Designing with a Message in Mind

Most of my designs start with something visual. I’m inspired by a combination of colors, a particular photo, or the pattern of some fabric. I’m not particularly good at (or comfortable with) designing for a particular theme or idea.  Yet that is exactly where I found myself a short time ago.

I wanted to create a piece for a regional exhibit called “Perspectives.” My idea was to do something that played up the idea of conflicting points of view. This came to me as I was creating my latest quilt and working with this fabric.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

Don’t you think it could represent crossed lines of communication?  That was my idea, so I started sketching.

Designing with a Message in Mind.  Ellen Lindner, AdventureQuilter.com/blog

Hmm.  It turns out that crossed lines aren’t that great a composition.

What about lines that cross wildly?

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Yes, that’s much more interesting. And those squiggly lines reminded me of some of the exercises I had done while reading Jane Davies’ book. Some included large bulky shapes overlaid with interesting scribbled lines.

I sketched several ideas.

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

And decided on this one.

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Yes, that had promise. And since it was basically just 3 large elements, I had it composed in no time (without the scribble.)

Designing with a Message in Mind. Ellen Lindner, AdventureQuilter.com/blog

Next, I quilted it.  I knew that would make adding the black squiggle much easier.

I was off and running and enjoying the Adrenalin ride!

Ellen Lindner
P.S. The orange fabric I used is the one I “ruined” with too much bright orange. I toned it down with an overdye and I love it here. Most other fabrics are also my hand dyes.

0

Floral Improv in Bradenton

I recently taught “Floral Improv” in Bradenton, FL.  With only five students in the class, everyone got lots of attention and made good progress.

Mary was able to complete all of her quilting in class.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Check out her fabulous results, in-progress below.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

See how much the quilting adds to it, below?

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Carol used her own hand dyed fabrics for the flowers and they were so lovely together.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Darlene was all smiles after fusing her piece.  She’ll finish up with some more stitching later.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

KK was inspired by some baby zinnias and even brought them to class as her models.  Because they have more petals than the daisies we were making she had a LOT more cutting to do! But, she worked hard and had all her flowers in place by the end of class. They look great, don’t they?

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

Ellen was even more adventurous. She brought photos of Japanese Ti Plants as her inspiration.

Here, the building cat came to “help”her, while Mary took photos in the background. It didn’t take us long to decide that we didn’t actually need feline assistance.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

And here’s Ellen’s work part-way through class. Very dramatic, right? The colors really pop against the black.

Floral Improv in Bradenton. Ellen Lindner, AdventureQuilter.com/blog

As always, it was a fun class.  Everyone enjoyed it, including me!

I’d love to come teach it for your group.

Ellen Lindner

0

“Rhythm of the City” Complete

Rhythm of the City, an art quilt by Ellen Lindner. AdventureQuilter.com

My latest quilt, Rhythm of the City, is now complete.  It’s made almost entirely with fabrics I dyed myself.  I’m very happy with both the fabrics and the composition.

I added additional pattern and interest with couched heavy black thread. I think it adds a lot.

Rhythm of the City - detail, an art quilt by Ellen Lindner. AdventureQuilter.com

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

More information about this quilt

Audition this quilt in your home

I’m looking forward to working with these fabrics again, and I have something totally different in mind.

Ellen Lindner
P.S. My Facebook followers were a big help with naming this quilt. Thanks for the suggestions, everyone!

2

Test 2 with Eye Candy

Still testing one of my blog features.  Here’s a little eye candy in appreciation for putting up with this.

This is Carefree, on of my favorite pieces.  It features my son and two of his cousins skipping down my parents’ farm road.

Click for a larger image

Carefree, a fabric collage by Ellen Lindner. AdventureQuilter.com

Ellen Lindner

1

Completing the Composition

After playing around with my dyed fabrics and potential compositions I felt more confident in moving forward. I decided the fabric pieces needed to be something other than parallel.  Maybe tilted like this.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

My first (Round B) arrangement.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog
I liked the tilting, but once again, I had the same problem: this piece was too busy.  I had to reluctantly admit that my favorite (central) fabric was causing the problem.  I confirmed this diagnosis by pinning some solid fabrics over the busiest patterns. Sure enough, this was a definite improvement.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog
Soon, I had the bottom portion cut and pinned in place.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

I added white fabrics (again, dyed by me.) I was very happy with it at this point, except I noticed that the pattern was mostly on the right.  I wondered if some pattern needed to be added to the left.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

Eventually, I decided to add more black gridded areas.  And I did so by couching black thread. I think it was effective.

Completing the Composition. Ellen Lindner, AdventureQuilter.com/blog

On to quilting.  Stay tuned for a photo of the finished quilt.

Ellen Lindner

2

Designing with Patterned Fabric

After dyeing ALL THOSE FABRICS I was really anxious to cut into them.  Of course, I started with one of my favorite fabrics and selected additional fabrics to go with it.

Click any image for a larger view

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

The part outlined in purple, above, is all one piece of fabric: one of my favorites. It’s fairly large, at about 3/4 yard.  I printed it with cutting up in mind.  My goal was to have multiple colors and multiple patterns that could go together. I think I succeeded with that, but cutting it up and rearranging it proved more difficult than I had imagined.

In one of my more brilliant moments, I decided to print out this fabric (and some others) on paper and to initially work them in this fashion. This proved to be very helpful.

For my first attempt I cut the “fabric” into 3 approximately equal vertical panels. I rearranged them and even turned one upside down.  As you can see, this created lots of energy, but it was pretty chaotic.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

Next version: I cut off one end of the orange gridded portion, which allowed me to break up some of that busy gridded section with a more solid piece.  I liked the result, as well as the jagged shape of the top.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

3rd paper version: I was trying to edit it down to the stuff I felt fairly certain about.  That  included:
– Cutting the fabric vertically
– Cutting the fabric at least once again
– Adding some “solid”

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

At this point I felt like I had enough knowledge to move into slicing fabric.  (Eeep!) This was my first attempt, with mostly folded fabrics pinned into place for audition purposes.  My conclusion? Great colors but FAR from cohesive!

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

And then this.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

At least I edited some things out, but it still looked very busy.  At this point I began to suspect that my FAVORITE fabric could be to blame.  Oh, I hoped I was wrong!  I sure didn’t want to lose any of it!

I was a little stumped at this point, so I pulled out my sketch books.  I searched for a design I might like to work with and auditioned my fabrics with it.  See that sketch in the photo below, on the right.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

And here it is with my fabrics. As you can see I’m not cutting the fabric, but rather, folding it and pinning it into place.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

I thought that had a good bit of promise.

But, what if these gridded fabrics became a small part of the story rather than the stars?  I added a bunch of near solids and liked the selection quite a lot.

Designing with Patterned Fabric. Ellen Lindner, AdventureQuilter.com/blog

Although both of these ideas appealed to me quite a bit I still really wanted to feature that favorite fabric.  However, I think this “sketching with fabric” helped me to break me free from being unable to consider anything else. I’ll show you where I went next in an upcoming post.

Ellen Lindner
P.S. Please give me some feedback on the image size your prefer in these posts.  I love to use the larger size of the first image, but I’m afraid it will require scrolling in smaller devices.  Which size do you prefer? (Click Contact Ellen at the very bottom to send me an email.) Udpate: Thanks to Kristin’s suggestion, I’ve now set all the images so a click on any of them will show a larger version.  Brilliant suggestion, Kristin!

3

Favorite Background Technique

Now THIS is fun! Scoop up some thickened dye with a stiff squeegee (think large credit card,) and smear it onto some fabric. It spreads into glorious color and makes a very satisfying swishing noise at the same time.

I started with yellow and then added yellow-orange,(which looks dark orange when it’s this thick.)

Favorite background technique. Ellen Lindner, AdventureQuilter.com

But, it DID look mighty orange.  Next, I added orange. Hmm, there was no color change. Then, I realized that my yellow-orange had been contaminated with deep orange.  Oops.  This is going to be very orange!

Favorite background technique. Ellen Lindner, AdventureQuilter.com

Finally, I added red and got this, (still wet.)

Favorite background technique. Ellen Lindner, AdventureQuilter.com

When dry it looked like this, which was more orange than I really wanted. (No surprise.)

Favorite background technique. Ellen Lindner, AdventureQuilter.com

No worries. I over dyed it and got some very useful fabric. (I took a photo, but it doesn’t really show the difference.  You’ll have to trust me on this one.)

So, my overly orange fabric isn’t a very good example of this great technique.  Here’s another one I did the same way.  Can you see how I just swept the color on?  And that became the “pattern” for the piece.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

See the finished fabric – one of my favorites.

If you’re a dyer you’ll definitely want to try this technique when creating a background.

Ellen Lindner

2

Oops! Dyeing Duds

You can’t get it right all the time.  And knowing that relieves a certain amount of any perfectionist tendencies.  I fully embrace the unexpected “mistakes.”  Like this one. This was created with a special type of interfacing stencil.  It’s shown wet here, which means it’s darker than it will be after washing.

Oops! Dyeing Dogs. Ellen Lindner, AdventureQuilter.com/blog

BUT.  If you have forgotten to soak your fabric in soda ash before adding the stenciled dye nearly ALL of the color will wash out.  Like this. Oh well.  It will be a nice background for something else.

Oops! Dyeing Dogs. Ellen Lindner, AdventureQuilter.com/blog

And then there’s this piece, which looks WAY better in this photo than it does in real life.  It’s a jumble of dull and dark greens.  But, that’s not the ugliest part. That part is played by the black triangles I drew on with a syringe.  Oh my! My technique was off and I got horrible blobs and runs everywhere. So, I immediately washed the whole thing, hoping the black wouldn’t have time to cure/set.  No such luck, so the dry version is almost as ugly – now with gray drawn triangles. But, oh well.  I needed another clean up rag, right?

Oops! Dyeing Dogs. Ellen Lindner, AdventureQuilter.com/blog

Check out my other posts for some decent results.

Ellen Lindner

2

“New” Fabric

After over dyeing fabrics from previous sessions, my ordered fabric arrived and I jumped at the opportunity to make some “new fabric.”  That is, starting with plain white fabric. I had plans and was excited to implement them!

This one was meant to go with a favorite fabric.  Therefore, I repeated the pattern and some of the colors.

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

It’s VERY easy to get carried away when painting with a syringe, shown below.  It’s just so much fun! The paint just glides on and you get to scribble.  I think the hard part is not going overboard with this sort of thing. (Note the grid and colors which will match the fabric above.)

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

These two were made with a glue resist drawn directly on the fabric.  Once it was dry, I squeegeed on thickened dye in my usual fashion.  The glue washed out with the usual washing.  I really like the results!

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

How cool are these little lines?

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

Of course, most fabrics need more than one layer of color, so some over dyeing is also called for. This nearly solid fuchsia isn’t QUITE as bright as it looks in this photo, but it’s pretty close.  It definitely needed some over painting of some sort, in a darker color.

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

And here it is, (bottom) with a dark blue grid added.  (This color is much more accurate.) The darker color definitely toned it down a bit, and added some much needed interest.

"New" Fabric. Ellen Lindner, AdventureQuilter.com/blog

In the top fabric shown above, I used patterns predominant in my last 2 dye sessions: a grid and a petal.  That way I’ll have versatility with the fabric and can use it with either combo.

Having fun!!!
Ellen Lindner

2

Favorite Fabrics

I’ve had some good results with my fabric dyeing.  I was going to show you the “regular” stuff and save my favorites for last.  But who has such restraint? So here they are: my favorite fabrics from my recent bout of dyeing.

For the large piece on the left below, my goal was to use multiple colors but with some repetition of pattern. I was thinking that different sections could be used together. The two pieces on the right were specifically dyed to go with the first one.  I’m liking the combo A LOT.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

The color palette was inspired by this clean up rag. I wanted to play up the yellow-orange, (rather than my typical red-orange.)

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

Then there’s this fabric.  Again, I wanted multiple colors and had great fun just sweeping them on with a stiff squeegee (like a large credit card.)This is what it looked like wet.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

Of course, the colors always look darker when it’s wet.  Here’s what it looked like dry, with some black marks added.

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

I love it!  The colors came out exactly as I expected and wanted. Don’t you love the black marks?  Can you see how the sweeping ones mirror the motion of my arm as I applied the background color?

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

The long sweeping lines were made with a credit card.  And an open grid served as a stamp.  I applied it with pressure from my hand and soon found that I had a grid imprint on my glove.  Well, I couldn’t waste that, so it went onto the fabric, too. Can you find it?  (I did about 3 hand prints.)

Favorite dyed fabrics. Ellen Lindner, AdventureQuilter.com/blog

I can’t wait to use these awesome fabrics!

Ellen Lindner

4