Tag Archives | Fabric Collages

Thinking About a New Class

I’m thinking about turning my “Notes for a Friend” concept into a class. To try out the idea I did an informal class with two friends and it was a huge success!

Cindy had never worked abstractly before, but she jumped in and finished her note in no time flat. Didn’t she do a great job?

Cindy's completed Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

Although she planned on adding hand embroidery later, she decided to skip that so she could work on a second one. She got all the way through completing the composition during our time together. She left plenty of calm areas which will look great when she adds some hand stitching.

Cindy's in-progress Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

Notice that Cindy has a cardboard frame around her piece, above. This helps her visualize the final project without seams allowances, etc. Very helpful.

Jo-Ann was enamored with many hand-dyed scraps and their busy patterns. Using so many patterns can be quite challenging, so she took she took her time and came up with a great composition. She faced it once she got home and doesn’t it look wonderful?

Jo-Ann's completed Note for a Friend. Made in a class with Ellen Lindner, AdventureQuilter.com

She decided that it didn’t need any hand stitching due to the busy patterns already in the piece and I agreed.

It was great fun for me to work with these two and I’m excited about the idea of developing this into a class. Of course, I know it will be quite different working with 15-20 people. I’ll have to think about some streamlining techniques.

What do you think? Would you like a class making one of these tiny quilts (5 x 7?) I anticipate that most students will completely finish theirs, including facing, in class. I’d greatly appreciate your thoughts on such a class, positive or negative.

Ellen Lindner

6

Trees or Skyscrapers?

After trying a pastel blue sky on my piece inspired by fall trees, I tried it with dark blue instead.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

I actually liked it pretty well, but I didn’t have enough bright blue to do it justice. So, I tried white. And also auditioned the idea of more twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

The verdict: YES to the white sky, NO to the chunky twigs.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

But, what about those vertical shapes? Were they starting to imply skyscrapers, rather than trees? Yes, clearly they were. Well, that’s not really what I wanted, but I decided it could be trees in an urban setting. (Plus, I didn’t really care if the shapes read like trees, skyscrapers, or anything real.) I added a few twigs to add contrast and play up the tree idea.

After much quilting I was ready to photograph this piece.

Trees or Skyscrapers? Ellen Lindner, AdventureQuilter.com/blog

Why use a pink backdrop, you ask? It has to do with the digital editing I’ll be doing later. I’ll “pick” the quilt away from the background and it’s easier for the computer to do that if there’s a contrast between the two. Can you see how the left side would blend into the backdrop if I left it white?

Finished photos coming soon.

Ellen Lindner

2

“Tall Grasses” Complete

After several interruptions, I was finally able to finish my quilt, Tall Grasses.

Tall Grasses, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

Tall Grasses

It was inspired by some of the landscape grasses growing in my neighborhood. When the setting sun hits them, the cream colored heads glow an almost pink. As you can see, I ran with that idea, adding my favorite bright colors, and using an abstracted representation of grass.

This is the first quilt I’ve made using almost exclusively my own hand dyed fabrics. Very fun!

Tall Grasses - detail, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

I wanted to play up the curves in the background so I drew it in with a fine permanent marker. It’s very subtle and I like it. As a matter of fact, I’m happy with the quilt in every way.

It was made as a companion to this quilt, Palm Fronds.

Palm Fronds, an art quilt by Ellen Lindner. AdventureQuilter.com

Palm Fronds

Don’t you think they’d make a good pair? Maybe I’ll make one more in the series.

Find out more information about Tall Grasses, including how to audition it in your own home.

Ellen Lindner

2

SAQA 2018 Auction

SAQA (Studio Art Quilts Associates) is having an online auction of small quilts right now! This screen shot gives you an idea of the caliber of these 12″ x 12″ pieces. There are over 100 to choose from! You’ll definitely want to check them out.

SAQA 2018 Auction. Ellen Lindner, AdventureQuilter.com/blog

Here’s my 12″ x 12″ piece, called Crotons with Attitude.

SAQA 2018 Auction. Ellen Lindner, AdventureQuilter.com/blog SAQA 2018 Auction. Ellen Lindner, AdventureQuilter.com/blog

The benefit quilts are divided into groups with a different group available for bidding each week. Mine will be available for bidding starting September 24th.

Check out all the auction details.

SAQA 2018 Auction. Ellen Lindner, AdventureQuilter.com/blog

Enjoy all the eye candy!

Ellen Lindner

 

2

“Crotons with Attitude”

I belong to SAQA (Studio Art Quilt Associates) which has an auction each fall as a fund raiser.  Members are asked to donate 12″ x 12″ quilts which are auctioned off online.  I wanted to participate but was a little pressed for time.  Therefore, I decided to revisit an earlier quilt idea.

I decided to loosely mimic this quilt, When Crotons Cut Loose.

The quilt above came about quite easily.  I had some fused scraps and I wondered if they could be used for croton leaves.  When I placed them along an imaginary stem line, I loved their wacky shapes, so I decided to use them “as is,” with very little modification.  I did something very similar as I put together my new composition.

Crotons with Attitude in-progress. Ellen Lindner, AdventureQuilter.com

Crotons with Attitude in-progress. Ellen Lindner, AdventureQuilter.com

I really like the irregular edges.  Don’t they have lots of energy?

Crotons with Attitude in-progress. Ellen Lindner, AdventureQuilter.com

Once the composition was fused in place, I quilted the background in a grid (made easy by the background fabric.)  Then, I pondered adding some hand stitching and decided to do so.

Crotons with Attitude. Ellen Lindner, AdventureQuilter.com

Crotons with Attitude. Ellen Lindner, AdventureQuilter.com

I’m very happy with this little quilt.  These crotons really do look like they have some sassy attitudes, don’t they?

There will be hundreds of awesome quilts in the upcoming auction.  Check out the early ones and learn more about the auction process here.  I’ll let you know when it actually starts.

Ellen Lindner

 

12

“Initial Response” Complete

My latest quilt, Initial Response, is now complete.

Initial Response, an art quilt by Ellen Lindner. AdventureQuilter.com

Initial Response

Initial Response - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Initial Response - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Find more information here.

I’m REALLY happy with this quilt!  Especially the color scheme, which was new to me.  And, it went together easily, since I let the initial hand dyed fabric (center) give me lots of cues.  I selected the name, Initial Response, mostly because I liked the sound of it and the idea of it.  Then, I realized that it eluded to my process, as well.  I like that.

I’ve written lots about my process in making this quilt. If you scroll back to January 14th, 2018 you’ll see the first post and you can read forward for the full story.

I’m looking forward to using the rest of that special fabric.  Hmm, what shall I do with it?

Ellen Lindner

Audition this art in your home

6

Three Steps Forward

After completing the background of my abstract quilt, I was ready to tackle the primary motif.  I used my sketch as the idea.

It all Started with a Beautiful Fabric. Ellen Lindner, AdventureQuilter.com/blog

Next, I had to choose colors.  I thought some red might be dynamic.

Taking Inspiration from the Starting Fabric. Ellen Lindner, AdventureQuilter.com/blog

 I used photo editing software to audition several different color options.

Three Steps Forward. Ellen Lindner, AdventurQuilter.com/blog

I wanted to play up the red (above) but the yellow provided so much contrast that I decided I needed to work with it in my planned focal point.  Maybe this:

Three Steps Forward. Ellen Lindner, AdventurQuilter.com/blog

Or maybe I should drop the red altogether.

Three Steps Forward. Ellen Lindner, AdventurQuilter.com/blog

I decided to forge ahead with this arrangement.

Three Steps Forward. Ellen Lindner, AdventurQuilter.com/blog

Which meant auditioning red and yellow fabrics.

And eventually I got this.

Three Steps Forward. Ellen Lindner, AdventureQuilter.com/blog

Hmm.  I liked it but it didn’t have the drama I expected.  Did the shapes need to be wider? More experimentation would be needed.

Ellen Lindner

4

At Least I Learned Something

After so much experimentation with paint and collage I was anxious to see if and how it might translate to fabric.  I gave myself this assignment:
– Make 4 small collages, each with paint used at least once.
– Experiment with different ways to get a sheer/transparent effect.
– Start with materials immediately on my work table.
– Start by adding something sheer to every stage.

These were my initial materials, all of which were lying around, (i.e. not properly put away.)  They included some hexies which had been stitched to a background piece of muslin, small fused scraps and sheer fabrics.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

I cut up the hexies and used them as part of the backgrounds.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

I expected the finished compositions to be about 5 x 7.  I used a paper frame (above) to help me arrange the hexies for each.  These were my starting compositions.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

I’ll show you some of what I did.  However, I don’t consider any of them finished.  As a matter of fact, I wasn’t very happy with any of them.  But, I managed to answer my questions, so then I felt find about putting them away.

This is as far as I got on the orange one.  As you can see, a layer of organza greatly obscured the layer below.  It’s also got paint on top of everything you see here.  Except for the little black line which I added with stitching.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

This red and green one got a transparent layer with over printing.  I liked that effect.  Yellow lines were fused on and organza was added to the right side only.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

This blue one was pretty much a dud.  I added a gridded sheer and then melted parts of it with a heat gun.  I didn’t like the wounds.  I also used heavy stitching as a transparent layer.  It worked pretty well, but was too much work for my liking.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

This one was quickly getting overworked and it had questionable color choices.  But, I did like the line I added with two lines of stitching.

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

And here it is when it got so ugly I couldn’t face it anymore!

At Least I Learned Something. Ellen Lindner, AdventureQuilter.com/blog

With all this ugliness, what did I learn?
– I don’t really like sheer fabrics as translucent layers.  They tend to obscure the lower layers too much.
– I DO like allover printing as a textural/sheer layer.  I can see myself using it again.
– I like adding a black line with machine stitching.  I’d like to explore hand stitching it too.

I think I’ve now well and thoroughly put this episode of exploration to bed.  On to the next thing!

Ellen Lindner

 

10

“Spring Forth” Complete

After many distractions, I finally got back to working on my Red Bud quilt.  I decided to name it “Spring Forth,” because I was captivated by the way the Red Bud blossoms pop right up out of the trunks.

Spring Forth, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

Spring Forth

 

I got lucky with the background fabrics.  Many of them had colorful dots which worked well for implying more blossoms.  I love it when the fabric does the work!

Spring Forth - detail, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

As you can see, I abstracted the flowers quite a bit.  That was fun!

Spring Forth - detail, an art quilt by Ellen Lindner. AdventureQuilter.com/blog

Find more details, dimensions, and purchase information on the Spring Forth web page.

Ellen Lindner
P.S.  I’m the queen of cropping.  It VERY frequently improves the composition.  Which I sorta noticed in the second image.  I really like that composition, too.

19

Starting My Red Bud Quilt

After coming up with  a design for my quilt, it was time to select some fabrics.

Designing a Red Bud Quilt. Ellen Lindner, AdventureQuilter.com/blog

My computer generated sketch is shown above.  I decided to fracture the sky quite a bit in order to give the impression of busy twigs, etc.  The lower part would be mostly one fabric, though.

So, I dug into my stash of blues, to see if I had what I needed.

Starting My Red Bud Quilt. Ellen Lindner, AdventureQuilter.com/blog

I crack myself up.  Of course I did!

Next, I put a piece of muslin onto my design wall and drew in the desired dimensions.  Then, I drew in the tree, along with some dotted lines for fractured sky pieces.

Starting My Red Bud Quilt. Ellen Lindner, AdventureQuilter.com/blog

When the first piece went in I was so excited!  I got quite a little Adrenalin surge!

Ellen Lindner

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