tac-toe game overlaying the overall shape. Where the lines cross are sweet spots.

I immediately thought the red fabric with yellow beans was a little too “regular.” (See above) That is, the beans were spaced too evenly. I thought the composition would be stronger if they were “messed up” a little bit. So, in the photo below, you can see that I sliced right through the red bean fabric, and scooted things out of alignment.  Better, I thought.

Next, came A LOT of auditioning as I folded, rearranged, cut (only once I was sure,) and pieced.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It was like a giant game of Tetris. Eventually, I had the left portion pieced and began to work on the yellow fabrics on the right.

Red and Yellow Abstract. Ellen Lindner, AdventureQuilter.com/blog

It all went more slowly that I would have liked, but I was definitely having fun!

More next time.

Ellen Lindner

 

 

 

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Working with Scraps

I had some interesting scraps left over from Waiting for the Lightnin’ Bugs. 

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

As you can see, they included many skinny triangles, so I knew that would drive my design. And, because they were so skinny, I knew I’d use a collage technique, rather than piecing them.

After creating a background, I started with the brightest shapes, placing them off-center.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

More trial and error.

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

It was taking shape. But, when I started quilting it I had a terrible time with the concentric circles I wanted to use. I’m just not good with parallel curves!

Working with Scraps. Ellen Lindner, AdventureQuilter.com/blog

Deep breaths.

Much of the above was picked out. After drawing the desired lines I redid a lot of it and it looked much better. Thank goodness!

Ellen Lindner

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“Waiting for the Lightnin’ Bugs” Complete

My latest quilt is complete! As you can see, I decided to square off the edges.
These colors are true. My earlier ones were shot in the studio. This one got proper lighting.

Waiting for the Lightnin' Bugs. An art quilt by Ellen Lindner. AdventureQuilter.com

Waiting for the Lightnin’ Bugs

The dark colors of the quilt, combined with yellow streaks, reminded me of a cool evening, in VA, watching the lightnin’ bugs as they came out. (Yes, I pronounce it like that. I’m from the south!)

Here’s a detail shot

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

And another. All fabrics were dyed by me.

Waiting for the Lightnin' Bugs - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

I’m kinda loving this.

Check out the web page for a larger image, another detail shot, and purchase information.

Ellen Lindner

 

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