Tag Archives | Floral

Empty Spools: Carol, Larsja, and Barb

I’m just back from teaching Design Your Own Nature Quilt at Empty Spools Seminar, in Pacific Grove, CA. It was fabulous!!! The beach side setting was lovely, complete with historical architecture, wind-swept trees, and the sound of the surf.

Empty Spools Seminar. Ellen Lindner, AdventureQuilter.com/blog

But, of course, the real excitement was occurring in the classrooms. I had nine fantastic students who followed the supply list and packed their artistic courage. They worked outside their comfort zones and created very dynamic quilts. Each student brought one or more inspiration photos from which she designed her quilt. We often reminded one another of the class motto, “Be inspired by your photo, not controlled by it.” Wait till you see what they did.

Carol had a dramatic photo of a red flower. Single color flowers are often tricky, but Carol was able to work loosely, which helped immensely.

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

For her second quilt, (yes, several students made TWO,) Carol chose an image of what we think are box fish. In her inspiration photo the two fish were on a black background. As you can see, she improved upon that quite dramatically, and energized the composition with more fish.

Scaling up from the sketch to the quilt is a little bit of a hurdle at first. Carol spent time making mock up fish shapes to help her get it right.

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

Students used cardboard L shapes to help them decide on cropping.

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

One day the students toured around the classrooms to see the various projects. Most of my photos will be the display boards from that event.

Larsja had a great tulip photo to start with. She wisely omitted several flowers and leaves to better show off the remaining ones. And to make the background (negative space) more interesting. And then check out that border! Don’t you love the “drawn” black tulips?

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

Larsja really wanted to make just one quilt so she could get is mostly done. Sure enough, it’s almost completely quilted.

Like Carol, Larsja did a collage exercise with magazine pages. I’ll show you those images more clearly in a later post.

Barb used a photo of a Bird of Paradise blossom as her starting point. It was actually a double blossom, which made the distinction between petals hard to make out. Like Larsja, she omitted quite a few blossoms and did the same with the leaves. (She just scribbled over them on her photo.) She also cropped her inspiration photo quite a bit. (It’s folded on her board.)

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

She finished quilting it in class. Isn’t it striking?

Empty Spools: Carol, Larjsa, and Barb. Ellen Lindner, AdventureQuilter.com/blog

It was all very exciting! More photos in the next few posts.

Ellen Lindner

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Bird of Paradise Quilt Complete

My slightly abstracted Bird of Paradise quilt is now complete.

Arabesque, an art quilt by Ellen Lindner. AdventureQuilter.com

Arabesque

I intended for this piece to be more abstracted. Therefore, I pieced it, thinking that this would automatically simplify the shapes. Well, apparently my piecing skills are better than I thought, because I found the shapes to be almost perfect. So, I purposefully sliced into them to create irregularity. (Or, was the problem with my brain just not wanting to deviate from my original image, which I loved.?) At any rate, I’m happy with it.

Arabesque - detail. An art quilt by Ellen Lindner. AdventureQuilter.com

This piece uses exclusively my own hand-dyed and printed fabrics.

I’ve named it Arabesque, which is a strong ballet pose. In it, the dancer balances on one foot (toes) with arms spread forward and back and her remaining leg out-stretched behind her. The petals of this flower reminded me of that.

See larger images and find other information on this quilt

Ellen Lindner

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“Fragrant Canopy” Complete

I’m SO happy with my latest quilt, Fragrant Canopy.

Fragrant Canopy, an art quilt by Ellen Lindner. AdventureQuilter.com

It started as one piece of fabric which I dyed/printed. That fabric makes up the left two-thirds of the completed quilt.

I had great fun working on the details, especially adding some black hand stitching.

Fragrant Canopy - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Fragrant Canopy - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

I love everything about this quilt! Not only the results, but also the process and the things I learned.

See larger images and purchase information.

Ellen Lindner

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Floral Improv with the Tidewater Quilters, Part Two

In the second half of our Floral Improv class the students added stems and leaves to their compositions. First, we discussed how much each student wanted her foliage to show up. A little or a lot? This dictated her fabric choice. You’ll see very different preferences in these photos. (These photos were all taken at the end of our six hour class.)

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Karen’s quilt: low contrast stems, but high contrast leaves

Linda chose low contrast leaves and stems

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

This maker chose low contrast foliage. However, I’m not sure if this made by Debi or Faye, since they were sharing an iPad. Help me out, ladies.

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

And here’s the other one made by either Debi or Faye. Here, the foliage is fairly high contrast, but not enough to over power the flowers.

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Kara’s choice

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Mary Ellen really wanted to show off beautiful curving stems so she made them high contrast. She wisely omitted the leaves, since she already had enough going on.

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Kate selected a VERY low contrast fabric for stems and leaves. However, she’ll add contrasting stitching for definition. You can see a leaf on the left where she’s already started.

Finally, the students learned how to add definition to their poppies with contrasting stitching. It makes a huge difference!

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

See Marsha’s poppies bottom left.

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Deb got all her poppies stitched in class and they really came to life!

With 17 students, this class was almost full. That gave us plenty of energy, but we still covered A LOT of ground! I had a wonderful day with these ladies!

Ellen Lindner
P.S. Learn more about this class.

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Floral Improv with the Tidewater Quilters, Part One

The Tidewater Quilters, of Hampton Roads, VA, did a GREAT job in our Zoom Floral Improv class, back in August. As you’ll see from these photos taken at the end of our six hour class, they made a LOT of progress!

First, they learned how to make daisies without a pattern – both circular and oval versions.

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Debby’s quilt

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Karin’s quilt

Next, they learned to make poppies without a pattern.

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Nancy’s quilt.

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Deborah’s quilt

Then, I taught them a little about design and composition and they spent some time arranging their flowers. (No stems or leaves yet.)

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Lee with her quilt

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Susan with her quilt

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Pat with her quilt

 

Floral Improv with the Tidewater Quilters. Teacher Ellen Lindner, AdventureQuilter.com/blog

Charlene’s quilt

Didn’t they do a great job? This is only half the class. In part two I’ll show you more pictures and tell you what we covered in the latter half of the class.

Ellen Lindner
P.S. Floral Improv is a good class for traditional quilters who want to try something a little different. Read here to see if it’s a good fit for your guild.

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January Online Classes for YOU

Can you imagine life one month from now? After the fun (and stress) of Christmas. After the celebration of a New Year. In the midst of winter weather and a return to normalcy?

Doesn’t an online class sound about right? If so, you’re in luck. Road@Home (aka Road to California, virtual version,) will be January 20-23. I’ll be teaching three classes and there are many others to choose from, as well. See my offerings below.

Want to make a great quilt like this class sample? (Floral Improv)

Class sample for Ellen Lindner's "Floral Improv." AdventureQuilter.com

Or this one? (Double Reverse Applique)

Double Reverse Applique class sample. Ellen Lindner, AdventureQuilter.com

Or this one? (Love It and Leaf It)

Love It and Leaf It, class sample. Ellen Lindner, AdventureQuilter.com

I’ve been teaching these classes virtually since August and they work out really well. My students have enjoyed them and we’ve had NO technical glitches.

I think late January will be the perfect time for a change of pace! Click on each class title above to find full information.

Ellen Lindner

 

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Floral Improv “in” Ann Arbor

It sure is great to be able to interact with students and teach, via Zoom, to people across the country. I recently taught “Floral Improv” to a group of students in the Ann Arbor, MI area. They all did an excellent job and these late-in-the-day screen shots are proof.

Floral Improv "in" Ann Arbor

Woah, Grace got a LOT of flowers and foliage cut and placed, didn’t she? She’ll add black stitching to the flowers to add interest.

Working alongside her was her young friend, Emma. She’s only been sewing a few months, but she had no problems with a new technique.

Floral Improv "in" Ann Arbor

Claudia’s colors were actually much more vibrant that this, but this gives you an idea. (Claudia, I cropped you out because your eyes were closed.)

Floral Improv "in" Ann Arbor

Laura settled on her flower colors pretty quickly, but was still auditioning foliage fabrics late in the day. (The down side of having access to ALL your fabric when taking a class at home?)

Floral Improv "in" Ann Arbor

Mary wanted her flowers to be the stars so she opted for very low contrast foliage. Can you see that she’s added black stitching to some of her poppies, already?

Floral Improv "in" Ann Arbor

Lynne’s vibrant background fabric added another level of energy to her composition.

Floral Improv "in" Ann Arbor

Showing me their work can be tricky, but Mary Beth had it figured out. She took a photograph with her phone and held it up to the web camera. Where there’s a will there’s a way!

Floral Improv "in" Ann Arbor

Amy’s composition included a bird and a butterfly on her background fabric. They went well with her acid greens.

Floral Improv "in" Ann Arbor

Jean is already outlining her palest flowers to add contrast. Can you see where she’s done it already? It really makes a difference.

Floral Improv "in" Ann Arbor

Don’t you love how Wanda brought in a few flowers arcing down from the top right?

Floral Improv "in" Ann Arbor

Nico got especially creative. She clustered her flowers and made a vase for them. A very nice option!

Floral Improv "in" Ann Arbor

I had a fabulous day with these ladies and I think they’d say the same. It was SO wonderful to interact in this way after so many months of near isolation!

I strongly encourage your guild to get on the “Zoom wagon,” with me, or with some other teacher. It’s just way too much fun. If a workshop seems scary, start with just a lecture.

Information about my presentations.

Ellen Lindner
P.S. In this class students learn how to make two different types of flowers with no patterns. Then, they learn about composition and arrange their flowers. Leaves and stems are added last, and quilting begins. Students have already learned how to stitch their poppies with black thread in order to make them look more dimensional. Before you know it, it’s completely done.

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First Croton Leaf Complete

Here it is, A Croton Story, Chapter One.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.comAs you can see, the 3D aspect of it really adds a lot. Here’s a detail shot.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Final dimensions 24h x 11w x 1d.
Here are some studio shots.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

The stem was stiffened with thick interfacing and heavy stitching. Then, I wet fabric strips with gel medium (collage glue) and wrapped them around it. The result was nice and stiff, just like a stem should be.

Croton Story, Chapter 1. A 3D art quilt by Ellen Lindner, AdventureQuilter.com

I’m super happy with this piece! It required A LOT of experimenting and inventiveness.

Now, I’ve got the techniques down and I’m making a series of these in brighter colors. The fabrics are dyed and I’m making progress. I can’t wait to see them all together.

Ellen Lindner
P.S. These pieces will be available for purchase, at $175 each.

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Presenting Small Works – My Favorite Technique

Once, at a retreat, I was working on a horizontal piece about 11″ x 22.” When the public was allowed to wander through one person asked me “How much do you charge for a place mat like that?” That’s when I realized that people unfamiliar with art quilts will often interpret small textiles pieces as utilitarian. Since then I’ve tried to mount or frame my smallest pieces in a way that gives them more  presence.

My favorite way to do that was shown in my previous post. Many of you asked for more details, so here you go.

This piece, Croton Leaves #3, is mounted on the front of a piece of framed glass. I purchased the frame, glass, and white mat as a set. I used multiple strips of double-sided tape to secure the quilt to the glass.

Presenting Small Work - My Favorite Technique, by Ellen Lindner, AdventureQuilter.com/blog

I took the above photo with a flash, hoping to create a reflection that would identify the glass for you. That didn’t work so I turned on the adjacent lamp and tried again.

Presenting Small Work - My Favorite Technique, by Ellen Lindner, AdventureQuilter.com/blog

Now you can see what I mean. There’s glass there that’s reflecting the lamp, except where the quilt is. That’s because the quilt is in front of the glass.

Here’s a closer view, from another angle. As you can see, the quilt edges are completely finished.

Presenting Small Work - My Favorite Technique, by Ellen Lindner, AdventureQuilter.com/blog
And here’s an extreme side view showing you a little bit of the depth.

Presenting Small Work - My Favorite Technique, by Ellen Lindner, AdventureQuilter.com/blog
Make sense? Can you see how much significance it adds to the piece?

I’ve mounted small pieces in other ways:
– Same as above, but without the glass. (Mounting onto mat board that fills the frame.)
Mounted to the front of a “floating” frame: one that has no mat or backing, and is see through.
– If unquilted, mounted behind a mat, framed and with or without glass.
– Hand stitched onto a larger panel or artist’s canvas.Framing small works. Ellen Lindner, AdventureQuilter.com

Framing small works. Ellen Lindner, AdventureQuilter.com

– Glued to a smaller panel or canvas so the work invisibly floats away from the wall.

Here’s a big tip: if you want to try this I strongly suggest planning the size of your artwork beforehand. Pick a standard sized canvas or frame and then size your artwork to look good with it.

What’s your favorite tip for showcasing small pieces?

Ellen Lindner
P.S. Check out this earlier post with additional examples.

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