Tag Archives | Design

Quilt Design: Playing with Those Fabrics

Earlier I showed you the fabrics I dyed in anticipation of making a beet colored quilt. Next, it was time to start the quilt design. I knew I wanted the berry-colored fabrics to be the stars, with the yellows as accents. My first thought was to piece little sharp bits of yellow, but I wasn’t sure that played well with the idea of curvy beets. So, I decided to play with wonky, improvisational circles.

Maybe something like this.

Quilt Design: Playing with those fabrics. Ellen Lindner, AdventureQuilter.com/blog

I liked it!

I’ve been traveling and I took my fabrics with me. I made a few more units while away and tried them all laid on my hotel bed.

Quilt Design: Playing with those fabrics. Ellen Lindner, AdventureQuilter.com/blog

Definite potential for a quilt design!

And then, I played some more on the flight home. It’s amazing how sharp those little kiddie scissors are.

Quilt Design: Playing with those fabrics. Ellen Lindner, AdventureQuilter.com/blog

My plan is to make a lot more units and then to start arranging them on my design wall. Stay tuned!

Ellen Lindner
P.S. I’m just gluing these circles together. Fast and easy!

0

“Party Chatter” Complete

I’ve been having fun working on my “sour dough” quilt.

First, I decided on the placement of the leftover blocks. I cut a few of them into smaller units.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

I’m a believer in this quote from Sally Sellers, “It only takes a little ugly; just enough to make the other colors sing.” So, should I add a little ugly? I decided a small amount of yellow would do the trick.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

A nice start. Then, I added even more.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

I like it. What do you think?

Finally, I added the skinny dark teal strips. Because they’re so high contrast, they add a lot of drama, and really make the composition.

"Party Chatter" Complete. An art Quilt by Ellen Lindner, AdventureQuilter.com/blog

In the photo above, I started quilting it. I had lots of good suggestions about a title. But, to me, it seemed to represent some sort of social interaction. A lively, happy one. So, the name “Party Chatter” seemed to fit. Here’s the finished piece.

"Party Chatter" - detail. An art quilt by Ellen Lindner. AdventureQuilter.com
Check out my website for a detail shot and other information.

What do you think about adding a little bit of ugly?

Ellen Lindner

16

A “Sour Dough” Quilt

I’ve never made sour dough bread, but I know that it requires a starter. And also that some of the ingredients are reserved for a future loaf. With this in mind, I think my current project is a “sour dough” quilt.

It all started with these blocks that were leftover from an earlier project. These were the starter. (Each mini composition is held together with glue.)

A Fabric-Inspired Quilt. Ellen Lindner, AdventureQuilter.com/blog

I didn’t really have a plan, but I put a piece of muslin up on my design wall and started slowly adding the blocks.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

I immediately liked the colors and the energy of the oddball shapes. However, it was clear to me that I wouldn’t want to butt the pieces right up next to each other. Doing so would make all the shapes merge together. Instead, I’d need a dark or light fabric separating the colorful shapes.

That made me think of Susan Lapham’s quilts. She often uses white between here blocks and connects them with skinny black strips. I decided to emulate her style for this one.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

Initially, I added white blocks as I was creating the composition. But, I realized it would be easier to add the white at the end. The white fabrics are also starters, since they were torn for an earlier project, but never used.

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

I switched to dark teal strips pretty earlier on. (And I fused the back of that fabric: very unusual for me.)

A "Sour Dough" Quilt. Elen Lindner, AdventureQuilter.com/blog

At this stage, I can see that I need some smaller pieces. Maybe I’ll cut some of my blocks or maybe I’ll add some fresh cut little squares. And what about adding an accent of a new color? It’s all up for consideration.

I’ve really been enjoying this little project. What fun things have you been working on lately?

Ellen Lindner

4

“Indian River Fruit” Complete

I’m really happy with my latest quilt, Indian River Fruit.

Indian River - an art quilt by Ellen Lindner. AdventureQuilter.com

With the exception of one piece, I hand dyed all of these fabrics. As I’ve mentioned before, I’ve found it somewhat challenging to use these high-contrast fabrics together. This time, though, I think I hit the sweet spot. I love the contrast between the large circles, the near solid sections, and the grids.

I quilted it to show off the various fabric designs:

Indian River Fruit - quilting detail. Ellen Lindner, AdventureQuilter.com

I’m looking forward to working with my hand-dyed fabrics some more!

Find more details about this piece.

Ellen Lindner

 

0

Fabric-Led Design

My latest quilt has been coming together nicely, even though the fabrics are a little bit diverse. The colors, patterns, and values of the fabrics have dictated what looks good where and the fabric sizes have determined what will actually fit where.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

Things evolved on the design wall as I folded and auditioned fabrics in different locations. I didn’t cut them until I was pretty sure about what I was doing!

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

As you can see, I was trying to move the colors and patterns throughout. I was getting close, but I thought the two yellow fabrics on the right, below, needed a darker spot between them. This is one of the fabrics I auditioned as a solution.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

You can see that I decided to use it, but in a much more narrow piece.

And the big surprise: I decided I liked the quieter parts of the quilt the best, so I removed the busy patterned piece that was on the far left.

Fabric-led Design. Ellen Lindner, AdventureQuilter.com/blog

This is the final version, before quilting.

BTW, the construction time on this quilt was very short, due to the large pieces of fabric. But, it’s taking me quite a while to quilt it!

Ellen Lindner

 

 

2

Variety of Scale

Lately, I’ve been really concentrating on using a “variety of scale” in the patterns and compositions I’ve been using. First,  in a collage course  I took  with  Jane  Davies.  After  making  and  cropping  small  collages  she  directed  us  to  add  details  with  markers.  (I never  asked  for  her  feedback  on  these,  so  they’re  MY  interpretation  of  what  might  work.)

With each one I asked, “Where is there a big spot that needs some interest?” I thought this first one looked pretty good without any additions, but I thought a tiny line would add interest. And it did!

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Next question, “Should the additions emphasize what’s already there, or should I add an entirely new shape or color?” You can see that I’ve used both.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

I often let my new elements extend over two different pieces. This worked visually, since the small scale of the new items didn’t obliterate the larger pieces.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Sometimes I followed Jane’s example of changing marker colors as the background color changed.

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

Some compositions needed very little added. But, it does make a difference, don’t you think?

Variety of Scale. Ellen Lindner, AdventureQuilter.com/blog

I’ve also been thinking about variety of scale as I’ve been trying to use several favorite fabrics together in the same piece. Most of them were large in scale, so I found myself matching them up with near solids and quieter neutrals. Early progress is shown below.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

I was liking these together. They were a challenging, but fun, mix.

Ellen Lindner

0

Using Large Scale Fabrics

I’ve finally done it: I’ve cut into some of my favorite fabrics.

This is where it all started. I wondered if I could successfully use some/all of these hand-dyed fabrics together.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

The one with the large orange circles is my favorites. Because of it’s scale I knew it would have to be used very purposefully. I looked for other fabrics with the same colors and threw them up on the design wall. I could see that the top fabrics provided nice “clean” lines and could probably add the needed contrast. I was less sure about the busy ones a the bottom.

(These fabrics are mostly 44″ long, larger than I’m used to working with. As you can see, they pretty well took over my 5′ x 4′ design wall.)

At any rate, I was confident enough to make the first few cuts, and to begin arranging things on the design wall.

Using Large Scale Prints. Ellen Lindner, AdventureQuilter.com/blog

Ooh, I was immediately loving it! The central fabric with the navy (by Pat Pauly) added needed value contrast. I knew I’d need more of that, but I didn’t have any other dyed navy. No worries: I own A LOT of commercial fabric!

Gee, I’ve been having fun with this. Stumped on what the name might be, though. Any ideas?

Ellen Lindner

0

Cropping and Negative Space

After making small collages our online instructor, Jane Davies, asked us to visually crop them and to pay attention to negative space. Well, I’m sort of “known” for cropping things, so I was right in my comfort zone!

Before:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

After:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

As expected, everything looked better when cropped. There were several reasons for this:
– Due to the sizes of the backgrounds and the added shapes, there was just too much blank background in some of these.
– When an element runs off the edge of a composition, it engages the viewer more. The viewer subconsciously realizes that the shape continues and this holds their interest.
– *The background (negative) space becomes more interesting. Look at the example above. Initially the background was one large sort of doughnut-shaped piece of white. After cropping, it became 4 different, and more interesting shapes.

Here are some more examples:

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

Cropping and Negative Space. Ellen Lindner, AdventureQuilter.com/blog

They’re all better after cropping, right?

As a painter, Jane advised us NOT to physically crop our work, but to get comfortable with filling the size of the canvas, instead. As a fabric artist, I think I can safely ignore that advice. (Let’s hope so, because I’ve been cropping for years!)

Have you ever considered cropping your work? I find it to be a very useful design tool.

Ellen Lindner
P.S. See my most dramatic crop.
P.P.S. If you liked that article, you may be interested in others.

0

Playing with Colored Pieces of Paper

You can’t work with a bunch of pieces of colored paper without seeing some design possibilities!

As part of my online class with Jane Davies, I was arranging, and rearranging, and rearranging again a wide array of colors and shapes.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Our first assignment was to make a largish collage with multiple pieces. Mine missed the mark (although I had fun doing it.)

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Along the way, I was seduced by all the colors and I just HAD to play with them outside the scope of the class exercises. I played with monochromatic greys. Look how nicely they set off soft colors. Could I use enough restraint to create with these colors in fabric? I’m not sure.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Then, I saw a photo of a red beet and a gold beet. So, I had to play with those colors a little. A little sharp, perhaps, but still something I may want to explore in the future.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

Eventually, we got to make collages with just three pieces and I was swimming back in more comfortable waters. Quite a few of these were successful, but I know Jane will have us alter them in the next step. I’m very interested to see what we’ll do with them.

Playing with Colored Pieces of Paper. Ellen Lindner, AdventureQuilter.com

When was the last time you took a class that didn’t involve fabric? I think it’s a really good way to explore new ideas and I feel confident some of these will find their way into my fabric  collages.

Ellen Lindner

0

Christmas Cactus Abstracted

Inspired by a Christmas cactus. Ellen Lindner, AdventureQuilter.com
After studying my photo of a Christmas cactus, I decided to try abstracting it with one repeated shape. Maybe something like these “spike” shapes. Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com
Yes, I thought they worked well.

My original idea was to fill the entire space with this shape, just changing the color for background grass, brick, etc. But, when I tried that for grass I didn’t like it at all. Especially since just a few shapes were so effective.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

So, I decided to depict the actual plant only.

Here it’s shown as a square. I thought it would probably be better if I cropped off some of the left area.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

From there things fell together easily. Here it is, well under way.

Christmas Cactus Abstraction. Ellen Lindner, AdventureQuilter.com

I was loving how it was coming together and I didn’t want to over work it. Audition. Edit. Repeat.

I think I’ll have this one finished quickly. Stay tuned.

Ellen Lindner
P.S. I’m not sure how to quilt the background. I’ll have to give that a good bit of thought.

6